The Slr Magic Anamorphic lenses are known for their unique characteristics that distinguish them from other lens options in the market. These lenses offer a vintage, cinematic look with the classic oval bokeh and horizontal blue streak flares that are often associated with anamorphic cinematography. The lenses also provide a wider aspect ratio, allowing for a more immersive and panoramic viewing experience. One of the main characteristics of the Slr Magic Anamorphic lenses is their ability to produce a distinct oval-shaped bokeh. This bokeh adds a beautiful and dreamy quality to the image, creating a sense of depth and separation between the subject and the background. This oval-shaped bokeh is a result of the lens's anamorphic squeeze, which compresses the image horizontally, resulting in a wider aspect ratio.
We caught up with Andrew from SLR Magic at IBC to get a first hand look at the new 2x and 1.33x anamorphic cine lens sets.
This function is a major help in judging and feeling the created frame enabling me as a cameraman to react quickly and efficiently, without being forced to bloat your setup with an additional external monitor to perform that very function. However, the SLR Magic 2x Anamorphot-CINE Lens Set are the first anamorphic lenses that I have ever used, I can tell you my experience, what I learned and discovered.
This oval-shaped bokeh is a result of the lens's anamorphic squeeze, which compresses the image horizontally, resulting in a wider aspect ratio. Another characteristic of the Slr Magic Anamorphic lenses is the horizontal blue streak flares. These flares add a unique and artistic touch to the footage, creating a sense of nostalgia and vintage aesthetics.
SLR Magic announces anamorphic lenses for filmmakers
SLR Magic, a company known for making affordable optics and accessories for filmmakers, has announced a new set of anamorphic cinema lenses that can be adapted to a variety of lens mounts. The PL mount ANAMORPHOT-CINE line of lenses includes the 35mm T2.4, the 50mm T2.8 and the 70mm T4, all of which can be adapted for Canon EF, Nikon F, Micro Four Thirds and Sony E-mount.
Recent VideosAnamorphic lenses are frequently used by filmmakers to capture wide-screen aspect ratios commonly associated with a more cinematic look. This is accomplished by squeezing the image horizontally onto the sensor or film to capture a wider horizontal angle of view. The image is later 'de-squeezed' either in post processing or by a special lens attached to a projector. Digital filmmakers sometimes mimic the anamorphic effect by cropping off the top and the bottom of the frame in post processing to create a wider aspect ratio, however this effectively results in throwing away much of the data captured by the sensor. Additionally, anamorphic lenses are directly responsible for some of the looks often associated with cinematic productions, such as horizontal lens flare and elongated bokeh. The ANAMORPHOT-CINE lenses have a 1.33x squeeze factor, making it possible to create a 2.35:1 image from a 16:9 sensor. The ANAMORPHOT-CINE lenses also provide an alternative to anamorphic adapters that are often used to create an anamorphic image using a standard lens. The new lenses will be available for demo at the BVE Expo in London from February 23-25. Pricing is yet to be announced. Press release:
The blue streak flares are an inherent characteristic of anamorphic lenses and are often sought after by filmmakers for their artistic value. In addition to the oval bokeh and blue streak flares, the Slr Magic Anamorphic lenses also offer a wider aspect ratio. This wider aspect ratio allows for a more immersive and cinematic viewing experience, as the image fills a wider field of view. The wider aspect ratio is achieved through the lens's anamorphic squeeze, which horizontally compresses the image, resulting in a wider frame. Overall, the Slr Magic Anamorphic lenses are known for their unique characteristics, including the oval bokeh, blue streak flares, and wider aspect ratio. These characteristics contribute to the lenses' vintage, cinematic look, providing filmmakers with a distinct and artistic tool for their storytelling..
Reviews for "Exploring the Cinematic Look of SLR Magic Anamorphic Lenses"
- Emily - ★☆☆☆☆ - I was extremely disappointed with the Slr Magic anamorphic characteristics. The image quality was subpar and the lens flare was way too excessive. It felt like a cheaply made lens with little attention to detail. I would not recommend this product to anyone who values high-quality cinematography.
- Jacob - ★★☆☆☆ - The Slr Magic anamorphic characteristics left much to be desired. The distortion was significant and made it difficult to achieve a clean, professional look. Additionally, the lens was not very sharp, and the focus was often soft. For the price, I expected much better performance and overall quality.
- Sarah - ★★☆☆☆ - I had high hopes for the Slr Magic anamorphic characteristics, but unfortunately, it fell short of my expectations. The lens flare was too overwhelming and distracted from the overall image. The build quality also left something to be desired, as it felt flimsy and not as reliable as other anamorphic lenses on the market. I would suggest looking elsewhere for better options.