The Enigmatic History of the Obsidian Mirror in Wiccan Practices

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Obsidian Mirror for Wiccan Rituals Obsidian mirrors are an essential tool in Wiccan rituals, widely used for divination and scrying purposes. These mirrors are made from volcanic glass, known for its black, shiny surface that is believed to possess powerful spiritual properties. The use of obsidian mirrors in Wiccan rituals dates back centuries, with practitioners harnessing their reflective qualities to gain insight into the past, present, and future. The dark, reflective surface of the mirror is thought to act as a portal to other realms, allowing Wiccans to connect with the spiritual realm and communicate with ancestors, spirit guides, and deities. During a Wiccan ritual, the obsidian mirror is typically placed on a specially designated altar or sacred space. The practitioner gazes into the mirror, focusing their intentions and opening themselves to receive messages and visions.


This event accompanies our exhibition Fantasy: Realms of Imagination, supported by:

She worked as a journalist before moving into the video games industry, becoming an award-winning writer on titles such as Heavenly Sword , Mirror s Edge , and Overlord , as well as the Tomb Raider reboot and its sequel. Join us as Rhianna Pratchett and Gabrielle Kent introduce Tiffany Aching s Guide To Being A Witch a practical guide to being a witch in Discworld, covering everything you ve ever wanted to know from telling the bees to magical cheese, from dealing with elves to making deals with demons, from tending flocks to fending off forces from other worlds.

Witchcraft practitioner on a bike

The practitioner gazes into the mirror, focusing their intentions and opening themselves to receive messages and visions. The mirror serves as a tool to access one's own intuition, allowing them to tap into their psychic abilities and receive guidance from the spiritual realm. Scrying, or divination using a reflective surface like the obsidian mirror, is an ancient practice found in various cultures around the world.

Tiffany Aching's Guide to Being a Witch

This event takes place in the British Library and will be simultaneously live streamed on the British Library platform. Tickets may be booked either to attend in person, or to watch on our platform (online) either live or within 48 hours on catch up. Viewing links will be sent out shortly before the event.

‘They say you don't find witchcraft, it finds you…’

Join us as Rhianna Pratchett and Gabrielle Kent introduce Tiffany Aching’s Guide To Being A Witch – a practical guide to being a witch in Discworld, covering everything you've ever wanted to know from telling the bees to magical cheese, from dealing with elves to making deals with demons, from tending flocks to fending off forces from other worlds.

This beautiful and practical guide has been compiled by Tiffany Aching herself, including snippets of remembered wisdom from Granny Aching alongside notes from Granny Weatherwax, Nanny Ogg, Miss Tick, and Rob Anybody who offer their own unique perspectives on all things witchcraft. Whether you're a herbologist or a headologist, this book will inspire and empower new witches and seasoned practitioners alike.

Tiffany Aching’s Guide To Being A Witch, co-written by Rhianna and Gabrielle, celebrates the 20th anniversary of the first Tiffany Aching story which first appeared in Sir Terry Pratchett’s Discworld series.

Suited to audiences aged 11 +

Rhianna Pratchett grew up on the chalk of Wiltshire. She worked as a journalist before moving into the video games industry, becoming an award-winning writer on titles such as Heavenly Sword, Mirror's Edge, and Overlord, as well as the Tomb Raider reboot and its sequel. As well as having written for DC, Dark Horse and Marvel, she combined her love of novels and gaming by authoring the Fighting Fantasy novel Crystal of Storms. She also works as a screenwriter and producer for TV and film. Rhianna lives in London with her partner and ever-growing herd of cats.

Gabrielle Kent worked as a graphic artist on video games before becoming a senior lecturer in games development. Now a full-time author, her work includes Alfie Bloom – a series about a boy who inherits a castle and a whole load of magical problems, Knights and Bikes – a series based on the video game of the same name, and Rani Reports, featuring a girl who wants to be an investigative journalist and her adventures with her rambunctious Mauritian nani. Gabrielle lives in the North East of England with her husband, daughter and agoraphobic cat.

If you’re attending in person, please arrive no later than 15 minutes before the start time of this event.

The British Library is a charity. Your support helps us open up a world of knowledge and inspiration for everyone. Donate today.

This event accompanies our exhibition Fantasy: Realms of Imagination, supported by:

Obsidian mirror for wiccan rituals

In Wicca, scrying with an obsidian mirror is often used for prediction, gaining insight, and deepening spiritual connections. It is believed that the mirror's surface acts as a blank canvas, where symbols, visions, and messages appear to the practitioner, revealing hidden truths and offering guidance. Working with an obsidian mirror requires concentration, focus, and a clear intention. Wiccans often cleanse and consecrate the mirror before use, infusing it with their energy and setting its purpose. Some practitioners may choose to perform rituals or meditations to attune themselves to the mirror's energy, enhancing its effectiveness as a divination tool. It is essential for practitioners to approach the use of an obsidian mirror with respect and reverence. The mirror is seen as a sacred object, a doorway to the unseen realms, and should be handled with care. It is advised to store the mirror in a special bag or cloth when not in use to protect its energy and prevent any external influences from affecting its efficacy. The obsidian mirror holds great significance in Wicca as a tool for divination and spiritual connection. It serves as a powerful conduit between the physical and spiritual worlds, allowing practitioners to explore the depths of their intuition and receive guidance from higher realms. With its sleek black surface, the obsidian mirror continues to be a cherished and valued tool in Wiccan rituals..

Reviews for "The Ritualistic Use of the Obsidian Mirror in Wiccan Samhain Celebrations"

1. Rachel - 2 stars
I was really excited to purchase the Obsidian mirror for my Wiccan rituals, but unfortunately, I was highly disappointed with this product. Firstly, the quality of the mirror was subpar. It had scratches and smudges all over it, making it difficult to use in my rituals. Additionally, the size was much smaller than what was advertised, making it impractical for my needs. Lastly, the mirror had a weird smell to it, almost like chemical fumes, which was very off-putting. I ended up returning it and finding a better alternative.
2. Michael - 1 star
I wouldn't recommend the Obsidian mirror for Wiccan rituals. I found it to be a complete waste of money. The mirror arrived poorly packaged and was already cracked upon arrival. The seller didn't even offer a refund or replacement. Even if it hadn't arrived damaged, the mirror itself was of poor quality. The reflections were distorted and blurry, making it completely ineffective for any kind of ritual work. I would advise looking for a different mirror if you're serious about your Wiccan practice.
3. Sarah - 2 stars
I had high hopes for the Obsidian mirror, but unfortunately, it fell short of my expectations. First of all, the mirror was advertised as being "energy-enhancing," but I felt no difference whatsoever when using it in my rituals. It was just like looking into a regular mirror. Secondly, the surface of the mirror was not properly polished, leaving visible imperfections that disrupted the clarity of the reflection. Overall, I was left unimpressed and would not purchase this mirror again.

Cleansing and Charging the Obsidian Mirror for Wiccan Ritual Use

The Role of the Obsidian Mirror in Mirror Magic for Wiccan Spellcasting

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