The Occult Renaissance of 1949: A Closer Look

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The year 1949 marked a significant period for the occult arts. This era saw a revival of interest in the occult, particularly fueled by the publication of several influential works. One such work is "The Spiral Dance" by Starhawk, which introduced contemporary Paganism and witchcraft into mainstream consciousness. During this time, interest in spiritualism also grew, with many individuals seeking to communicate with the deceased through mediums and conducting seances. The occult arts gained popularity among different social circles, with intellectuals, artists, and spiritual seekers delving into the hidden realms of the mystical. In addition to literature and spiritual practices, 1949 also saw the rise of organizations dedicated to the study and exploration of the occult.


Francisco José de Goya y Lucientes
The spruce themselves up (Se repulen)
etching, burnished aquatint and burin on paper
12 in x 8 in (30.48 cm x 20.32 cm);7 3/4 in x 5 in (19.68 cm x 12.7 cm);8 1/4 in x 5 13/16 in (20.96 cm x 14.76 cm)
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund

The title references the Greek myth about three monstrous sisters including the snake-haired Medusa who can turn any man who looks at them into stone. Colquhoun s rebellious and idiosyncratic artistic approach was encapsulated by her art teacher, who once said The only danger in your development is that with your active and curious mind you may be led to run after all strange objects.

Occult arts 1949

In addition to literature and spiritual practices, 1949 also saw the rise of organizations dedicated to the study and exploration of the occult. The Hermetic Order of the Golden Dawn, founded in the late 19th century, experienced a resurgence in membership, attracting individuals seeking esoteric knowledge and spiritual development. The 1940s also witnessed the emergence of influential occult figures.

THE BEGINNING OF DUCHAMP’S OCCULT ART

Occult arts 1949

One prominent figure during this time was Aleister Crowley, known as "The Great Beast." Crowley's works, such as "The Book of the Law" and "Magick in Theory and Practice," continue to be studied and respected by occult practitioners today. Despite the growing interest and acceptance of the occult arts, it is important to note that these practices were still met with skepticism and criticism from mainstream society. Occultists often faced societal backlash, with accusations of witchcraft and charlatanism being prevalent. In conclusion, the occult arts in 1949 experienced a significant resurgence in interest. The publication of influential works, the rise of spiritualism, the formation of organizations, and the impact of influential figures all contributed to the growing popularity and exploration of the mystical and esoteric during this time..

Reviews for "1949: A Year of Mystical Discoveries in Occult Arts"

1. Robert - 1/5 - This book was a complete waste of time. The author makes outrageous claims about the occult and presents them as fact without any evidence or logical explanation. The writing is also very poor, with numerous spelling and grammatical errors throughout. I highly recommend avoiding this book if you're looking for a serious exploration of the occult arts.
2. Sarah - 2/5 - As someone interested in the occult, I was excited to read this book. However, I was sorely disappointed by the lack of depth and substance. The author seems more interested in sensationalism and shock value rather than providing any meaningful information. The book is also poorly organized, jumping from topic to topic without any coherence. Overall, I would not recommend "Occult arts 1949" for anyone seeking genuine knowledge on the subject.
3. Mark - 2/5 - "Occult arts 1949" was a major letdown for me. The author tries to cover a wide range of topics within the occult arts, but fails to provide any relevant or useful information. The book lacks depth and meaningful insights, and instead relies on vague and abstract concepts. Additionally, the writing style is dry and difficult to follow, making it a tedious read. I would advise looking for other resources if you're interested in exploring the occult arts in a more substantial and coherent manner.

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