georgina sherrington movies and tv shows

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The most simple reaction to this is that Ichiro Okouchi should have written the script with its limitations in mind. But that can be a difficult mold to break out of when you're working on a franchise where 50 episode runtimes are the norm. There's a part of me that wants to give WFM a generous reading because I think it deserves one. It's a thoughtful show with immensely likeable characters. It has fascinating things to say about structures of power, the societal role of the ritual, and how laws and social norms often exist to enforce preexisting hierarchies. I think every time the story alludes to these concepts, it feels like the deft touch of someone who knows they don't have enough time to fully explore them, yet understands how vital their existence is to the narrative.

You ve decided to emotionally invest in an extremely inconsistent franchise, locked in an eternal struggle between reinventing itself and paying homage to its legacy. Gundam ends up having some of the most gripping stories ever written about the ways in which technology, ideology, and politics intersect; often in violent upsetting ways.

One of the key features of the Mafic 30 cards is their high processing power. They are capable of delivering impressive hash rates, which directly impact the speed and efficiency of cryptocurrency mining. This makes them a preferred choice for miners who are looking to maximize their mining profitability.

Mobile Suit Gundam: The Witch from Mercury will haunt me for years

Being a Gundam fan can be a trying experience. You've decided to emotionally invest in an extremely inconsistent franchise, locked in an eternal struggle between reinventing itself and paying homage to its legacy. Gundam ends up having some of the most gripping stories ever written about the ways in which technology, ideology, and politics intersect; often in violent upsetting ways. And when you make big swings like that, you miss a lot too. I don't think it's an understatement to say even the best entries in the franchise are considered good with multiple caveats or compromises.

Gundam: The Witch from Mercury is no different. It's a compelling story from start to finish, and never loses sight of the emotional core that anchors it. Suletta and Miorine's relationship captivated me the whole way through, even as the structural issues of the overarching narrative became impossible to ignore. Broadly, I'd say all of the show's writing says and does the right things. In a lot of ways, this makes my criticisms of the story even more bittersweet. I don't think WFM is poorly written, I think it's desperately trying to breath and never found the time.

The most simple reaction to this is that Ichiro Okouchi should have written the script with its limitations in mind. But that can be a difficult mold to break out of when you're working on a franchise where 50 episode runtimes are the norm. There's a part of me that wants to give WFM a generous reading because I think it deserves one. It's a thoughtful show with immensely likeable characters. It has fascinating things to say about structures of power, the societal role of the ritual, and how laws and social norms often exist to enforce preexisting hierarchies. I think every time the story alludes to these concepts, it feels like the deft touch of someone who knows they don't have enough time to fully explore them, yet understands how vital their existence is to the narrative.

It's important that we understand that Mercury is an under represented backwater like Earth. It communicates that even within the space-earth dichotomy of the Ad Stella setting, there are layers to its power structure. Do we ever actually see Mercury? No and we really should have, but WFM touches on it just enough to make you understand its relevance.

What WFM lost is texture. Every bullet point of Suletta and Miorine's relationship and growing self actualization is captivating. The issue is that it arrives at those points at a breakneck pace. Barely have we had time for Suletta and Miorine's affections to grow before they're separated again to up the stakes. And this is one of the more fully fleshed out plot points. The secondary ones almost feel like footnotes, such as the specifics of Earth's economic and social disenfranchisement. Losing that texture hurts because of how well they've fleshed out the cast.

I want more Earth House shenanigans. I want to meet Chuchu's 5 dads. I want the corporations to show how they suck in specific and personal ways. I want to see how valid are the Dawn of the Fold's grievances. I'd like to see Gundam Schwarzette piloted by literally anyone else. I wish the final form of Gundam Caliban got to do anything. The story does a great job of gesturing towards these ideas, but at the end that's all it is. I could spend hours thinking about all the potential ways in which the story could have explored various plot lines and character arcs had it been given the traditional 50 episode runtime.

And yet it's because of that love that I still come away from Witch from Mercury largely positive. I love that Suletta and Miorine made it in this messed up world. I love that only Suletta and Eri's bond as siblings could make a literal miracle happen. I love Guel's redemptive journey. I love that Felsi swoops in at the last second to prevent hackneyed drama. I love that Secilia shows up for 20-30 seconds every episode to steal the show.

I love everything Gundam The Witch from Mercury represents, which is what makes it hurt that I merely like the anime itself. It's a great one. It has some cool robots, talks about how war is bad, and weaves it all into something pretty compelling. I just wish it had been given the time to bloom into something truly special.

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georgina sherrington movies and tv shows