The Handy Magic Song is a catchy tune that teaches children how to perform basic magic tricks. The main idea of this song is to make learning magic fun and easy for kids. The song uses simple lyrics and a memorable melody to teach children a variety of magic tricks, such as making objects disappear or levitate. By incorporating music into the learning process, children are more likely to engage and remember the information being taught. This makes the Handy Magic Song a valuable tool for parents and teachers looking to introduce children to the world of magic. Overall, the main idea of this song is to provide a fun and accessible way for children to learn magic tricks.
The Negro Music Festival had little direct impact on the patterns and practices of segregation that encumbered the daily lives of black St. Louisans. The event did demonstrate, however, that St. Louis’s major political and cultural institutions were increasingly open to celebrating African American music. Mayor of St. Louis Aloys P. Kaufmann officially proclaimed the week of July 10, 1944 “American Negro Music Appreciation Week” and attended the festival along with former mayor Bernard F. Dickmann. 14
A[loys] P. Kaufmann, “A Proclamation,” St. Louis Argus, July 7, 1944. Before Handy’s performance, Edwin B. Meissner, chairman of the St. Louis Race Relations Committee, presented the composer with “a scroll honoring his contribution to modern music.” 15 Although a cynical appraisal might suggest that the festival was intended primarily to defuse racial tensions that might interfere with the United States’ war efforts, it also led some white St. Louisans to reflect on the history of racial injustice that informed Handy’s music. Kuhl of the Star-Times, for example, wrote that St. Louis Blues evoked “three hundred years of oppression, discrimination, prejudice, as well, if you listened closely, for that’s what made the blues.” 16 The Argus expressed optimism, writing that “the great and near great of both races, plus thousands of music lovers, and patriotic citizens were gathered together under the open sky…at one of the most stupendous spectacles of good-will that St. Louis has yet witnessed.” 17
After the festival, the venerable musician was whisked away to the Riviera Club, one of the city s premier black nightclubs, where others were waiting to pay him homage at a fête arranged by club owner Jordan W. 6 Representing the operatic tradition were baritone Richard Bonelli of New York s Metropolitan Opera, soprano Lillian Evanti of the National Negro Opera Company, and the black Canadian contralto Portia White, who also performed spirituals.
Overall, the main idea of this song is to provide a fun and accessible way for children to learn magic tricks..
Copeland, Magic Slim Lead W.C. Handy Nominees
Sporting five nominations each, Shemekia Copeland and Magic Slim lead the field for the Blues Foundation’s 24th annual W.C. Handy Blues Awards. Fellow veterans Solomon Burke, W.C. Clark, and Charlie Musselwhite each earned four nominations.
Copeland, who is the daughter of legendary blues guitarist Johnny Copeland, is up for entertainer and traditional blues female artist of the year, while her Dr. John-produced Alligator album “Talk to Strangers,” is up for blues album of the year and contemporary blues album of the year. The Shemekia Copeland Band is also up for the blues band of the year honor.
Chicago blues traditionalist Magic Slim pulled in nominations for entertainer, male artist, and guitarist of the year. Along with his band the Teardrops, he also received mentions in the traditional blues album category for his Blind Pig album “Blue Magic,” and in the blues band of the year column.
Bob Dylan received his first W.C. Handy nomination, which came in the song of the year category for “Stepchild,” his contribution to Burke’s Fat Possum album “Don’t Give Up on Me. The set, which also features tracks written by Elvis Costello and Van Morrison, among others, is up for blues album and soul/blues album of the year.
The Handy Awards will be held May 22 at the Orpheum Theater in Memphis. Like in previous years, the Gibson Musical Instruments-sponsored event will be taped for later broadcast on public television. The show will kick off the city’s Handy Weekend of events, which include a music festival, a blues film festival, and a children’s festival.
Click here to view the full list of nominees.
W.C. Handy (1873-1958) was an influential trumpeter, bandleader, and composer renowned as “the Father of the Blues.” While his song St. Louis Blues significantly influenced the development of American popular music, the city of St. Louis also had a profound effect on the composer himself. During the Panic of 1893, Handy tried his luck as a musician in the city but was able to find only “temporary pickup work as a stevedore unloading riverboats.” 1 Handy later told an interviewer that during this time he “slept on levee cobblestones by night and fought hunger by day.” He added that “the nearest thing to ‘a break’ in those days happened when he stood on Eads Bridge, threw his lice-infested shirt in the river, and then received the price of a meal and bed from an observer who thought the shirt-doffing scene was a prelude to suicide.” Handy claimed that St. Louis Blues was inspired when he overheard a St. Louis woman who “tried to drown heartbreak in a bottle. She wandered the streets sobbing, ‘Ma man’s got a heart like a rock cast in de sea.’ So that went into the song.” 2 Although this sounds like a romanticized telling of Handy’s early life, it reveals St. Louis’s importance to his public image.
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Reviews for "Handy Magic Songs That Will Transport You to Another Era"
1. John - 1 star - I found "Handy magic song" to be incredibly repetitive and uninspired. The melody was dull, and the lyrics lacked depth or meaning. It felt like a generic pop song that you'd hear playing in the background of a shopping mall. I was disappointed and couldn't wait for it to be over.
2. Sarah - 2 stars - While "Handy magic song" had a catchy beat, it failed to resonate with me on any deeper level. The lyrics were superficial and didn't leave any lasting impression. Additionally, the vocals felt auto-tuned and lacked genuine emotion. It felt like a manufactured song with no originality or artistic value.
3. Michael - 2 stars - "Handy magic song" was a forgettable track in my opinion. It lacked the creativity and uniqueness that I look for in music. The melody was generic, and the lyrics were cliché and unmemorable. Overall, it was a disappointing and unremarkable listening experience.
4. Emily - 1 star - I really did not enjoy "Handy magic song". The lyrics were repetitive and didn't offer any new perspectives or insights. The music felt uninspired and formulaic. It's a song that I easily forget within minutes of hearing it, and I wouldn't recommend it to others who appreciate more thoughtful and innovative music.
5. James - 2 stars - "Handy magic song" was simply not my cup of tea. The melody felt recycled and unoriginal. The lyrics lacked depth and failed to engage me in any significant way. I was expecting more from the artist, but unfortunately, this track fell flat for me.