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Parts novel, autoethnography, diary, travel writing, how-to, philosophy, transpersonal study, this story begins in death, as a personal interest, before becoming a doctoral psychology dissertation at the Institute of Transpersonal Psychology and then this book. It explores the cult of Santa Muerte, the Mexican folk saint, and the author's relationship with that twilight world as well as the author's own personal process of living and writing about death in Mexico City. It is because of death that life has meaning.
He understands the cult as one of numerous movements of religious revitalization in Mexico, linking these revivals to historical moments of destabilization and upheaval. She represents life with the possibility of respite but without ultimate redemption, and she speaks to the complexities of lives lived at the fringes of violence, insecurity, impunity, and economic hardship.
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La Santa Muerte in Mexico
For over a decade the cult of La Santa Muerte has grown rapidly in Mexico and the United States. Thousands of people--ranging from drug runners and mothers to cabdrivers, soldiers, police, and prison inmates--invoke the protection of La Santa Muerte. Devotees seek her protection through practicing popular vows, attending public rosaries and masses at street altars, and constructing and maintaining home altars.
This book examines La Santa Muerte's role in people's daily lives and explores how popular religious practices of worship and devotion developed around a figure often associated with illicit activities. She represents life with the possibility of respite but without ultimate redemption, and she speaks to the complexities of lives lived at the fringes of violence, insecurity, impunity, and economic hardship. The essays collected here move beyond the visually arresting sight of La Santa Muerte as a tattoo or figurine, suggesting that she represents a major movement in Mexico.
Wil G. Pansters is a professor of cultural anthropology at Utrecht University. He is the editor of Violence, Coercion, and State-Making in Twentieth-Century Mexico: The Other Half of the Centaur.
"A welcome contribution to an emerging scholarly field."--Reading Religion
"La Santa Muerte in Mexico contributes a valuable analytical perspective to the ongoing scholarly conversation regarding this enigmatic figure."--Anna M. Nogar, Church History
"Firsthand accounts . . . make this volume revelatory, surprising, and hopeful. Folklorists, anthropologists, historians, and religious-studies scholars will find material of great interest in this work: historical and iconographic analyses, an overview of social practices and networks, and ethnographic depictions of performative engagement."--Kirstin Erickson, Journal of Folklore Research
List of Illustrations
Preface
Chapter One. La Santa Muerte: History, Devotion, and Societal Context
Wil G. Pansters
Chapter Two. Saints and Demons: Putting La Santa Muerte in Historical Perspective
Benjamin T. Smith
Chapter Three. Dances of Death in Latin America: Holy, Adopted, and Patrimonialized Dead
Juan Antonio Flores Martos
Chapter Four. La Santa Muerte as Urban Staging: Notes on the Images and Visibility of a Transgressive Performance
Anne Huffschmid
Chapter Five. Moving In and Moving Out: On Exchange and Family in the Cult of La Santa Muerte
Regnar Kristensen
Chapter Six. Devotion That Goes Skin Deep: Tattoos of La Santa Muerte
Judith Katia Perdigón Castañeda and Bernardo Robles Aguirre
Chapter Seven. Afterword: Interpreting La Santa Muerte
Claudio Lomnitz
List of Illustrations
Preface
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