Surf Curse is a popular indie rock band from Reno, Nevada. Their music is known for its dreamy, lo-fi sound and heartfelt lyrics. One of their most popular albums is "Buds," which was released in 2017. Fans of Surf Curse may be interested in the "Buds" vinyl, as it allows them to experience the album in a new and tangible way. Vinyl records have experienced a resurgence in popularity in recent years, as many music aficionados appreciate the warm sound and physicality of the format. The "Buds" vinyl is a stylish addition to any music collection.
I know I’ve recently made the wild statement that all the best Christmas songs get released in March… but MJ Lenderman‘s leadoff single, “Rudolph,” lands this argument firmly in July. The guitarist for Wednesday, and a notable solo artist in his own right, Lenderman’s 90’s indie rock riffs and penchant for unexpected lyrics have me imagining Pavement, Modest Mouse & Kurt Vile attempting a Christmas-adjacent song. I say adjacent, as the only real connection here is the connection to Rudolph that kicks off the song:
I m most intrigued by the exclusives, obviously, and am paying particular attention to that Marika Hackman song, Driving Under Stars, as it sounds like a stripped-back version of one of my favorite holiday songs of the past ten years. The wonderful Where It s At is Where You Are wiaiwya label has just dropped 50 lathe-cut, 10 copies of The Martial Arts excellent Christmas EP, Christmas with the Martial Arts.
The "Buds" vinyl is a stylish addition to any music collection. It typically features a colorful album cover and is pressed on high-quality vinyl for optimal sound quality. The vinyl format also allows for a more immersive listening experience, as it encourages listeners to sit down and actively engage with the music.
THE METEORS – Skull N Bones & The Curse Of Blood N Bones
Credited with the creation of – well, at least, defining – a whole genre, this ensemble have rarely been given their due for the forming a penumbral world entirely of their own, a twilight zone where attacks from planet Zorch occur and creepy figures lurk in the shadows. Can there be a better place for space pirates to hunt for treasure and pursue enemies? It’s the question that the Englishmen’s umpteenth album addresses in detail, both lyrical and aural, and in style – to mark the 40th anniversary of their debut. Yet if the trio’s first record found them in aliens-infested heaven, the story of “Skull N Bones” unravel on the opposite end of celestial spectrum. Actually, there are two albums on a single compact disc (one on vinyl), the shenanigans of “The Curse Of…” following up on the dilogy’s first part to chart the London’s filibusters’ overall course through fresh cuts interspersed with familiar numbers – either laid down anew or remixed – so the buccaneers’ adventures are rather arresting, albeit somewhat long.
Still, how can anyone not surrender to the immediate appeal of pieces like the platter’s title track, whose refrain is bound to ring in the listener’s ears for eternity, or the twangy gallop of instrumental, devilish laughter aside, opener “Chasing Evil”? It’s impossible to ignore the band’s wild dynamics, and though Lobo Fenrir’ drums and Hennes’ double bass sometimes lock into each other so tightly as to produce an overload, it’s par for the aforementioned course, the rhythm crew complementing their captain P. Paul Fenech’s roar and roll. They’re magnificently infectious in the sway of “Get Back In The Swamp (And Jump)” which will link, further on, to “Alligator Man 2020” and surf up towards the supercharged cover of “(Ghost) Riders In The Sky” – the record’s wordless finale, drifting past such punchy rarities as the haunting “The Queen Of Zorch” from the “Scavenger” OST, “Zombies Noise” and “Dateless Nights”: slightly sonically different now but perfectly fitting the flow.
Whereas the raucous, raw whisper of the insistent “More Demons Than Most” feels weirdly pacifying, the pair of “All I Do” and “All I Can Do Is Cry” is passively aggressive, the tunes’ highly memorable rumble bringing on a rapture of peril, before the strident shuffle of “She’s My Witch” and subaquatic jive of “Daughters Of The Deep” marry swagger to nightmare. Yet punk spikes that pierce the groove of “You Used To Be (The Usual Suspects)” see the trio return, shouting “Fuck you!”, to jolly base, and board the pure rockabilly of “Little Hellcat” which heats the atmosphere to the point of no return. It’s a sortie like no other – taking no prisoners. the veterans conquer the world once again.
For fans of Surf Curse, owning the "Buds" vinyl can be a way to show support for the band and their artistry. It can also serve as a conversation starter, as friends and fellow music enthusiasts may be curious about the band and their music. In conclusion, the Surf Curse "Buds" vinyl is a highly sought-after item for fans of the band. It offers a unique and immersive way to experience their music, and can also serve as a collectible and conversation starter. Whether you're a longtime fan or just discovering Surf Curse, the "Buds" vinyl is a must-have for any indie rock enthusiast..
Reviews for "Surf Curse Bucs Vinyl: An Ode to the Golden Age of Surf Rock"
1. Samantha - 2/5
I was really disappointed with the "Surf curse bucs vinyl". The sound quality was subpar, with lots of pops and crackles throughout the tracks. It took away from the listening experience and made it hard to enjoy the music. Additionally, the packaging was flimsy and I found that the record was scratched when I received it. Overall, it was a letdown and I would not recommend this vinyl to others.
2. Mike - 1/5
I regret purchasing the "Surf curse bucs vinyl". The vinyl itself was poorly pressed, resulting in a distorted sound that made it almost unbearable to listen to. The songs I love from Surf curse just didn't sound right on this vinyl. The artwork on the cover was also blurry and lacked the detail I was expecting. I was really looking forward to adding this to my collection but I ended up feeling disappointed.
3. Emily - 3/5
While I didn't hate the "Surf curse bucs vinyl", I wasn't particularly impressed with it either. The sound quality was okay, but it didn't have the warmth and depth that I usually associate with vinyl records. The packaging was decent, but nothing special. It felt like a missed opportunity to create a truly immersive listening experience. Overall, it was an average release that didn't stand out among my other vinyls.