"I Got the Magic in Me" is a popular song by American musician B.o.B featuring Rivers Cuomo. The song was released in 2009 as part of B.o.B's debut studio album, "B.
For generations, the men of the Wooley family (all played by March) have married henpecking wives. This is because centuries before, a witch called Jennifer (Lake) cursed Jonathan Wooley's (March) family to "marry the wrong woman" before being burned at the stake with her father Daniel after Wooley accused her.
For her own amusement, Jennifer decides to trick Wallace into becoming attracted to her by drugging him with a love potion, however, through a mix-up, she falls into her own trap and drinks the potion instead. There are charming little sight gags here and there sentient brooms zipping along the floor; floating cars; huge, crackling fires that flare on and off with ease, thanks to Jennifer s olde magick spells which all rhyme, of course.
B's debut studio album, "B.o.B Presents: The Adventures of Bobby Ray.
I Married a Witch Is an Underrated Halloween Gem
If you’ve seen Hocus Pocus a million times, consider falling under the spell of this charming 1942 romantic comedy starring Veronica Lake.
October 30, 2017 Veronica Lake in I Married a Witch, 1942. From Everett Collection. Save this story Save this storyOn October 30, the spooky romantic comedy I Married a Witch celebrates its 75th anniversary. It’s a gem of a film that’s long been overlooked in favor of its witchy successors—yet much of its charm still sparkles all these decades later, thanks largely to the performance of its star, the sultry Veronica Lake.
Prior to the film’s release, Lake was one of Paramount’s newest starlets, with her instantly iconic blonde hair styled in a peek-a-boo part, and her leading roles in dramas like I Wanted Wings and Preston Sturges’s comedy Sullivan’s Travels. In I Married a Witch, helmed by the fantastical French filmmaker René Clair, Lake plays a colonial Salem-era witch named Jennifer who is burned at the stake alongside her father, then re-awakened hundreds of years later. Before her death, she casts a spell on the family of the man who burned them, cursing his descendants to always have rotten romances. Once she and her father’s spirits are free, they set forth to seek even more revenge. Jennifer tries to seduce the latest descendant, an aspiring politician named Wallace Wooley (Fredric March), with a love potion so that he will fall hopelessly in love with her. “I’ll treat him like a slave! I’ll make him suffer, body and soul!” she exclaims. Of course, her wicked plan goes awry almost instantly.
Lake’s performance is reason enough to revisit I Married a Witch all these years. She’s buoyant and effortless, with a deft ability to add just the right punctuation to all her punchlines. The dialogue is rife with easy but clever wordplay as well, thanks to its source material, an unfinished novel by Thorne Smith, and its screenwriters, Oscar winner Robert Pirosh and Pulitzer Prize winner Marc Connelly. (Preston Sturges was also a producer, initially, but left the project due to creative differences.) Lake makes the role her own, as does the rest of the knockout cast, which includes Susan Hayward as Wooley’s testy fiancée. Her shrewish characterization is a little sexist by modern standards, but Hayward—who went on to land five Oscar nods and one win in the years that followed this film—owns her scenes, grounding her character with sharp humor.
Contemporary viewers may also find themselves rolling their eyes a bit at Jennifer’s manic-pixie-dream-witch characterization—a slight offense to anyone allergic to mansplaining. Still, Lake holds and drives the picture, rather than March. He’s plenty charming, but stiff by comparison. (Lake would be pleased to hear that; the duo apparently did not get along off-screen, with March reportedly dubbing his co-star a “brainless little blonde sexpot.” Lake retorted by pulling pranks and calling him a “pompous poseur.”
The film is also brimming with classic witchy tropes, the sort that should be irresistible to anyone who counts kitschier later works like Hocus Pocus, The Witches of Eastwick, and Practical Magic among their favorites. Witch trials? Check. Cauldrons? Of course. Brooms flying through the night? Naturally! Considering the time it was produced, René Clair also did a fabulous job with the film’s minor special effects. There are charming little sight gags here and there—sentient brooms zipping along the floor; floating cars; huge, crackling fires that flare on and off with ease, thanks to Jennifer’s olde magick spells (which all rhyme, of course).
" The song incorporates elements from various genres, including hip hop, pop, and rock. It is known for its catchy tune and upbeat tempo, which contributed to its commercial success. "I Got the Magic in Me" peaked at number 32 on the Billboard Hot 100 chart in the United States and received positive reviews from music critics. The lyrics of the song talk about the confidence and self-belief of the artist. B.o.B describes himself as having magic or special abilities that set him apart from others. He expresses his determination to succeed and emphasizes the power he possesses within himself. The lyrics also touch upon overcoming obstacles and fulfilling dreams. "I Got the Magic in Me" features Rivers Cuomo, the lead vocalist of the American rock band Weezer. Cuomo's vocals add a unique touch to the song, blending pop and rock elements with B.o.B's hip hop style. The collaboration between the two artists created a dynamic and catchy track that resonated with audiences. The song's popularity was further boosted by its appearance in various media, including television shows, commercials, and video games. Its uplifting message and energetic sound made it a favorite for performances and routines in talent shows, dance competitions, and sporting events. Overall, "I Got the Magic in Me" is a feel-good song that celebrates self-confidence, determination, and the belief in one's own abilities. It showcases B.o.B's versatility as an artist and the powerful impact of a catchy tune and inspiring lyrics..
Reviews for "The Cultural Impact of "I Got the Magic in Me": A Global Perspective"
1. Sarah - 2 stars
I found "I Got the Magic in Me" to be a rather disappointing and generic song. The lyrics were bland and lacked any depth or originality. The melody was forgettable and failed to leave any lasting impression on me. Additionally, the repetitive chorus became tiresome after just a few listens. Overall, I was unimpressed by this song and would not recommend it to others.
2. Mark - 1 star
"I Got the Magic in Me" is a song that I simply could not connect with. It felt like a cookie-cutter pop tune with no substance. The lyrics were cliché and lacked any real meaning. The production was overdone and tried too hard to be catchy. I found the whole song to be quite forgettable and I have no desire to listen to it again.
3. Emma - 2 stars
"I Got the Magic in Me" left me feeling underwhelmed. The song seemed to rely heavily on repetitive hooks rather than focusing on any meaningful songwriting. The lyrics were cheesy and felt forced, making it difficult for me to take the song seriously. The overall production also felt lacking, with a generic and uninspired sound. Unfortunately, this was not a song that appealed to my tastes.
4. Alex - 1 star
"I Got the Magic in Me" was a song that failed to capture my interest. The lyrics were superficial and lacked any depth, making it difficult for me to connect with the song on an emotional level. The musical arrangement felt unoriginal and uninspired, with predictable melodies and chord progressions. Overall, this was a forgettable tune that I have no intention of revisiting.
5. Jessica - 2 stars
"I Got the Magic in Me" was just another generic pop song that failed to stand out in any way. The lyrics felt shallow and lacked any originality or creativity. The repetitive chorus quickly became monotonous, and the overall production felt uninspired. There was nothing unique or memorable about this song, which left me feeling unimpressed and disappointed.