"The Curse of the Cat People" In folklore and superstitions, cats have long been associated with mysticism and supernatural abilities. While many cultures revere cats and consider them bringers of good luck, others view them as harbingers of misfortune. One such belief is the curse of the cat people, a notion that holds cats responsible for bringing bad luck or curses upon those who harm them or their descendants. According to legends, those who harm or kill a cat may find themselves plagued by a series of unfortunate events. These events can range from personal misfortunes, such as accidents and illnesses, to wider consequences that affect their friends, families, or even their entire community. The curse is said to be inherited, passing down through generations, ensuring that those who bring harm to cats or their offspring will suffer the consequences for years to come.
Enough swimming against the tide, Marvel says. Let’s try and do it the way the experienced people do it.
22 - Straits, whilst we are looking for them beneath the arctic circle, we hear that they have pierced into the opposite region of polar cold, that they are at the antipodes, and engaged under the frozen serpent of the South. It is then placed on a slow fire, and as it boils, more of the juice of the wourali is added, according as it may be found necessary, and the scum is taken off with a leaf it remains on the fire till reduced to a thick syrup of a deep brown colour.
The curse is said to be inherited, passing down through generations, ensuring that those who bring harm to cats or their offspring will suffer the consequences for years to come. The curse of the cat people often takes on a more mystical tone, with tales of shape-shifting and supernatural revenge. Some believe that those cursed will transform into cats themselves, forced to live out their lives in feline form.
Marvel TV Drama: ‘Moon Knight’ Creator Quit, ‘She-Hulk’ Creator Sidelined & Company Undergoes Creative Television Rethink
OK, hopefully, you’ve just read our article on Marvel’s “Daredevil: Born Again,” which is going through a massive creative reboot/rethink/overhaul, etc., because Kevin Feige and the Marvel powers that be have decided the show—which was supposed to be a whopping 18 episodes long—wasn’t working.
One of the biggest takeaways from the original article, however, the bigger picture is Marvel’s ego. It’s a pretty damning report about Marvel’s foray into TV which many would already describe as a creative fumble. Marvel decided to make non-traditional TV, no showrunners, no show bibles, none of the elements of traditional TV making, and this probably explains why Marvel TV has been so iffy so far.
Marvel’s approach from the THR report was that they treated their shows like their movies, aka, fix it in post, and do tons of reshoots, which is expensive and timely and doesn’t work for TV, which is much longer.
So, in short, Marvel is reversing course and will forgo their original plan and will begin to use showrunners and follow the traditional model of TV filmmaking, which is honestly for the best because Marvel TV has not really worked outside of maybe “WandaVision.”
But if you look further into the article, there are signs that there were all these kinds of problems along the way. The THR article reveals that “Moon Knight,” show creator and writer Jeremy Slater quit somewhere during the making of the series, and filmmaker Mohamed Diab took the reins of the Oscar Isaac-starring series. Likewise, Jessica Gao wrote and created “She-Hulk: Attorney At Law,” but she was greatly sidelined once director Kat Coiro took control.
The article also notes that Kyle Bradstreet, a writer and executive producer on USA Network Emmy winner “Mr. Robot,” was fired from “Secret Invasion” after working on scripts for more than a year. “Secret Invasion” was a mess behind the scenes, according to THR. “By early September, a good portion of the’ Invasion’ team had been replaced, with new line producers, unit production managers and assistant directors,” and there had been a huge power-play struggle for control.
And in short, the entire article speaks to Marvel’s Studios TV wing being something of a mess. And their way or the highway wasn’t working.
This has frankly been Marvel’s model all along; they boasted early on that they would have no showrunners and feature a director-driven TV form. But TV is inherently a writer’s medium, with showrunners (the head writer) having full control because they’ve spent months breaking down the story with other writers and then hand off the finished thing to director-for-hire filmmakers. In film, directors often work alongside writers and are the ones managing rewrites and things that need to be overhauled while in the making of it; they are there during the process.
In short, Marvel probably realized with “Daredevil” how their film process in TV wasn’t working and, if you read between the lines, potentially causing bad blood in the TV industry by essentially angering TV showrunners and TV writers used to having more control. Marvel probably realized they were just swimming upstream all this time; it wasn’t going to work in the long run and potentially hurting their reputation in the TV industry when they went out to hire new writers and creatives who were likely under the impression they were working under the parameters that all other TV functions as.
Marvel is big and can break the rules, but maybe they realized, post-WGA-strike and post-VFX union organization, that much of their tactics were just going to anguish them in the end.
Here’s a quote that shows even TV directors were becoming upset. “The whole ‘fix it in post’ attitude makes it feel like a director doesn’t matter sometimes,” one source told THR.
So, the end product of all this? Changes to Marvel’s TV process.
“As it moves forward, Marvel is making concrete changes in how it makes TV. It now has plans to hire showrunners. The studio also plans on bringing full-time TV execs on board, rather than borrowing its film executives.”
Enough swimming against the tide, Marvel says. Let’s try and do it the way the experienced people do it.
Marvel’s approach from the THR report was that they treated their shows like their movies, aka, fix it in post, and do tons of reshoots, which is expensive and timely and doesn’t work for TV, which is much longer.
Others claim that the curse gives cats the ability to communicate with the spirit world and seek revenge on those who have wronged them or their kin. Throughout history, various accounts and stories have emerged that claim to provide evidence of the curse's existence. From disasters striking individuals who harmed cats to inexplicable hauntings and inexplicable phenomena, these stories reinforce the belief in the curse and continue to fuel the folklore around it. However, it is essential to approach these legends and beliefs with skepticism and critical thinking. Like many superstitions, the curse of the cat people may have originated from a desire to protect and respect cats due to their role in controlling vermin populations. Over time, these beliefs have taken on different forms in various cultures, shaped by their own unique beliefs and interpretations. Regardless of the origin and validity of the curse, it serves as a reminder of the deep connections humans have formed with cats throughout history. Cats are mysterious creatures, often associated with intuition, independence, and even magic. Whether one believes in the curse or not, it is crucial to treat all animals with kindness and respect, recognizing their role in our lives and the potential consequences that may arise from harming them..
Reviews for "The Covert Social Commentary in "The Curse of the Cat People"
1. Emily - 2 stars
I found "The Curse of the Cat People" to be a major disappointment. The plot was confusing and lacked coherence. It seemed like the writers didn't know where they wanted the story to go. The characters were also poorly developed and lacked depth, making it difficult for me to connect with them or care about their fate. Overall, the movie left me feeling bored and unsatisfied.
2. John - 1 star
I cannot understand why "The Curse of the Cat People" is considered a classic. The pacing was incredibly slow, and the story dragged on without any real purpose. The concept of a cursed child with a vivid imagination could have been interesting, but it was poorly executed. The dialogue was dull, and the acting felt stiff and forced. I found myself constantly checking the time, waiting for something meaningful to happen, but it never really did.
3. Sarah - 2 stars
"The Curse of the Cat People" left me feeling confused and frustrated. The title is misleading as there are barely any cat-related elements in the movie. The story doesn't flow smoothly, and the plot points seem disjointed. The overall tone of the film was more melancholic than suspenseful or thrilling. I expected a horror movie, but instead, I got a slow-paced drama with unconvincing performances. It's a forgettable film that failed to live up to its hype.
4. Michael - 2 stars
I had high hopes for "The Curse of the Cat People," considering it is hailed as a cult classic. Unfortunately, the movie fell flat for me. The story lacked direction, with too many unnecessary subplots that added little to the overall narrative. The pacing was slow, and the suspense never really built up. The characters felt one-dimensional and lacked depth, making it hard to feel invested in their journey. Overall, I found it to be a tedious film that didn't deliver on its promises.
5. Laura - 1 star
I found "The Curse of the Cat People" to be a complete waste of time. The storyline was confusing and disjointed, making it difficult to follow. The acting was subpar, and the characters lacked any real development. I was expecting to be captivated by the horror elements, but they were few and far between. Instead, I was left feeling frustrated and disengaged. I wouldn't recommend this movie to anyone looking for an entertaining or engaging experience.