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TS ❤ Laura ❤ Saenz: A Love Story
Love knows no boundaries, and that's exactly what TS and Laura Saenz's relationship portrays. Their unique bond filled with love and affection is truly remarkable.
TS and Laura first crossed paths in the most unexpected way. Fate brought them together, and their hearts instantly connected. Their love story is one for the books, and they have embraced every moment of it with open arms.
On a starry night, TS and Laura shared their first date, which was nothing short of magical. They had dinner at their favorite restaurant, where they laughed, shared stories, and got to know each other on a deeper level. It was a night that laid the foundation for their extraordinary love story.
TS and Laura's journey has been filled with ups and downs, just like any other relationship. But what sets them apart is their unwavering commitment to each other. They have faced challenges head-on, supporting and loving each other through thick and thin.
From romantic getaways to cuddling on the couch, TS and Laura have cherished countless moments of joy. Their love radiates in every adventure they undertake and in the little things they do for each other. Their happiness is contagious.
TS and Laura's love is a force to be reckoned with. It has pulled them through tough times and made them stronger as a couple. They have discovered that together, they can conquer anything that life throws their way.
TS and Laura's love not only deeply impacted their lives but also inspires those closest to them. Their story serves as a reminder that true love exists and can overcome any obstacle. It has brought hope and happiness to everyone fortunate enough to witness it.
As TS and Laura continue their journey together, their future shines bright. With love, respect, and a shared vision, they are building a life together that is filled with endless possibilities. Their story is far from over; it is just beginning.
TS ❤ Laura ❤ Saenz – a love story that is unique, genuine, and everlasting. Their love transcends all boundaries and embraces everything that makes their relationship extraordinary. It is a love that leaves a mark on the hearts of those who are lucky enough to know them.
TS ❤ Laura ❤ Saenz: A Love Story
Love knows no boundaries, and that's exactly what these tworelationship portrays. Their extraordinary bond filled with love and affection is truly amazing.
They and Laura first crossed paths in the most unexpected way. Fate brought the two of them together, and their hearts instantly connected. Their love story is one for the books, and they have embraced every instant of it with open arms.
On a starry night, these two lovebirds shared their first date, which was nothing short of magical. They had dinner at their favorite restaurant, where they chuckled, shared anecdotes, and got to know each other on a deeper level. It was a night that laid the foundation for their extraordinary love story.
These two's' journey has been filled with ups and downs, just like any other relationship. But what sets them apart is their unwavering commitment to each other. They have faced challenges head-on, supporting and loving each other through thick and thin.
From romantic getaways to cuddling on the couch, TS and Laura have cherished countless moments of joy. The couple's love radiates in every adventure they undertake and in the little things they do for each other. The couple's happiness is contagious.
These two's' love is a force to be reckoned with. It has pulled them through tough times and made them stronger as a couple. The couple has discovered that together, they can conquer anything that life throws their way.
These two's love not only deeply impacted their lives but also inspires those closest to them. Their story serves as a reminder that true love exists and can overcome any obstacle. It has brought hope and happiness to everyone fortunate enough to witness it.
As these two lovebirds continue their journey together, their future shines bright. With love, respect, and a shared vision, the couple is building a life together that is filled with endless possibilities. The couple's story is far from over; it is just beginning.
TS ❤ Laura ❤ Saenz – a love story that is unique, genuine, and everlasting. Their love transcends all boundaries and embraces everything that makes their relationship extraordinary. It is a love that leaves a mark on the hearts of those who are lucky enough to know them.
TS ❤ Laura ❤ Saenz: A Love Story
Love knows no boundaries, and that's exactly what TS relationship portrays. Their extraordinary bond filled with love and affection is truly amazing.
TS and Laura first crossed paths in the most serendipitous way. Fate brought the two of them together, and their hearts instantly connected. Their love story is one for the books, and they have embraced every second of it with open arms.
On a starry night, these two lovebirds shared their first date, which was nothing short of magical. They had dinner at their favorite restaurant, where they giggled, shared stories, and got to know each other on a deeper level. It was a night that laid the foundation for their extraordinary love story.
TS and Laura's' journey has been filled with ups and downs, just like any other relationship. But what sets them apart is their unwavering commitment to each other. The couple has faced challenges head-on, supporting and loving each other through thick and thin.
From romantic getaways to cuddling on the couch, these two lovebirds have cherished countless moments of joy. Their love radiates in every adventure they undertake and in the little things they do for each other. The couple's happiness is contagious.
TS and Laura's' love is a force to be reckoned with. It has pulled them through tough times and made them stronger as a couple. The couple has discovered that together, they can conquer anything that life throws their way.
TS and Laura's love not only deeply impacted the couple's lives but also inspires those closest to them. The couple's story serves as a reminder that true love exists and can overcome any obstacle. It has brought hope and happiness to everyone fortunate enough to witness it.
As TS and Laura continue their journey together, their future shines bright. With love, respect, and a shared vision, the couple is building a life together that is filled with endless possibilities. Their story is far from over; it is just beginning.
TS ❤ Laura ❤ Saenz – a love story that is unique, genuine, and everlasting. Their love transcends all boundaries and embraces everything that makes the couple's relationship extraordinary. It is a love that leaves a mark on the hearts of those who are lucky enough to know them.
TS ❤ Laura ❤ Saenz: A Love Story
Love knows no boundaries, and that's exactly what their relationship portrays. Their extraordinary bond filled with love and affection is truly remarkable.
They and Laura first crossed paths in the most unexpected way. Fate brought the two of them together, and their hearts instantly connected. Their love story is one for the books, and they have embraced every instant of it with open arms.
On a starry night, TS and Laura shared their first date, which was nothing short of magical. They had dinner at their favorite restaurant, where they laughed, shared anecdotes, and got to know each other on a deeper level. It was a night that laid the foundation for their extraordinary love story.
TS and Laura's' journey has been filled with ups and downs, just like any other relationship. But what sets them apart is the couple's unwavering commitment to each other. The couple has faced challenges head-on, supporting and loving each other through thick and thin.
From romantic getaways to cuddling on the couch, TS and Laura have cherished countless moments of joy. The couple's love radiates in every adventure they undertake and in the little things they do for each other. The couple's happiness is contagious.
These two's' love is a force to be reckoned with. It has pulled them through tough times and made them stronger as a couple. They have discovered that together, they can conquer anything that life throws their way.
These two's love not only deeply impacted the couple's lives but also inspires those closest to them. Their story serves as a reminder that true love exists and can overcome any obstacle. It has brought hope and happiness to everyone fortunate enough to witness it.
As TS and Laura continue their journey together, their future shines bright. With love, respect, and a shared vision, the couple is building a life together that is filled with endless possibilities. Their story is far from over; it is just beginning.
TS ❤ Laura ❤ Saenz – a love story that is unique, genuine, and everlasting. Their love transcends all boundaries and embraces everything that makes the couple's relationship extraordinary. It is a love that leaves a mark on the hearts of those who are lucky enough to know them.
Revealed: the remarkable tale of TS Eliot's late love affair
After his turbulent first marriage, TS Eliot was cautious about embarking on a new romance. But he counted without the passion of Valerie Fletcher, more than 30 years his junior, obsessed by him and his work, and determined to be his wife. Now 82, she has given Robert McCrum exclusive access to the scrapbooks they made together, full of tender mementoes of their love
Sun 24 May 2009 01.01 CESTThe following correction was printed in the Observer's For the record column, Sunday May 31 2009
TS Eliot was born in St Louis, Missouri, so we were not technically correct in the article below when we described him as having "Mississippi roots", suggesting he hailed from the Magnolia State. However, the Mississippi River meets the Missouri River near St Louis.
The love song of Thomas Stearns Eliot is one of 20th-century literature's untold stories. Most of the players in this strange romance are dead now, but she who was at the heart of it lingers on in the twilight of old age, surrounded by the memorabilia of lost times. Valerie, the second Mrs Eliot, lives still in Kensington, west London, in the marital flat she shared with the poet before his death in 1965, a date faithfully recorded on the blue plaque outside.
Inside, in scrapbooks never before revealed, is a touching record of that marriage, a miscellany of billets-doux between an impressionable but tough-minded young woman and the poet who occasionally liked to refer to himself, in a playful reference to his Mississippi roots, as "Old Possum". Both seem conscious of the timeless romantic appeal of their relationship, however discreet they were about it at the time.
Valerie, as much as her "Tom", is alert to posterity's gaze when she writes, on a playbill for Anouilh's Antigone: "I sat next to TSE, my darling, and that makes any play endurable." If their contemporaries in 1957 could have seen these notes - an enthralling insight into a late love affair - they may have been astonished.
As well as being the most influential poet of his time, TS Eliot was also a director of the publisher Faber & Faber. In this role of editorial patron, he discovered and nurtured many of the greatest talents of the age: WH Auden, Stephen Spender, Philip Larkin, Ted Hughes, Robert Lowell, Marianne Moore and many others across the English-speaking world. And then there was his life as a poet, the celebrated author of The Waste Land, Murder in the Cathedral, Four Quartets and The Cocktail Party.
In his prime, Eliot enjoyed a power and an influence unimaginable today. Within the Vatican of Anglo-American letters, he was the Pope. Generations of schoolchildren were raised on "Prufrock"; young, would-be intellectuals studied his critical writings; and for critics everywhere, he was the ultimate literary yardstick. Eliot's fearsome reputation was buttressed by an aloof and secretive public persona.
In 1948, Eliot was awarded the Nobel Prize for literature. Featured on the cover of Time, even quoted in a US petrol advertisement, mobbed by the press on transatlantic crossings, Eliot was swamped with attention, and so was his secretary, who quit. In August 1949, having advertised for a replacement, Eliot hired a young woman from Leeds named Valerie Fletcher.
The latest recruit to the Faber typing pool was a remarkable, and remarkably attractive, young woman on a mission. She had been obsessed - the word is hardly too strong - with TS Eliot and his poetry since the age of 14 when she first heard "The Journey of the Magi" in a recording by the poet. "It was extraordinary," she told the Observer in 1972. "I felt I just had to get to Tom, to work with him." After a stint at a secretarial college, she had been employed by novelist Charles Morgan, simply as a preparation for somehow getting a job with Faber. At her interview, when the vacancy arose, Eliot had chain-smoked and was, she remembered, "obviously as nervous as I was".
Almost eight years later, towards the end of 1956, and because "Miss Fletcher" was now a respectable 30 year old, the great poet, in his late 60s, proposed marriage to the super-efficient secretary who always called him "Mr Eliot" when she answered the buzzer from her boss. Once he was accepted, he confessed that he would have asked her much sooner if he had known the strength of her feelings, but she had been so formal with him that he was unsure whether she liked him.
There were many reasons for Eliot to be wary of matrimony, but most of them could be expressed in the fateful and tragic name of Vivien Haigh-Wood, his recently deceased first wife. Eliot, the expatriate American from St Louis and avant-garde author of "The Love Song of J Alfred Prufrock", had met the "vivacious", neurasthenic Vivien (also known as "Vivienne") in Oxford during the spring of 1915.
They were married in London, after a whirlwind courtship, on 26 June 1915. It was a decision that Eliot came bitterly to regret. He soon discovered that his new wife had a history of nervous illness that had left her emotionally unstable, physically fragile and horribly vulnerable to the brooding immaturity of her young American husband.
Eliot's first marriage became a nightmare, partly of his own making, some of which is reflected in The Waste Land, the poem that he completed during the years 1915-22. Some say that Vivien's influence on the poem is decisive and even that she had a hand in it. Certainly, there is no doubt that her precarious health blighted every aspect of Eliot's life and drove him to the edge of a breakdown. By 1923, newly acclaimed for The Waste Land, he was renting rooms in Charing Cross Road, had adopted a bizarre alias, "Captain Eliot", and taken to wearing pale green face powder and lipstick.
By the mid 1920s, with Vivien now afflicted by rheumatism and neuralgia, the Eliots were living in what Vivien referred to as "a fearful abyss" - a darkened flat, no visitors, no social life, a kind of psychological paralysis in which Eliot hardly felt himself to be alive.
In 1927, coming out of yet another marital crisis, Eliot found the consolations of faith, was baptised and then received into the Church of England. To those admirers for whom The Waste Land had been the work of a great modern iconoclast, this was a profound betrayal. The same year, completing his psychological transition to England, he dropped his American citizenship.
Meanwhile, Vivien was migrating madly from sanatorium to sanatorium. On her rare visits to London, she caused her respectable husband, who had left his job in the City to join Faber & Faber, acute distress. On one typical occasion, at a book party, she had screamed at him: "You are the bloodiest snob I ever knew", to his intense embarrassment. Not surprisingly, Eliot took refuge in alcohol. Anthony Powell wrote in his diary: "Eliot always drunk these days."
And so the tragedy of Mr and Mrs Eliot continued to unfold. The poet sequestered himself in his third-floor office at 24 Russell Square in London. If Vivien called, the Faber staff were instructed to say that he was out, while he slipped away from the building by a back door. Vivien, in extremis, went around London with a "joke knife" made of rubber, threatening retribution. By 1935, in a state of near total collapse, Vivien was also causing scenes at performances of her husband's plays.
Finally, in 1938, Eliot and the Haigh-Wood family, in a controversial move whose details remain obscure and hotly disputed, arranged for Vivien to be committed to a private mental hospital in Finsbury Park. She died there in 1949, coincidentally in the same year that Valerie Fletcher joined Faber & Faber as "Mr Eliot's secretary".
With such a traumatic history, Eliot, who was a cautious man at the best of times, proceeded with infinite caution in his courtship of Valerie. They both did. Another secretary, later a director, at Faber, Rosemary Goad, has vivid memories of "Miss Fletcher", the new girl in the typing pool. "We used to tease her mercilessly about her devotion to TSE, but she took it in good part," she says. "None of us suspected any romance. It was so unlikely, it never occurred to us."
She still recalls her colleague's immense discretion, even when she was actually wearing "this socking great emerald" engagement ring. "We asked her many times who'd given her the ring, but she never told us," says Goad, who also remembers that Eliot used to take his secretary for drinks after work to the Russell Hotel. "He used to give her red roses," she told me last week.
Like many of the other momentous occasions in Eliot's life, his marriage to Valerie was conducted amid the greatest secrecy at St Barnabas church, Kensington, very early in the morning of 10 January 1957. Eliot's reason for not confiding in even his closest friends was his horror of publicity, but it suited him temperamentally and, besides, he wanted to keep this for himself. All the evidence points to an elderly man (aged 69) revelling in the unfamiliar sensations of romantic love.
In his scrapbooks, shown exclusively to the Observer, it is possible to see Eliot's meticulous planning of this momentous early-morning ceremony. No one was told in advance. The Faber office would get the news from a letter to the chairman, Geoffrey Faber. Not even Eliot's long-standing friend and fellow lodger in Carlyle Mansions, the publisher John Hayward, would know until the morning itself. At 7.15 am, a plain van would collect the blushing groom from an overnight stay at the Athenaeum, his club, for the short ride to the church in Addison Road. The only witnesses to the marriage would be Valerie Fletcher's parents, who had stayed with their daughter at Bailey's Hotel. The best man, a friend of Eliot's, was also the officiating priest, the Reverend CP Wright. At eight o'clock, after the short ceremony, a taxi would whisk the happy couple to their wedding breakfast at a nearby flat followed by a flight to the south of France. By the time the news broke - "The Confidential Bride" - they would be beyond the reach of Fleet Street.
Almost, but not quite. The scrapbooks contain a cutting from the Daily Express: "TS Eliot gives a unique photo-interview". It does not seem to have mattered. A blissful, newly married Valerie Eliot sent a postcard back to her secretarial colleagues at Faber, "I have so much to tell you on Monday so prepare to do no work!" she wrote. "A Daily Express photographer caught us in the lounge this evening and a Daily Mail man pursued us to Roquebrune! A lovely honeymoon apart from TSE catching flu, and cracking a tooth." After his death, she told the BBC: "He obviously needed to have a happy marriage. He wouldn't die until he'd had it. There was a little boy in him that had never been released."
Despite the 38-year age difference, Eliot's second marriage brought fulfilment. Rosemary Goad says: "He was completely rejuvenated by Valerie." As a member of the Faber staff long after Eliot's death, I remember his American publisher, Robert Giroux, telling me about Mr and Mrs Eliot's first visit to New York as newlyweds. On the day after landing with his young bride, the famous author telephoned his editor with just one request. The hotel was just fine, but they would like a double bed.
Everyone agrees that Eliot revelled in married life with Valerie, writing in one late poem ("A Dedication to My Wife") of "lovers whose bodies smell of each other". In the scrapbooks, the couple collected a wealth of tender, mundane trivia, samples of bedroom wallpaper, notes scribbled on theatre programmes, carefully dated press cuttings and annotated menus ("Valerie had crepe suzette") from fancy dinners. At literary parties, onlookers were fascinated to see the cadaverous figure of the poet holding hands with his bosomy, blonde new wife. For her part, Valerie was always there to fend off unwelcome attention.
From the scrapbooks, too, there's evidence that Eliot p layed the role of mentor and father-figure as well as lover and husband. Mostly they stayed home at night, but when they went to the theatre, he would carefully annotate their programme. After seeing Beyond the Fringe, Eliot noted on the back of his playbill: "Amazingly vigorous quartet of young men: their show well-produced and fast moving, a mixture of brilliance, juvenility and bad taste." Here he singled out Peter Cook and Alan Bennett, concluding that "it is pleasant to see this type of entertainment so successful". In another cutting, he tells the Daily Express: "I am thinking of taking up dancing lessons again, as I have not danced for some years."
The new joy in Eliot's life breaks cover in his late work. At the time of his marriage, he was completing a new play, The Elder Statesman, in which a very senior public figure is compared to a silkworm who has subsisted for years on very bitter mulberry leaves. His daughter tells him it is time to give up this diet and break out into the world like a butterfly.
The tragedy of Eliot's newfound happiness was that his health, never good, was beginning to fail. In foggy, postwar London, he suffered badly from influenza and bronchitis and his heart was weak. Valerie arranged for Eliot to take convalescent winter holidays in the Bahamas and the Caribbean. Their scrapbooks contain many photographs of them relaxing in the sunshine. Eliot, in waistcoat and white golfing cap, might have the bottoms of his trousers rolled up, but he still looks awkward and out of place, like a bank clerk on the razzle. As well as visits to Jamaica, every year Valerie would take her husband to stay with her old mother in Leeds. Mrs Fletcher was predictably dazzled by her famous son-in-law and impressed by what she called his "virginal" looks.
In June 1964, Eliot visited Leeds, which he had come to like, for the last time. In October, he collapsed into a coma from which he was not expected to recover. Valerie held his hand in a nightlong vigil and in the morning he regained consciousness. Later, she told the Observer that he "looked at me as if to say 'I've done it'" and she took him home to Kensington. As he was carried across the threshold of the flat, he exclaimed: "Hurrah, hurrah, hurrah" and for a while he rallied. But he was living on oxygen and at Christmas his heart began to fail again. According to Peter Ackroyd, whose unauthorised account of his life is by far the best available, he came out of his final coma to utter Valerie's name and then died on 4 January 1965.
Valerie was 38 when he died. For years, she left their Kensington flat as a shrine to his memory, with nothing changed, down to the oxygen bottles from his final days. In addition to her profound bereavement, she was left with the complex legacy of TS Eliot's literary estate which was fast becoming a publishing phenomenon. As well as the administration of numerous valuable copyrights around the world, and a constant drizzle of literary requests, particularly from India, where Eliot is held in special reverence, there was the intractable, and increasingly vexatious, question of the poet's last wishes.
In his will, in keeping with the spirit of his times, which abhorred personal vanity, Eliot had directed that there should be "no biography". A number of scholars and contemporaries tried to breach this interdiction with various kinds of ephemeral memoir, with no encouragement from the estate. As his widow, Valerie felt obliged to uphold her late husband's wishes. She became a byword in academia for her unwillingness either to co-operate with, or grant permission to, the hordes of academics who were swarming over Eliot's life and work.
Slowly, she took command of the Eliot business. In 1974, to widespread acclaim, she published a facsimile edition of The Waste Land, complete with a full-blown scholarly apparatus. Rosemary Goad remembers: "Valerie was very proud of this edition. It meant she could at last hold her own as an Eliot scholar." Then came Andrew Lloyd Webber's musical of Old Possum's Book of Practical Cats. Suddenly, the forbidding author of The Waste Land was being seen in a new and more playful light by schoolchildren and their parents as far afield as Tokyo and Buenos Aires. Cats also made the Eliot estate immensely rich, feeding more envy.
In those days, in the mid 1980s, the Valerie Eliot I knew was extracting huge enjoyment from the heady razzmatazz surrounding the Eliot estate's unexpected good fortune. Magnificently turned out in high 30s fashion, her presence added a blast of prewar fun to the routine proceedings of the Faber board. After the meeting was over, she needed no encouragement to come to the Savoy Grill, where she would be indulged like minor royalty. "Let's have a little gin, dear," would be the regular preamble to hours of fascinating reminiscence about "Tom", "Wystan" and "Stephen", and many others from the heyday of British modernism. If only someone could have recorded these moments of spontaneous recollection!
Today, Valerie Eliot remains contentedly in the flat she shared with her husband, "living and partly living", in the words of the Chorus to Murder in the Cathedral. The Eliot papers are safe in Harvard, Texas, New York and elsewhere, but inscribed first editions of many landmark texts from the 20th century are crammed into wall-to-wall bookcases. Elsewhere, on tables and dressers, are countless photographs and miniatures, a tantalising display of Edwardiana. Now 82, her health is frail, but she has constant help and the devoted assistance of Debbie, her confidential secretary. She never gives interviews.
In the evenings, she attends occasional literary functions and sees friends from the old days such as Stephen Spender's widow, Natasha. When the many volumes of TS Eliot's letters begin to be published later in 2009, his fans will be one step closer to that elusive biography. For the moment, his widow cherishes his memory among a tantalising mass of memorabilia and has just allowed the BBC to make a film about the private and public face of the man she still calls "Tom", sometimes in the present tense.
Arena: TS Eliot is on BBC2 on Saturday 6 June at 9.40pm
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The scrapbooks: tokens from a true-life romance
Every family album is vibrant with the frisson of the unguarded pose and the snatched or unscripted moment. These eight bulging Eliot scrapbooks which have lain unexamined for almost half a century on Mrs Eliot's shelves, are particularly absorbing for three main reasons.
First, from a life in which so much is public and stripped bare of any mystery, it's fascinating to go behind the scenes and see the poet putting his feet up, so to speak. Second, from the loving accumulation of mundane cuttings, playbills and menus, you get an extraordinary insight into the relationship between "Tom" and "Val". It's instructive to see how much devoted attention they paid to the quality of their domestic life and the private thrill they obviously derived from living in the present moment. Finally, these forgotten volumes paint a moving picture of Eliot in old age, a great writer who was lucky enough to marry a woman happy to be his devoted handmaiden as much as his wife and muse.
But more than just satisfying crude literary voyeurism, these scrapbooks expose what life was like in the literary London of the 1960s and how different it was from our own times.
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