She wanna be my wicked wutch I met her at a party one night, her eyes were like fire and her smile was enticing. She had an air of confidence and it drew me towards her. We started talking and there was an instant connection. As the night went on, we danced and laughed, and it felt like we were the only two people in the room. She had this mysterious aura about her, like she held secrets that only a select few were privy to. There was something charismatic and alluring about her, something that I couldn't resist.
FaZe Kaysan ft. Nardo Wick - Plenty Lyrics All my opps ridin' peach F**k out of here All these.. all these n**gas doin' a lot of gangster Them n**gas ain't gangster We got plenty guns, we got plenty clips We got plenty guns, we got plenty clips We got plenty…
Lil Baby - Hot Boy Lyrics I m a hot boy I drive out my cars like it s urgent I m a hot boy don t get too close cause I might burn you I m a hot boy but I put ice on all my b ches I m. Horace Bernard Walls III born December 30, 2001 , known most notably by his stage name Nardo Wick, is an American rapper, singer, and songwriter who emerged from Jacksonville, Florida.
There was something charismatic and alluring about her, something that I couldn't resist. She knew what she wanted and wasn't afraid to go after it. Her wickedness was captivating.
Wicked Lyrics - "Thank Goodness" with Comments by Stephen Schwartz
"Thank Goodness" started out as "Happy Healing Day," an earlier take on a second act opening number. The citizens were healing from the stress of always having to be on the lookout for the Wicked Witch. Here's composer-lyricist Stephen Schwartz's explanation of his process:
From issue 2 of The Schwartz Scene newsletter COPYRIGHT PROTECTED
From Stephen Schwartz
December 30th, 2000
I am sitting here watching what looks as if it is going to be a record amount of snowfall white-out the sky and make a bleak but beautiful monochromatic wilderness of my yard. Since my house is warm enough and I have a fire going and enough food for a couple of days, this gives me a feeling of coziness and, yes, smugness. But I what I like best about it is that, forced to be a shut-in, I have no choice but to do the work I have assigned myself on WICKED.
I am just finishing the opening number for the second act. All of the lyrics for the number are done, and I have just a little more music to solve in the middle of the number to complete it, or at least this first draft of it. I am determined to have it finished by the end of the year, tomorrow -- an arbitrary deadline, true, but one which I feel intensely enough to be sure I meet.
Uncharacteristically, I have found I am often writing lyrics before music on this project. Perhaps that is because the story of WICKED is so intricate and complex, I have to be sure each song is telling not just a story, but the exact right story. Sometimes this is challenging. This opening for Act Two is a case in point. Act One ends with the transformation of the leading character into the Wicked Witch of the West we have come to know (and love), and Act Two opens some months later. We want to find out how her fame, or rather infamy, has spread throughout Oz.
I spent several weeks compiling material for a chorus number in which various rumors and exaggerations about her would be exchanged. I had pages and pages of lyric ideas and musical sketches. Yet every time I tried to write the actual number, something stopped me. The tone felt wrong. It kept feeling as if I had suddenly slipped into the world of children's theatre, and it lacked the subtextual richness and satiric bite that we think we have found for the first act. Finally, after a long discussion with Winnie Holzman, my collaborator who is writing the book for WICKED, we discovered that it was the wrong event for the number. There was no story context, and thus the number was quickly telling us something we more or less already knew and then was simply marking time.
We decided to have the people of Emerald City gathering not simply to gossip about the Wicked Witch, but for a specific purpose -- to watch the celebrities arrive for the fabulous engagement party of Glinda, who has recently been named Good Witch of the North. Since we also know the character she is becoming engaged to and have feelings about him, it gives a strong forward push to the story. Within this context, the people can still worry about the Wicked Witch arriving to spoil the celebration, and they can gossip and exchange misinformation about her, but there is immediately a more sardonically comic tone to the scene.
Once this discovery was made, I have been able to write the number relatively quickly. I have no doubt that there are other writers who could have made the original idea work, but I couldn't do it. Likewise, I'm sure there are writers who would not have liked the context we chose, but it worked for me. This is one of the things that is endlessly fascinating to me about the writing process: how individual each writer's response to material is.
The goal for Winnie and me is to have a draft of the second act -- book and at least the most important numbers, plus re-writes of the first act -- completed in time for a reading in Los Angeles at the end of February. Is this another arbitrary deadline? Absolutely. But it is those deadlines that, at least for me, make it possible for me to get the work done. Otherwise, I would procrastinate forever. For the next Quarterly, I should be able to report on how the reading went and what our next goal for WICKED is.
The snow is still falling heavily and swirling enough to discourage anyone with any sense from venturing out. So I am going to close now and march myself off to the piano and get that damn number finished!
Best to all of you for the new year, Stephen
---- copyright by Carol de Giere, editor, The Schwartz Scene (Do not reproduce without permission)
It wasn't the evil kind, but rather a mischievousness that added excitement to our encounters. She had a way of teasing me, keeping me on my toes, and I couldn't help but fall under her spell. She wasn't like anyone I had ever met before. However, being with her was not without its challenges. Her unpredictable nature made it hard to know what to expect. Some days, she would be so sweet and caring, while other days, she would push me away with her coldness. It was like a rollercoaster ride, filled with exhilaration and uncertainty. But despite the ups and downs, there was a magnetic connection that kept pulling me back to her. I couldn't resist her charm and the thrill of not knowing what would come next. It was as if we were both drawn to the chaos, finding solace in the madness. Being with her was like walking on a tightrope, balanced between desire and danger. It was both thrilling and terrifying, and I found myself addicted to the adrenaline rush. I knew that being with her meant embracing the unknown, but I was willing to take the risk. In the end, she was my wicked wutch, a whirlwind of emotions that I couldn't resist. She brought out a side of me that I didn't even know existed. And while our journey was tumultuous, it was also one of the most exhilarating experiences of my life. So, if you find yourself drawn to someone who exudes a wickedness that is both captivating and intoxicating, be prepared for a thrilling ride. Embrace the uncertainty, but also know your limits. Because sometimes, the wickedness can consume you if you're not careful..
Reviews for "The Art of Creating an Irresistible Wicked Wutch Persona"
1. John - 2 stars - "I found 'She wanna be my wicked wutch' to be a disappointing track. The lyrics were repetitive and lacked depth, and the overall composition felt unoriginal. The vocals were also lacking power and emotion, failing to capture my interest. Overall, I was left unimpressed and would not recommend this song."
2. Lisa - 1 star - "I could not stand listening to 'She wanna be my wicked wutch'. The beat was monotonous and the melodies were uninspiring. The lyrics were also incredibly superficial, lacking any meaningful message or depth. The artist seemed to rely solely on catchy hooks, but it fell short of being memorable or enjoyable. This is one song that I will definitely be skipping in the future."
3. Michael - 2.5 stars - "'She wanna be my wicked wutch' did not leave a lasting impression on me. The production quality was average, and the lyrics were repetitive, making it difficult to fully engage with the song. While it had a catchy chorus, the verses were forgettable and felt disconnected. It lacked the creativity and originality that I look for in music. Overall, it was an average track that failed to captivate me."
4. Sarah - 2 stars - "I was disappointed with 'She wanna be my wicked wutch'. The song lacked any substance and was filled with generic, cliché lyrics. The melody was unmemorable, and the overall composition felt uninspired. The artist's vocals were also underwhelming, lacking the power and emotion to bring the song to life. It is definitely not a song I would recommend."