Songs for the witch woman embrace and celebrate the power and magic of women. These songs often delve into themes of spirituality, mysticism, and the natural world, making them deeply empowering for all who identify as witches or feel a connection to the divine feminine energy. One of the most iconic songs for the witch woman is "Witchy Woman" by the Eagles. With its haunting melody and evocative lyrics, this song captures the allure and mystery of the archetypal witch. "She held me spellbound in the night, dancing shadows and firelight," sings Don Henley, conjuring images of a powerful and enchanting sorceress. Another notable song for the witch woman is "Rhiannon" by Fleetwood Mac.
The Cameron-Parsons story has captivated anyone fortunate enough to come across it. For Southern Californians who celebrate anything that contrasts with the sunny suburban stereotype, the story of the occultist rocket scientist and the intense, red-haired artist becomes a treasured collection of sharable “Did you knows.” Did you know L. Ron Hubbard and Parsons believed they had conjured Cameron by way of a magick ritual? Did you know Cameron burned a large portion of her own work after Parsons died?
Immediately entranced by Cameron s red hair, Parsons believed that she was the Scarlet Woman that he had been trying to conjure through ritual magic. She then traveled to San Miguel de Allende, Mexico, where she met a community of artists that included Leonora Carrington and David Alfaro Siqueiros.
Another notable song for the witch woman is "Rhiannon" by Fleetwood Mac. Stevie Nicks, who wrote and performed the song, was often associated with witchcraft and mysticism. The song tells the tale of a magical woman with the power to transform and captivate.
15 songs for accusing women who have opinions of witchcraft
When October comes around, people often declare it ‘Spooky Season.’ For whatever reason, my mind goes with ‘Crucible Season’ in reference to Arthur Miller’s 1953 play that I first read in my high school literature class.
“The Crucible” is Miller’s creative take on the Salem Witch Trials, serving as a metaphor for the ‘witch hunt’ that was taking place during the Second Red Scare after World War Two. Whether back during the Salem Witch Trials, into the 50s or now people who have different opinions can find themselves being labeled as ‘other,’ ‘scary’ or ‘bad.’
Below are 15 songs that are perfect to listen to when you are accusing a woman who has an opinion of witchcraft.
Now for a little bit of history. In summary, the second Red Scare has been referred to as ‘McCarthyism’ due to US senator of Wisconsin Joseph McCarthy, fueling fears of treason, communism and anarchy, partially stemming from the Soviet Union and the nuclear threats that were taking place.
According to Merriam-Webster, McCarthyism is defined as a “political attitude characterized chiefly by opposition to elements held to be subversive, and by the use of tactics involving personal attacks on individuals by means of widely publicized indiscriminate allegations, especially on the basis of unsubstantiated charges.”
And another definition for you is ‘subversive.’ This means seeking or intending to change or disrupt in some way an established system or institution.
So imagine it’s the late 40s, into the 50s in the US Senate. Given the definition of subversive I feel like it’s safe to say that anything folks in positions of power considered to be a threat to their “ideal” way of life could be brought into question, which is what Miller noticed.
While accusations were widespread, there was a concentration on people in Hollywood. Miller was an established playwright at this time and seeing this firsthand reminded him of what took place in the Massachusetts Bay Colony in 1692.
Miller traveled to Salem to do research and wrote “The Crucible.” While it can now be considered a staple in some school curriculums, the play was poorly received as viewers found it boring and flat. Without the context of what was going on at the time and thinking critically about the social commentary, I can see that.
The US government, however, did not find it boring. They clearly saw the bigger picture that Miller was trying to convey and resulted in him being summoned to Washington for a hearing before the House Committee on Un-American Activities.
While Miller answered the Committee’s questions honestly, he refused to the share names of others, resulting in his 1957 conviction for Contempt of Congress. At this time, he was married to Marilyn Monroe, and she risked her career by accompanying him to Washington and speaking on his behalf, arguably helping to keep him out of prison.
It sure does look like history repeats itself, whether it’s Salem in 1692, Washington in the 50s or in 2022, when things just happen every day.
Here are some tracks for you this Crucible Season.
‘Dream Girl Evil’ – Florence + The Machine
According to Genius, this track is a satirical response to the expectations that society places upon women. Florence Welch can see herself as both an angel and the devil, possibly feeling a pull and responsibility to balance the expectations of others for neglecting her own comfort.
‘I Put A Spell On You’ – Annie Lennox
‘I Put A Spell On You’ is the type of song that excites me for the fact that if you ask a group of people who they think it’s by, you’ll likely get a variety of answers. Originally by Screamin’ Jay Hawks, it has been covered by Creedence Clearwater Revival, Nina Simone, Annie Lennox and more.
‘Lullaby’ – The Cure
Please refer to the video thumbnail. I have nothing else to add.
‘Witches’ – Alice Phoebe Lou
In this one the artist claims to be a witch. Simple as that.
‘Sea, Swallow Me’ – Cocteau Twins, Harold Budd
You’ll want some headphones for this one to feel the full spooky ethereal vibes that the Cocteau Twins are known and loved for.
‘Vampire’ – Okay Kaya
While obscure, this track along with most of Okay Kaya’s work is brutally honest. If you want to feel confused and called out at the same time, this is for you.
‘Crazy In Love – Remix’ – Beyoncé
While it might feel out of place to have Beyoncé in the land of the Crucible, I promise its not. Legend has it that she received a restraining order from a drummer in her backup band for practicing “vindictive witchcraft” against her.
‘Season Of The Witch’ – Lana Del Rey
While the Beyoncé situation is just an accusation, this one is not. In 2017 Lana Del Rey proclaimed that she had hexed Donald Trump.
‘Everybody Wants To Rule The World’ – Lorde
This Tears for Fears cover alone would’ve landed Lorde in big trouble in Salem due to its ghastly vibe. If that weren’t enough, her 2017 claim of being connected to the ghost of David Bowie for sure would.
‘Me And The Devil’ – Soap&Skin
This track by Soap&Skin is a rendition of ‘Me and the Devil Blues’ by Robert Johnson. Born in 1911, Johnson’s life was not well documented allowing room for legend. The most notable being the selling of his soul to the devil for success in his music. He died at age 27 and some say began the ‘27 Club.’
‘Sacrilege’ – Yeah Yeah Yeahs
‘Heads Will Roll’ by Yeah Yeah Yeahs was mashed up with Michael Jackson’s ‘Thriller’ on Glee back and the day and for some is now associated with Halloween. For me ‘Sacrilege’ ones up ‘Heads Will Roll’ in terms of spooky and fun.
‘Laughing with a Mouth of Blood’ – St. Vincent
I could leave you with the title but after watching St. Vincent’s mocumentary I feel confident saying that she is a witch.
‘Bury A Friend’ – Billie Eilish
While Billie Eilish hasn’t faced widespread accusations of witchcraft, creative choices and unsettling sounds in her production give some… interesting vibes.
‘Running Up That Hill (A Deal With God)’ – Kate Bush
The song of the summer is on this list for its lyrics and beautiful story told by the legendary Kate Bush. How far would you go to have things be different?
‘Rhiannon’ – Fleetwood Mac
Stevie Nicks is a witch. I said it.
Honorable Mention: Anything released by Machine Gun Kelly since dating Megan Fox
Berman, subject of the recently reprinted classic, Semina Culture: Wallace Berman and His Circle, was a central figure in the California Beat art scene of the late fifties. A man of eclectic interests ranging from Kabbalah to jazz to French literature, Berman attracted and sustained a network of visual artists, poets, filmmakers and photographers. Integral to this network was Berman's hand-printed publication, Semina , which extended his assemblage technique by including texts by William Blake and Charles Baudelaire alongside the work of friends like Allen Ginsberg, Llyn Foulkes and Michael McClure. Berman had such a high regard for Cameron that he featured her portrait on the cover of the very first issue of Semina (1955), which included a reproduction of Peyote Vision inside. When Berman staged his first and only gallery exhibition two years later at Ferus Gallery in Los Angeles, he included Peyote Vision in one of his assemblages.
Nicks' ethereal vocals truly transport listeners to another realm. "Black Magic Woman" by Santana is yet another song that taps into the essence of the witch woman. This Latin-infused rock song showcases the dangerous allure of a seductive sorceress. The captivating guitar riffs and haunting rhythm create a sense of enchantment and intrigue. More recent songs like "Edge of Seventeen" by Stevie Nicks and "Bad Girl" by Devendra Banhart also resonate with the witch woman archetype. Both songs incorporate mystical and witchy imagery, celebrating the strength and independence of women. These songs, among many others, serve as anthems for the witch woman, reminding us of the timeless power that resides within each and every one of us. They celebrate the natural magic and intuition that women possess, encouraging us to embrace our own inner witch and claim our personal power..
Reviews for "Mystical Melodies: Unlocking the Power of Witch Woman Songs"
1. John - 2 stars - I was really disappointed with "Songs for the witch womzn". I had high expectations after hearing about all the hype, but unfortunately, it fell flat for me. The songs all sounded the same, and there was no variety or creativity in the album. The lyrics were also quite repetitive and lacked depth. Overall, I found it to be a forgettable and unmemorable album.
2. Sarah - 1 star - I couldn't get into "Songs for the witch womzn" at all. The music just didn't appeal to me and I found it to be quite grating on the ears. The experimental elements felt forced and unnecessary, and I couldn't connect with the overall vibe of the album. It felt disjointed and lacked a cohesive sound. I'm really disappointed because I usually enjoy this artist's work, but this album just missed the mark for me.
3. Michael - 2 stars - I gave "Songs for the witch womzn" a chance, but it just didn't resonate with me. The songs felt overly pretentious and self-indulgent. The lyrics were cryptic and hard to decipher, making it difficult for me to connect with the music. The production also felt messy and chaotic, making it hard to fully appreciate the melodies or instrumentation. Overall, I found the album to be a frustrating and confusing listening experience.
4. Emily - 2.5 stars - While "Songs for the witch womzn" had a few standout tracks, overall, it failed to captivate me. The song structures felt repetitive, and the album leaned heavily on the artist's signature sound without offering anything new or innovative. I appreciated the artist's attempts at incorporating different genres, but it didn't feel seamless or well-executed. I wanted more depth and substance from this album, but unfortunately, it didn't deliver. It wasn't a terrible album, but it definitely didn't live up to my expectations.