From Sorcery to Stocks: The Legend of the Witch of Wall Street

The phrase "Witch of Wall Street" is a nickname given to the American investor and businesswoman, Hetty Green. Hetty Green was born in 1834 and lived until 1916. She gained her nickname due to her shrewd and often ruthless investment practices. Hetty Green came from a wealthy family and was able to invest her own money from an early age. She had a keen interest in finance and was known for her ability to find lucrative investment opportunities. However, her methods were often unconventional and she was not afraid to take risks.

At their core, common, everyday objects and seemingly mundane items from the natural world are re-engineered into complex crystalline circuits which allow for higher dimensional healing energy, guidance and enlightenment to flow. Talismans are a living, pulsing device of Otherworldly energy. The technology utilized in their construction is an ancient form of alchemical science. Through a practitioner’s cultivation practice done mostly in trance states of altered consciousness, Spirit and the Ancestors work to license, bless and endow ordinary objects for Divine use in our third dimensional realm.

At their core, common, everyday objects and seemingly mundane items from the natural world are re-engineered into complex crystalline circuits which allow for higher dimensional healing energy, guidance and enlightenment to flow. But somewhere in the Plains states, a farmer named Cooper Matthew McConaughey continues to grow corn, a still-viable crop, and raise a family Murph, a bright spark of a 10-year-old played with requisite luminosity by Mackenzie Foy , and a son Tom Timothée Chalamet.

However, her methods were often unconventional and she was not afraid to take risks. She was known to be incredibly frugal and would often wear old clothes and eat inexpensive meals, despite her immense wealth. One of Hetty Green's most famous investments was in the "New York Gold Corner" of 1869.

'Interstellar': Out of this world and lost in space

Einsteinian, Kubrickian, Malickian, Steinbeckian - Interstellar, Christopher Nolan's epically ambitious space opera, is all that. And more. And, alas, less.

Einsteinian, Kubrickian, Malickian, Steinbeckian -

Interstellar

, Christopher Nolan's epically ambitious space opera, is all that. And more.

Juggling the ricocheting notions of the theory of relativity, the metaphysical meditations of 2001: A Space Odyssey, the symphonic connectivity of The Tree of Life, and the Dust Bowl doom of The Grapes of Wrath, and filming it with a giant Imax camera - Nolan's Interstellar is a feat not to be taken lightly. But the director, who already has probed the honeycombs of the inner universe in his low-budget memory mystery Memento and his high-budget dream-world thriller Inception, gets lost somewhere out there on the space-time continuum - his lofty queries about quantum physics and the human spirit weighed down in sci-fi cliches, in default-mode dialogue, and in characters (especially the women) rendered in two dimensions, never mind the fourth and fifth dimensions everyone is talking about.

Our story begins on planet Earth in the not-too-distant future. Food supplies have diminished drastically. Decades of environmental recklessness have made vast swaths of the globe uninhabitable. But somewhere in the Plains states, a farmer named Cooper (Matthew McConaughey) continues to grow corn, a still-viable crop, and raise a family: Murph, a "bright spark" of a 10-year-old (played with requisite luminosity by Mackenzie Foy), and a son Tom (Timothée Chalamet). His wife is dead, but her father, Donald (John Lithgow), also lives on the family farm, reminding Cooper when he has a teacher conference, reminding the kids what their mother was like. Young Murph is convinced a ghost is in the house: The books on the bookshelf move, objects quiver.

Cooper wasn't always a farmer. In fact, he was a NASA pilot. When he and Murph accidentally stumble on a government facility (Was it really accidental? we're asked to ponder), he gets recruited for a top-secret mission. "You're the best pilot we've ever had," Professor Brand (Michael Caine, Nolan's go-to talisman) tells him. Cooper, he says, needs to lead the crew - Anne Hathaway, David Gyasi, Wes Bentley, and a sentient robot (the voice of Bill Irwin) - about to launch straight at a wormhole near Saturn. On the other side of this intergalactic tunnel: three planets that may prove viable for humankind. Our time on Earth is about to expire.

Interstellar doesn't expire for two hours and 49 minutes. But the Endurance, the NASA ship set to rocket to that final frontier, has a two-year trajectory. Time is a tricky thing - just ask your dog, who is seven times older (or younger?) than you are. Or ask Cooper, when he and Hathaway's Amelia Brand (yes, the professor's daughter) plot the most expeditious exploratory landing they can manage. For every hour they dawdle on one of these new planets, seven years will have passed back on Earth.

Interstellar, with its black holes and gravitational anomalies, is full of head-scratching math. Back on Earth, Jessica Chastain does most of the head-scratching, running around the NASA HQ scribbling notations, emitting the same urgent vibe she had as the CIA officer hunting down Osama bin Laden in Zero Dark Thirty.

Casey Affleck also figures into Nolan's equation. Chastain and Affleck's characters are byproducts of a screenplay that travels through a meteor storm of theoretical physics. Dylan Thomas also is prominent: Caine's old professor, sad-eyed and saddled with the job of saving humanity, spouts a few lines of the Welsh poet's defiant "Do Not Go Gentle Into That Good Night." ("Old age should burn and rave at close of day; Rage, rage against the dying of the light," and so on.) The incantations echo through the soundtrack, along with composer Hans Zimmer's surging pipe organ.

Interstellar is an experience. Nolan's vision of our galaxy, and galaxies beyond, is daunting, majestic; the hardware of space travel looks right, almost familiar. And like his Dark Knight trilogy, this is something to behold on a big screen - as big as you can get. It's only when he (and cowriting sibling Jonathan Nolan) try to give stature to the humans aboard the Endurance, or scrambling frantically back on terra firma, that the pieces begin to get out of whack.

And, ultimately, kind of wacky, too.

New Arrivals from the Shores of The Future.

She famously made a profit of around $1.25 million during this time, a substantial amount of money at the time. This investment solidified her reputation as a savvy investor and further contributed to her nickname. However, Hetty Green's success did not come without controversy. She was known to be notoriously difficult to deal with. She would often fight tooth and nail to protect her investments, even resorting to lawsuits if necessary. This aggressive and sometimes ruthless approach earned her a reputation as one of the toughest and most demanding investors on Wall Street. Despite her nickname and reputation, Hetty Green's investment tactics were ultimately successful. By the time of her death in 1916, she had accumulated a fortune of over $100 million, making her one of the wealthiest women in the world at the time. Hetty Green's story is often seen as a cautionary tale of the dark side of wealth and power. While her success is admirable, her methods and personality left a lasting impact on how she is remembered. The nickname "Witch of Wall Street" serves as a reminder of her strong will, determination, and unrelenting pursuit of financial gain..

Reviews for "Unmasking the Witch: Inside the Mind of Wall Street's Mysterious Millionaire"

1. John Doe - 1 star - I was highly disappointed with "Witch of Wall Street". The story lacked depth and the characters were one-dimensional. The film tried too hard to be edgy and provocative, but it came across as juvenile and forced. The acting was equally disappointing, with wooden performances and a lack of chemistry between the actors. Overall, "Witch of Wall Street" was a complete letdown and I would not recommend wasting your time on it.

2. Jane Smith - 2 stars - I had high hopes for "Witch of Wall Street", but unfortunately, it fell short of my expectations. The plot was confusing and poorly executed, leaving me feeling disconnected from the story. The pacing was also off, with slow and draggy scenes that made it difficult to stay engaged. While the visuals and cinematography were impressive, they couldn't make up for the lackluster storytelling. In the end, "Witch of Wall Street" was a forgettable film that left me feeling unsatisfied.

3. Tom Johnson - 1 star - "Witch of Wall Street" was a complete waste of time. The entire film felt like a disjointed mess, with no clear direction or purpose. The dialogue was cringe-worthy, filled with cliches and clunky lines. The characters were unlikable and lacked depth, making it impossible to develop any emotional connection to the story. Overall, "Witch of Wall Street" was an absolute disaster and I regret spending my time watching it. Save yourself the disappointment and skip this one.

Black Magic on Wall Street: The Witch's Strategies for Success