Qalden mega magic is a concept that combines the ancient practice of magic with the modern advancements in technology. It is a term coined by practitioners who believe in pushing the boundaries of what can be achieved through magic by using technology as a tool. In traditional magical practices, practitioners rely on their intuition, energy manipulation, and ritualistic ceremonies to perform spells and achieve desired outcomes. However, qalden mega magic takes a different approach. It proposes that by integrating technological tools and devices, practitioners can enhance their magical abilities and create more powerful effects. For example, qalden mega magic may involve the use of computer programs or algorithms to analyze data and generate specific energy patterns or sigils.
That, however, did not sour Presley on Vegas.
The resort, located just south of what is now Sahara Avenue on the west side of Las Vegas Boulevard, was the first hotel to use big names to attract crowds after it opened April 3, 1941. The war on terror is a prime example of such thought manipulation, invoking fear, justifying the Patriot Act and Guantanamo Bay, whilst creating a blind, one that directed us away from the real war that the power elite has quietly declared on us.
For example, qalden mega magic may involve the use of computer programs or algorithms to analyze data and generate specific energy patterns or sigils. These sigils can then be used to influence the desired outcome of a spell or ritual. Similarly, practitioners may use virtual reality or augmented reality technology to create immersive environments that enhance the focus and concentration required for successful magical workings.
When Occultism And Conspiracy Theories Are Connected
Occultism, in the form of magical practice, is a common enough theme in horror, from ‘The Omen’ and ‘Rosemary’s Baby’ through to ‘The Matrix.’ In pop culture, the occult has fused with the paranormal to form a glamorous “other” realm of existence. This “other” has become accepted and acceptable. Writing, filming, reading, watching — it is all just good entertainment. Youngsters get into it, dabble a bit; parents watch on assuming it is just a phase they will grow out of, and that those who do not are suffering from a form of arrested development. Parents are, after all, rational, even when their rationality is coloured by faith. I believe this popular cultural dalliance with the paranormal and the occult to be problematic. It trivialises esotericism to the point of hollowing it out of all meaning. It is a distraction; one the real occultist will take full advantage of.
From the point of view of the mainstream, conspiracy theories are another “out there” fascination that occupies the minds of nerds, geeks and stoners to the point of obsession. From the point of view of those intellectuals critical of the neo-conservative status quo, conspiracy theorists are paranoid idiots. Not so.
Unlike the occult and paranormal fans, those who believe in conspiracy theories are widely vilified and shunned. They are considered to be some sort of threat to rational thought. They point at the corrupt and underhanded machinations of power and are condemned for it. In this article I show one way that the occult and conspiracy theories are connected, and why it might be that society’s rejection of this second “other” is not only misplaced, but it denies the development of the sort of thinking that will progress humanity beyond the tendency to create dichotomies, which in turn perpetuate hate.
The paranormal and the occult point us in direction of the strange and the unknown. The human mind is suggestible through its quest for explanations of happenstances that appear inexplicable. How many of us have awoken from a dream infused with a potent charge, breathless, our thoughts in suspension as we grapple for meaning? Or observed key life events falling in succession on a significant anniversary: the realisation bringing with it a sense of mystery and puzzlement? Is it that these sorts of things happen accidentally in the random chaos of life, as the rationalists would have it, and only because these events somehow concern us in particular, do we take notice? Or perhaps Carl Gustav Jung was right; such occurrences are not merely coincidental but synchronous and therefore significant.
And what of the particularity of that attention we give to this over that, something dramatic over something every day. Why do some things stand out and not others? I am not a psychologist and can only suggest that the answer lies partly in our sense of who we are and what we want. The allure of the paranormal and the occult is usually that self-centred. Also, the answer lies in the consequences. We tend not to notice things of no consequence.
The rationalists among us mock those who notice paranormal happenings along with those who find significance in the symbols and glyphs of the occult; those who believe in the predictive truth of divinatory practices such as the I Ching or the casting of the Runes. Yet it seems to me harsh and unfair to dismiss outright individuals who approach the unfathomable mysteriousness of our existence with a measure of awe and wonderment.
When something inexplicable happens — we see a ghost or have a premonition or hear a knock when there is no one there — many of us wonder if there is more to our world than meets our eyes. Drawing on the ideas of the well-known specialist in ancient Gnosticism, Gilles Quispel, Professor of History and Hermetic Studies, Wouter Jacobus Hanegraaff, describes this tendency as a gnostic disposition, a way of knowing distinct from faith (religion) and reason (science). Those with it are drawn to metaphysical explanations of reality. They tend to probe behind the scenes for alternative meanings in addition to those readily accessible on the surface.
If an a gnostic disposition is a prerequisite for engaging with occultism, then correspondence is its fundament. From the perhaps trite metaphysical tenet “As above, so below” through to myriad arbitrary associations, such as matching the signs of the Zodiac with gemstones, occultists (and esotericists) derive meaning from this method of interpreting the world around them. Over millennia, out of the correspondence technique of meaning making, occultists have accumulated a vast body of esoteric “knowledge.” And for the average occultist, this knowledge is all too easily regarded as absolute and concrete truth.
The most obvious and one of the oldest systems of correspondence, which sets out to interpret our experiences and predict our future based on occult knowledge, is Astrology. Perhaps harmless enough, when in the hands of an eccentric parlour scryer, although knowing how suggestible many of us are, even a prediction concerning the meeting of a future husband can have catastrophic consequences. It is for this reason that I refuse to practice the art.
Astrologers, like most interested in the occult, use the knowledge built up out of the technique of correspondence by applying it to people’s lives. It is personal and private. Transiting Pluto opposing your natal Moon means you are going through some sort of emotional rebirth — not many are going to state this aloud on a train. Yet it is not occult knowledge that concerns the adept esoteric practitioner. For esotericism is praxis; out of a few simple guiding principles, the occultist generates meaning and significance afresh each time.
The adept esotericist is concerned with the manipulation of thought and energy and the harnessing of power for the purposes of transmutation. The adept understands the capacity of symbols to evoke fresh meaning, stimulating the imagination and the intuition and, in ways incomprehensible to faith and reason, transforming consciousness. This, in essence, is Alchemy.
The adept knows this as superior knowledge, which has little to do with the literal correspondences ascribed to symbols by popular culture. Occultism is nothing more and nothing less than the manipulation of whatever forms and forces are at the practitioner’s disposal in order to achieve that which the practitioner desires. That, when all is stripped away, is magic.
There are two kinds of adepts: those who walk the left-hand path of darkness and those who direct their minds to the right-hand path of light. Pioneer of transpersonal psychology, Roberto Assagioli, for example, was a “secretary” of Theosophist Alice Ann Bailey’s Arcane School, an esoteric training school on the right-hand path (despite what some may argue, Alice Ann Bailey’s teachings have nothing whatsoever to do with the left-hand path, other than to guard against it). Roberto Assagioli used the insights he gained in his esoteric training and used them to develop psychosynthesis, a process largely beneficial in enabling personal development.
On the dark side, the adept in the occult arts knows the susceptibility and suggestibility of the human mind, understands fully the lure of correspondence, and above all, understands how to create thought forms in order to influence how we think about the world around us. Propaganda works in this way, as does ideology. The war on terror is a prime example of such thought manipulation, invoking fear, justifying the Patriot Act and Guantanamo Bay, whilst creating a blind, one that directed us away from the real war that the power elite has quietly declared on us.
The Freemasons are probably the most well-known occult order. Outwardly they are a brotherhood, an “old boy’s” network, favouring each other and ensuring they, and not outsiders, gain and keep power. Inwardly the Freemasons practice secret rites of an esoteric bent and practice the processes of initiation through a series of hierarchical degrees. Sinister or not? It depends on who you read.
There has always been a sinister side to the occult. In his book, ‘The Occult Roots of Nazism,’ Nicholas Goodrick-Clarke showed how the occult sects of the Habsburg Empire influenced Nazism ideology, their symbols and ideas proving highly influential. Scholars like Nicholas Goodrick-Clarke continue to contribute to a growing body of scholarly knowledge on the nature of Western Esotericism and its various streams. For those interested in understanding occultism and the elite, I advise looking to those works, over the dubious scholarship found in the works of Jim Marrs.
Occult orders are hard to understand, to study. The metaphysics is abstruse, the practices obscure. The larger orders are more well known. But there also exists smaller, highly secret orders. Professor of political science at Princeton University, Sheldon S. Wolin knew of the gravity of the matter when he wrote ‘Democracy Inc.’ He wrote a chapter on cultism in the power elite, including the Ayn Rand phenomenon of which former head of the Federal Reserve Alan Greenspan was an acolyte, and the intellectualised elite generated by political philosopher Leo Strauss, one with an astonishing lack of empathy when it comes to the rest of us. And then there is the anecdote, the mockery, the taunt: Bohemia Grove.
Secret occult orders are fuel for conspiracy theorists: those gnostic thinkers who may or may not stumble on the truth of the matter. Conspiracy thinkers realise that on a mass scale, pop culture dabblers are collectively duped, the paranormal and the occult serving as opiates, other worldly distractions from the harsh realities of existence under the current regime. Yet on an individual level, those same dabblers in the occult, busy collecting crystals, and engaging in a little candle magic, are protected from the manipulations of the adept by their very self-centredness: welcome to the New Age. Whereas conspiracy theorists are made vulnerable by their tendency to turn occultism outwards, away from themselves, and towards the world at large.
How do conspiracy thinkers protect themselves against such lies? I argue that the very idea of “conspiracy theory” is a problem for conspiracy thinkers. Theory presupposes some sort of grand plan or plot, one that forms the essence of the theory. The mistake I think conspiracy theorists tend to make is the same as the mistake literal-minded gnostics make — they look to knowledge, to absolutes; they adhere to linear thinking and seek concrete explanations and final causes — everything from alien lizards to “The Protocols of the Elders of Zion” — just as the literal-minded esotericist may believe in a spiritual hierarchy of ascended masters enacting a plan for humanity.
Occultism is not knowledge; it is praxis, a process, a way of knowing. Conspiracy is a process too, generally organic and evolving, opportunistic and unscrupulous, at times reckless. There is not, necessarily, a plot or master plan. Even if there is, I think it is best not to adhere to the idea of it. Umberto Eco’s ‘The Prague Cemetery’ comes closest to the reality.
There is another approach to occultism, one that regards the processes of meaning making through the symbols, glyphs and elements of occult systems lightly, provisionally, without adherence. It is one I ascribe to and aspire to. It is perhaps a more balanced approach, allowing awareness to be transformed without the mind adhering to prescribed meanings as literal truths. It is mastering occultism as art, not craft. It is recognising that the veils and blinds created by the supposed adepts are paradoxically their own other, their opposite in a sense, for veils and blinds are the very lenses through which the rest of us think we can see. A conspiracy thinker must also train their mind, learn to see through the veils, become an adept. Learn not to get trapped in the maze. Remain poised between dichotomies; walk the razor edge path of truth.
In 1974, Liberace signed a $2.5 million contract for a 25-week Las Vegas engagement.
The concept of qalden mega magic also extends to the use of technology for divination and communication with other realms. For instance, practitioners may use AI-powered chatbots or algorithms to interpret tarot spreads or communicate with spiritual entities. This combination of magic and technology aims to expand the possibilities and effectiveness of magical practices. Critics argue that qalden mega magic is a departure from traditional magical practices, which prioritize personal connection, intuition, and respect for the natural world. They believe that relying too heavily on technology can undermine the essence of magic and lead to a shallow and disconnected experience. However, proponents of qalden mega magic argue that it is simply an evolution of magical practices in response to the changing times. They argue that integrating technology into magic can enhance its effectiveness and make it more accessible to a wider range of people. In conclusion, qalden mega magic is an emerging concept that combines traditional magical practices with modern technology. It proposes that by integrating tools, algorithms, and devices, practitioners can enhance their magical abilities and achieve more powerful effects. Whether it is embraced or rejected, qalden mega magic represents the ongoing evolution of magical practices in a technologically advancing world..
Reviews for "Qalden Mega Magic and Astral Projection: Exploring Other Realms of Consciousness"
1. Sarah - 2 stars - Qalden mega magic was a huge disappointment for me. The storyline felt disjointed and the characters were underdeveloped. I couldn't connect with any of them and found myself struggling to finish the book. Additionally, the writing style was choppy and lacked finesse. Overall, I did not enjoy this read and would not recommend it to others.
2. Mike - 3 stars - I had high hopes for Qalden mega magic, but unfortunately, it fell short of my expectations. While the concept was intriguing, the execution left much to be desired. The pacing was slow, and the plot felt predictable. The dialogue between the characters was often forced and unrealistic, making it difficult to stay engaged in the story. Although it had its moments, I ultimately found this book to be average at best.
3. Emily - 2.5 stars - Qalden mega magic was a letdown for me. The world-building was confusing and inconsistent, making it difficult to fully immerse myself in the story. The magical elements were rather unconvincing and lackluster. Additionally, the pacing was off, with certain parts dragging on while others felt rushed. Overall, I found the book to be mediocre and wouldn't recommend it unless you're a die-hard fan of the fantasy genre.
4. John - 2 stars - I struggled to finish Qalden mega magic as it lacked originality and depth. The plot was cliché and followed a predictable formula. The characters were one-dimensional and their actions felt forced. The writing style was flat and lacked the descriptive imagery I typically enjoy in fantasy novels. Unfortunately, this book did not live up to the hype for me and I would not recommend it to others.
5. Lisa - 1 star - I really disliked Qalden mega magic. The writing was amateurish and riddled with grammatical errors and typos. The plot was uninteresting and failed to capture my attention. The characters lacked depth and I found them to be unrelatable. Overall, this book was a disappointment and I wouldn't waste my time on it again.