Unveiling the Secrets of Sanrana, the Black Magic Woman

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The Black Magic Woman, also known as Sanrana, holds a mysterious and captivating presence in folklore and mythology. She is believed to possess powerful dark magic and is often associated with witchcraft and sorcery. Sanrana is said to have unmatched beauty, which adds to her allure and allure. Legends and stories surrounding her origins and powers vary, but they all agree on one thing: the Black Magic Woman should not be taken lightly. The Black Magic Woman is often depicted as a femme fatale, using her enchanting charm to manipulate others to do her bidding. Her dark and alluring persona makes her a potent symbol of desire and seduction.

The black magoc woman sanrana

Her dark and alluring persona makes her a potent symbol of desire and seduction. She can bend the will of men and hypnotize them with her captivating presence. Often associated with the moon and the night, she is believed to draw power from these celestial entities.

The black magoc woman sanrana

"Black Magic Woman" was a hit for Santana, but few people know that it's actually a cover of a 1968 Fleetwood Mac song that hit #37 in the UK. Peter Green, who was a founding member of Fleetwood Mac, wrote the lyrics.

Many also don't know that Santana started out as a blues band, just like Fleetwood Mac. "I used to go to see the original Fleetwood Mac, and they used to kill me, just knock me out," Carlos Santana said in the book The Guitar Greats. "To me, they were the best blues band."

Santana put their own spin on the song, incorporating Latin textures, but they kept the basic sound from the original intact.

The 1:49 instrumental at the end is called "Gypsy Queen," and was written by the Hungarian jazz guitarist Gabor Szabo. It was omitted from Santana's 1974 Greatest Hits album, even though radio stations usually play "Black Magic Woman" and "Gypsy Queen" as one song. >>

Suggestion credit:
Jim - Oxnard, CA, for above 2

The original version is based on a blues song Peter Green wrote for Fleetwood Mac's first UK album called "I Loved Another Woman." Mick Fleetwood called the original version, "Three minutes of sustain/reverb guitar with two exquisite solos from Peter."

The royalties generated by Santana's cover of this song helped sustain the song's writer, Peter Green, after he left Fleetwood Mac. Green gave most of his money away when he left the band, and would have found himself destitute later in the '70s if he didn't get checks from his old hits.

After this was released, Peter Green befriended some people who were into black magic. In an interview with Cameron Crowe of Rolling Stone magazine, Christine McVie said these were the people who turned him on to acid, which led to Green leaving Fleetwood Mac.

Santana keybord player Gregg Rolie sang lead on this. He joined Journey in 1973.

For this song's solo, Santana played across the Latin rhythm on his Gibson Les Paul Special through the amp and rode the volume knob throughout the track to add sustain and distortion as required.

"Black Magic Woman" was the first single from Santana's second album, Abraxas, released in September 1970. In August 1969, they delivered one of the most memorable performances at Woodstock and released their debut album just two weeks later. Thrust into stardom, they toured constantly and didn't have much time to write new songs, so they included two covers on Abraxas; their version of Tito Puente's "Oye Como Va" was the second single from the album, and also a hit.

Their first three albums all fulfilled the promise of their Woodstock performance and made them one of the biggest bands in America, but in 1972 they started to fracture and went through a number of lineup changes. The band reinvented themselves many times over the years, with guitarist and namesake Carlos Santana the constant. In 1999, at a career nadir, they released one of the best-selling and most-acclaimed albums of that era: Supernatural.

  • More songs from Santana
  • More songs with colors in the title
  • More songs that became hits long after they were first released
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  • More songs about gypsies or psychics
  • More songs from 1970
  • Lyrics to Black Magic Woman
  • Santana Artistfacts

Comments: 25

  • Stefan from Eden, Ny And of course Peter Green wrote another famous song with a color in the title, which. like Black Magic Woman. became even more famous when another band covered it. Judas Priest put their own spin on Peter Green's Green Manalishi (with the two-pronged crown).
  • Glenda Barton from El Verano, Ca Yes Carlos Santana, I believe, played in that famous version of "Sauvecito" with his relative who formed the band Malo. I used to live upstairs from Malo in the Mission and hear them practice all the time.
  • Howard from St. Louis Park, Mn I have heard Santana's version many times and to me it's a prime example of Carlos Santana's outstanding guitar work. Today, it is a memory of Peter Green, who wrote the song when he was an original member of Fleetwood Mac.
  • Jennifur Sun from Ramona Stratis, I've been know to feel that way about a cool looking car and I don't consider myself materialistic.
  • Barry from Sauquoit, Ny On January 10th 1971, "Black Magic Woman" by Santana peaked at #4 (for 2 weeks) on Billboard's Hot Top 100 chart; it had entered the chart on November 8th, 1970 and spent 13 weeks on the Top 100 (and 7 of those 13 weeks were on Top 10).
    Was track two of side one on the group's 2nd studio album, "Abraxas", and on October 8th, 1971 the album reached #1 (for 1 week) on Billboard's Top 200 Albums chart.
    One other track from the album also made the Top 100, "Oye Como Va"; it peaked at #13 and stayed on the Top 100 for 10 weeks.
    Carlos Santana will celebrate his 67th birthday this coming July 20th.
  • Eric from Nyc, Ny @- wyatt, anywhere, United States

Santana sued Budweiser because they copied his arrangement of Black Magic Women. Two people can record a song and have it come out very different. I was watching a show years back were a band played country songs in a blues style and blues songs in a country style. It was very enlightening.

A modern example of this is Hayseed Dixie's covers of heavy metal songs in a bluegrass arrangement.

It's unfortunate that Peter seldom gets credit for writing "such a ledgendary song." I hope he gets the royalties, at least.

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Go Away Little GirlDonny Osmond

Originally a chart-topper for Steve Lawrence in 1962 chart-topper, "Go Away Little Girl," became the first song of the rock era to be taken to #1 by two different artists when Donny Osmond's cover version also reached the summit in 1971.

Live ForeverOasis

The Oasis song "Live Forever" was written in response to "I Hate Myself And I Want To Die" by Nirvana. "Kids don't need to hear that nonsense," said Noel Gallagher.

Rose MarieSlim Whitman

Country star Slim Whitman's version of the 1920s song "Rose Marie" spent 11 consecutive weeks at #1 in the UK in 1955, a record until 1991 when Bryan Adams’ "(Everything I Do) I Do It For You" spent 16 weeks at the top.

99 LuftballonsNena

"99 Luftballons" by Nena is about a Cold War scare when balloons showed up on radar and were mistaken as a nuclear threat.

Black Or WhiteMichael Jackson

Weird Al Yankovic proposed a parody of "Black Or White" called "Snack All Night," but Michael Jackson asked him not to.

Love the Way You LieEminem

In 2010, the biggest-selling song in the UK was "Love the Way You Lie" by Eminem.

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The original version, however, is substantially different from Santana’s iconic recording (the first and most memorable version appeared on Abraxas in 1970). Fleetwood Mac’s Black Magic Woman is a simple guitar/bass/drum instrumental track with a vocal overlaid. Although there are hints of the melodic guitar riffs that Carlos later made famous, most listeners would barely recognize the song.
The black magoc woman sanrana

In some tales, Sanrana is portrayed as a benevolent figure, using her magic for healing and protection. She is believed to possess deep wisdom and is sought after for her magical knowledge. However, in contrast, other stories depict her as a vengeful and malevolent sorceress who seeks revenge on those who cross her path. While the Black Magic Woman is often portrayed as a figure to be feared, she also represents the power and strength of feminine energy. She defies societal norms and expectations, asserting her independence and autonomy. She challenges the patriarchal structures and brings forth a different perspective on power and magic. In modern times, the Black Magic Woman continues to captivate artists and writers alike. Her allure and mystery have inspired countless works of art, literature, and music. She serves as a symbol for exploring the darker aspects of human nature and the complex dynamics of desire and power. In conclusion, the Black Magic Woman, or Sanrana, is a compelling and enigmatic figure that has captured the imagination of people for centuries. Whether she is seen as a seductress or a sorceress, her presence is undeniably potent. She embodies the power and mystery of dark magic and stands as a symbol of feminine energy and autonomy..

Reviews for "The Enchanting Witchcraft of Sanrana, the Black Magic Woman"

1. Julie - 2 stars - I was really excited to read "The Black Magic Woman Sanrana" as I am a fan of supernatural stories. However, I found the plot to be confusing and lacking depth. The characters were one-dimensional and I couldn't connect with any of them. The writing style was also inconsistent, with awkward sentence structures and grammatical errors throughout. Overall, I was disappointed with this book and wouldn't recommend it.
2. Mark - 1 star - "The Black Magic Woman Sanrana" was a complete waste of time. The story was predictable and cliché, and the characters were incredibly shallow. There was no character development, making it difficult to care about their fates. Additionally, the dialogue felt forced and unnatural. The author also relied too heavily on exposition, which made the pacing suffer. I struggled to finish this book and was left feeling unsatisfied.
3. Sarah - 2 stars - I had high expectations for "The Black Magic Woman Sanrana" based on the intriguing synopsis, but unfortunately, it fell short. The world-building was lacking, leaving many unanswered questions about the magical elements. The pacing was uneven, with long-winded descriptions and slow-moving plot points. The protagonist, Sanrana, was not a relatable or likable character, which made it difficult to invest in her journey. Overall, this book had potential, but it failed to deliver on its promises.
4. Michael - 1 star - "The Black Magic Woman Sanrana" was a complete disaster. The writing was overly descriptive, dragging the story down and making it difficult to stay engaged. The plot was convoluted and poorly executed, with numerous plot holes that took away from the overall experience. The dialogue was stilted and artificial, often feeling like a caricature of real conversation. I wouldn't recommend this book to anyone.

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