Magic and bird documentaries Magic and bird documentaries are a popular genre of film and television that explore the lives and careers of professional basketball players Magic Johnson and Larry Bird. These documentaries focus on the rivalry and friendship between the two players, who were considered two of the greatest basketball players of all time. Magic Johnson and Larry Bird are often referred to as the key figures in the revitalization of the NBA in the 1980s. Their rivalry started in college, with Magic's Michigan State and Bird's Indiana State facing off in the 1979 NCAA Championship game, which is still one of the most-watched college basketball games in history. The documentary explores their contrasting backgrounds and styles of play. Magic, who grew up in Lansing, Michigan, was known for his flashy style of play and incredible passing ability.
To his credit, though, Hemsworth is a bright and engaging host, letting his evident enthusiasm buoy up his lack of expertise. Plus, there’s a short sequence here that I would have happily watched much more of, featuring Valerie Taylor, one of the world’s most qualified shark experts. Now 85, Taylor was the first person ever to photograph a great white without the aid of a cage. She has made documentaries about sharks, campaigned tirelessly for the protection of the animals and shot the real-life shark footage used in Jaws. She is a magnificent, accomplished professional. However, put her near Hemsworth and she flirts harder than any human being on Earth.
I have read stories and watched documentaries about the Korowai, but as far as I know none of the reporters and filmmakers had ever gone as far upriver as we re about to go, and none I know of had ever seen a khakhua s skull. We leave the film unsure about who committed the murders, but convinced that an obsession with Satanism extends here far beyond the circle of defendants.
Magic, who grew up in Lansing, Michigan, was known for his flashy style of play and incredible passing ability. Bird, on the other hand, grew up in French Lick, Indiana, and was known for his fundamentally sound style and deadly shooting. The rivalry between Magic and Bird continued in the NBA, as Magic's Los Angeles Lakers and Bird's Boston Celtics faced off in three NBA Finals during the 1980s.
Sleeping with Cannibals
For days I've been slogging through a rain-soaked jungle in Indonesian New Guinea, on a quest to visit members of the Korowai tribe, among the last people on earth to practice cannibalism. Soon after first light this morning I boarded a pirogue, a canoe hacked out of a tree trunk, for the last stage of the journey, along the twisting Ndeiram Kabur River. Now the four paddlers bend their backs with vigor, knowing we will soon make camp for the night.
My guide, Kornelius Kembaren, has traveled among the Korowai for 13 years. But even he has never been this far upriver, because, he says, some Korowai threaten to kill outsiders who enter their territory. Some clans are said to fear those of us with pale skin, and Kembaren says many Korowai have never laid eyes on a white person. They call outsiders laleo ("ghost-demons").
Suddenly, screams erupt from around the bend. Moments later, I see a throng of naked men brandishing bows and arrows on the riverbank. Kembaren murmurs to the boatmen to stop paddling. "They're ordering us to come to their side of the river," he whispers to me. "It looks bad, but we can't escape. They'd quickly catch us if we tried."
As the tribesmen's uproar bangs at my ears, our pirogue glides toward the far side of the river. "We don't want to hurt you," Kembaren shouts in Bahasa Indonesia, which one of our boatmen translates into Korowai. "We come in peace." Then two tribesmen slip into a pirogue and start paddling toward us. As they near, I see that their arrows are barbed. "Keep calm," Kembaren says softly.
Cannibalism was practiced among prehistoric human beings, and it lingered into the 19th century in some isolated South Pacific cultures, notably in Fiji. But today the Korowai are among the very few tribes believed to eat human flesh. They live about 100 miles inland from the Arafura Sea, which is where Michael Rockefeller, a son of then-New York governor Nelson Rockefeller, disappeared in 1961 while collecting artifacts from another Papuan tribe; his body was never found. Most Korowai still live with little knowledge of the world beyond their homelands and frequently feud with one another. Some are said to kill and eat male witches they call khakhua.
The island of New Guinea, the second largest in the world after Greenland, is a mountainous, sparsely populated tropical landmass divided between two countries: the independent nation of Papua New Guinea in the east, and the Indonesian provinces of Papua and West Irian Jaya in the west. The Korowai live in southeastern Papua.
My journey begins at Bali, where I catch a flight across the Banda Sea to the Papuan town of Timika; an American mining company's subsidiary, PT Freeport Indonesia, operates the world's largest copper and gold mine nearby. The Free Papua Movement, which consists of a few hundred rebels equipped with bows and arrows, has been fighting for independence from Indonesia since 1964. Because Indonesia has banned foreign journalists from visiting the province, I entered as a tourist.
After a stopover in Timika, our jet climbs above a swampy marsh past the airport and heads toward a high mountain. Beyond the coast, the sheer slopes rise as high as 16,500 feet above sea level and stretch for 400 miles. Waiting for me at Jayapura, a city of 200,000 on the northern coast near the border with Papua New Guinea, is Kembaren, 46, a Sumatran who came to Papua seeking adventure 16 years ago. He first visited the Korowai in 1993, and has come to know much about their culture, including some of their language. He is clad in khaki shorts and trekking boots, and his unflinching gaze and rock-hard jaw give him the look of a drill sergeant.
The best estimate is that there are some 4,000 Korowai. Traditionally, they have lived in treehouses, in groups of a dozen or so people in scattered clearings in the jungle; their attachment to their treehouses and surrounding land lies at the core of their identity, Smithsonian Institution anthropologist Paul Taylor noted in his 1994 documentary film about them, Lords of the Garden. Over the past few decades, however, some Korowai have moved to settlements established by Dutch missionaries, and in more recent years, some tourists have ventured into Korowai lands. But the deeper into the rain forest one goes, the less exposure the Korowai have had to cultures alien to their own.
After we fly from Jayapura southwest to Wamena, a jumping-off point in the Papuan highlands, a wiry young Korowai approaches us. In Bahasa Indonesia, he says that his name is Boas and that two years ago, eager to see life beyond his treehouse, he hitched a ride on a charter flight from Yaniruma, a settlement at the edge of Korowai territory. He has tried to return home, he says, but no one will take him. Boas says a returning guide has told him that his father was so upset by his son's absence that he has twice burned down his own treehouse. We tell him he can come with us.
The next morning eight of us board a chartered Twin Otter, a workhorse whose short takeoff and landing ability will get us to Yaniruma. Once we're airborne, Kembaren shows me a map: spidery lines marking lowland rivers and thousands of square miles of green jungle. Dutch missionaries who came to convert the Korowai in the late 1970s called it "the hell in the south."
After 90 minutes we come in low, following the snaking Ndeiram Kabur River. In the jungle below, Boas spots his father’s treehouse, which seems impossibly high off the ground, like the nest of a giant bird. Boas, who wears a daisy-yellow bonnet, a souvenir of “civilization,” hugs me in gratitude, and tears trickle down his cheeks.
At Yaniruma, a line of stilt huts that Dutch missionaries established in 1979, we thump down on a dirt strip carved out of the jungle. Now, to my surprise, Boas says he will postpone his homecoming to continue with us, lured by the promise of adventure with a laleo, and he cheerfully lifts a sack of foodstuffs onto his shoulders. As the pilot hurls the Twin Otter back into the sky, a dozen Korowai men hoist our packs and supplies and trudge toward the jungle in single file bound for the river. Most carry bows and arrows.
The Rev. Johannes Veldhuizen, a Dutch missionary with the Mission of the Reformed Churches, first made contact with the Korowai in 1978 and dropped plans to convert them to Christianity. "A very powerful mountain god warned the Korowai that their world would be destroyed by an earthquake if outsiders came into their land to change their customs," he told me by phone from the Netherlands a few years ago. "So we went as guests, rather than as conquerors, and never put any pressure on the Korowai to change their ways." The Rev. Gerrit van Enk, another Dutch missionary and co-author of The Korowai of Irian Jaya, coined the term "pacification line" for the imaginary border separating Korowai clans accustomed to outsiders from those farther north. In a separate phone interview from the Netherlands, he told me that he had never gone beyond the pacification line because of possible danger from Korowai clans there hostile to the presence of laleo in their territory.
As we pass through Yaniruma, I’m surprised that no Indonesian police officer demands to see the government permit issued to me allowing me to proceed. "The nearest police post is at Senggo, several days back along the river," Kembaren explains. "Occasionally a medical worker or official comes here for a few days, but they're too frightened to go deep into Korowai territory."
Entering the Korowai rain forest is like stepping into a giant watery cave. With the bright sun overhead I breathe easily, but as the porters push through the undergrowth, the tree canopy's dense weave plunges the world into a verdant gloom. The heat is stifling and the air drips with humidity. This is the haunt of giant spiders, killer snakes and lethal microbes. High in the canopy, parrots screech as I follow the porters along a barely visible track winding around rain-soaked trees and primeval palms. My shirt clings to my back, and I take frequent swigs at my water bottle. The annual rainfall here is around 200 inches, making it one of the wettest places on earth. A sudden downpour sends raindrops spearing through gaps in the canopy, but we keep walking.
The local Korowai have laid logs on the mud, and the barefoot porters cross these with ease. But, desperately trying to balance as I edge along each log, time and again I slip, stumble and fall into the sometimes waist-deep mud, bruising and scratching my legs and arms. Slippery logs as long as ten yards bridge the many dips in the land. Inching across like a tightrope walker, I wonder how the porters would get me out of the jungle were I to fall and break a leg. "What the hell am I doing here?" I keep muttering, though I know the answer: I want to encounter a people who are said to still practice cannibalism.
Hour melts into hour as we push on, stopping briefly now and then to rest. With night near, my heart surges with relief when shafts of silvery light slip through the trees ahead: a clearing. "It's Manggel," Kembaren says—another village set up by Dutch missionaries. "We'll stay the night here."
Korowai children with beads about their necks come running to point and giggle as I stagger into the village—several straw huts perched on stilts and overlooking the river. I notice there are no old people here. "The Korowai have hardly any medicine to combat the jungle diseases or cure battle wounds, and so the death rate is high," Kembaren explains. "People rarely live to middle age." As van Enk writes, Korowai routinely fall to interclan conflicts; diseases, including malaria, tuberculosis, elephantiasis and anemia, and what he calls "the khakhua complex." The Korowai have no knowledge of the deadly germs that infest their jungles, and so believe that mysterious deaths must be caused by khakhua, or witches who take on the form of men.
After we eat a dinner of river fish and rice, Boas joins me in a hut and sits cross-legged on the thatched floor, his dark eyes reflecting the gleam from my flashlight, our only source of light. Using Kembaren as translator, he explains why the Korowai kill and eat their fellow tribesmen. It's because of the khakhua, which comes disguised as a relative or friend of a person he wants to kill. "The khakhua eats the victim's insides while he sleeps," Boas explains, "replacing them with fireplace ash so the victim does not know he's being eaten. The khakhua finally kills the person by shooting a magical arrow into his heart." When a clan member dies, his or her male relatives and friends seize and kill the khakhua. "Usually, the [dying] victim whispers to his relatives the name of the man he knows is the khakhua," Boas says. "He may be from the same or another treehouse."
I ask Boas whether the Korowai eat people for any other reason or eat the bodies of enemies they've killed in battle. "Of course not," he replies, giving me a funny look. "We don't eat humans, we only eat khakhua."
The killing and eating of khakhua has reportedly declined among tribespeople in and near the settlements. Rupert Stasch, an anthropologist at Reed College in Portland, Oregon, who has lived among the Korowai for 16 months and studied their culture, writes in the journal Oceania that Korowai say they have "given up" killing witches partly because they were growing ambivalent about the practice and partly in reaction to several incidents with police. In one in the early '90s, Stasch writes, a Yaniruma man killed his sister's husband for being a khakhua. The police arrested the killer, an accomplice and a village head. "The police rolled them around in barrels, made them stand overnight in a leech-infested pond, and forced them to eat tobacco, chili peppers, animal feces, and unripe papaya," he writes. Word of such treatment, combined with Korowais' own ambivalence, prompted some to limit witch-killing even in places where police do not venture.
Still, the eating of khakhua persists, according to my guide, Kembaren. "Many khakhua are murdered and eaten each year," he says, citing information he says he has gained from talking to Korowai who still live in treehouses.
On our third day of trekking, after hiking from soon after sunrise to dusk, we reach Yafufla, another line of stilt huts set up by Dutch missionaries. That night, Kembaren takes me to an open hut overlooking the river, and we sit by a small campfire. Two men approach through the gloom, one in shorts, the other naked save for a necklace of prized pigs' teeth and a leaf wrapped about the tip of his penis. "That's Kilikili," Kembaren whispers, "the most notorious khakhua killer." Kilikili carries a bow and barbed arrows. His eyes are empty of expression, his lips are drawn in a grimace and he walks as soundlessly as a shadow.
The other man, who turns out to be Kilikili's brother Bailom, pulls a human skull from a bag. A jagged hole mars the forehead. "It's Bunop, the most recent khakhua he killed," Kembaren says of the skull. "Bailom used a stone ax to split the skull open to get at the brains." The guide's eyes dim. "He was one of my best porters, a cheerful young man," he says.
Bailom passes the skull to me. I don't want to touch it, but neither do I want to offend him. My blood chills at the feel of naked bone. I have read stories and watched documentaries about the Korowai, but as far as I know none of the reporters and filmmakers had ever gone as far upriver as we're about to go, and none I know of had ever seen a khakhua's skull.
The fire's reflection flickers on the brothers' faces as Bailom tells me how he killed the khakhua, who lived in Yafufla, two years ago. "Just before my cousin died he told me that Bunop was a khakhua and was eating him from the inside," he says, with Kembaren translating. "So we caught him, tied him up and took him to a stream, where we shot arrows into him."
Bailom says that Bunop screamed for mercy all the way, protesting that he was not a khakhua. But Bailom was unswayed. "My cousin was close to death when he told me and would not lie," Bailom says.
At the stream, Bailom says, he used a stone ax to chop off the khakhua's head. As he held it in the air and turned it away from the body, the others chanted and dismembered Bunop's body. Bailom, making chopping movements with his hand, explains: "We cut out his intestines and broke open the rib cage, chopped off the right arm attached to the right rib cage, the left arm and left rib cage, and then both legs."
The body parts, he says, were individually wrapped in banana leaves and distributed among the clan members. "But I kept the head because it belongs to the family that killed the khakhua," he says. "We cook the flesh like we cook pig, placing palm leaves over the wrapped meat together with burning hot river rocks to make steam."
Some readers may believe that these two are having me on—that they are just telling a visitor what he wants to hear—and that the skull came from someone who died from some other cause. But I believe they were telling the truth. I spent eight days with Bailom, and everything else he told me proved factual. I also checked with four other Yafufla men who said they had joined in the killing, dismembering and eating of Bunop, and the details of their accounts mirrored reports of khakhua cannibalism by Dutch missionaries who lived among the Korowai for several years. Kembaren clearly accepted Bailom’s story as fact.
Around our campfire, Bailom tells me he feels no remorse. "Revenge is part of our culture, so when the khakhua eats a person, the people eat the khakhua," he says. (Taylor, the Smithsonian Institution anthropologist, has described khakhua-eating as "part of a system of justice.") "It's normal," Bailom says. "I don't feel sad I killed Bunop, even though he was a friend."
In cannibal folklore, told in numerous books and articles, human flesh is said to be known as "long pig" because of its similar taste. When I mention this, Bailom shakes his head. "Human flesh tastes like young cassowary," he says, referring to a local ostrich-like bird. At a khakhua meal, he says, both men and women—children do not attend—eat everything but bones, teeth, hair, fingernails and toenails and the penis. "I like the taste of all the body parts," Bailom says, "but the brains are my favorite." Kilikili nods in agreement, his first response since he arrived.
When the khakhua is a member of the same clan, he is bound with rattan and taken up to a day's march away to a stream near the treehouse of a friendly clan. "When they find a khakhua too closely related for them to eat, they bring him to us so we can kill and eat him," Bailom says.
He says he has personally killed four khakhua. And Kilikili? Bailom laughs. "He says he'll tell you now the names of 8 khakhua he's killed," he replies, "and if you come to his treehouse upriver, he'll tell you the names of the other 22."
I ask what they do with the bones.
"We place them by the tracks leading into the treehouse clearing, to warn our enemies," Bailom says. "But the killer gets to keep the skull. After we eat the khakhua, we beat loudly on our treehouse walls all night with sticks" to warn other khakhua to stay away.
As we walk back to our hut, Kembaren confides that "years ago, when I was making friends with the Korowai, a man here at Yafufla told me I'd have to eat human flesh if they were to trust me. He gave me a chunk," he says. "It was a bit tough but tasted good."
That night it takes me a long time to get to sleep.
The documentary delves into these epic battles and examines how the two players pushed each other to excel on the court. Despite their fierce on-court rivalry, Magic and Bird developed a deep respect and friendship off the court. They were often seen having dinner together before games and were known to engage in friendly banter during games. This friendship is a central theme of the documentary and highlights how two individuals who were so different in many ways could form such a strong bond through their shared love for basketball. The magic and bird documentaries also explore the impact that these two players had on the NBA and the sport of basketball as a whole. They helped to popularize the game and bring it to a wider audience. Their style of play and competitiveness inspired a new generation of basketball players and fans. Overall, magic and bird documentaries are a captivating look into the lives and careers of two legendary basketball players. They provide insights into their on-court battles, off-court friendship, and the lasting impact they had on the sport. Whether you're a basketball fan or simply interested in the stories of remarkable individuals, these documentaries are a must-watch..
Reviews for "The Secret Lives of Magicians: A Revealing Documentary Exposing the Reality Behind the Magic"
1. John - 2 stars - I was really disappointed by "Magic and Fire Documentary". The title made it sound so exciting and thrilling, but it turned out to be a complete letdown. The documentary lacked any substance and quickly became repetitive. The visuals were also below average, adding to my disappointment. Overall, I wouldn't recommend this documentary to anyone looking for a captivating and informative experience.
2. Sarah - 1 star - I watched "Magic and Fire Documentary" with high hopes, but it fell flat for me. The content was scattered and poorly organized, making it hard to follow. Additionally, the narration felt forced and lacked enthusiasm, which further added to my disinterest. I had expected to learn something new about magic and fire, but instead, I was left feeling bored and unimpressed. I would advise others to save their time and skip this documentary altogether.
3. Michael - 2 stars - I found "Magic and Fire Documentary" to be a clichéd and predictable take on these subjects. The information provided was basic and didn't delve deeper into the history or significance of magic and fire. Furthermore, the choice of experts interviewed seemed arbitrary and their explanations lacked depth. I believe this documentary had the potential to be much more engaging and insightful, but it missed the mark. I wouldn't recommend it to anyone looking for a thought-provoking exploration of these topics.
4. Laura - 1 star - "Magic and Fire Documentary" was a complete waste of my time. The presentation was dull and lacked any creative elements. The documentary failed to evoke any sense of wonder or excitement that one would expect from a film about magic and fire. I found myself disengaged and waiting for it to be over, which is not how I want to feel when watching a documentary. I would advise others to steer clear of this film unless they enjoy being bored.