Robbie Williams' Magic Spell: How He Stands the Test of Time

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"Could it be magic" is a popular song performed by British singer Robbie Williams. Originally written and recorded by the group Take That in 1992, Williams released his own version of the song in 1998 as a single from his album "The Ego Has Landed." The song is an upbeat and energetic track that combines elements of pop and dance music. It features catchy melodies, infectious rhythms, and uplifting lyrics. "Could it be magic" showcases Williams' charismatic and dynamic vocals, as he effortlessly transitions between powerful belting and softer, more intimate moments. The lyrics of the song explore themes of wonder, hope, and the transformative power of love.


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Sun, sun Sun, sun Take me baby take me high upon a hillside High up where the stallion meets the sun I could love you, yeah build my world around you Never leave you til my life is done Baby I want you come, come, come into my arms Let me feel the wonder of all of you Could it be magic now, now, now and hold on fast Could this be the magic at last. Sun, sun Spirits move me, every time I m near you Whirling like a cyclone in my mind You re my life line, angel of my lifetime Answer to all answers I can find Baby I want you come, come, come into my arms Let me feel the wonder of all of you Could it be magic now, now, now and hold on fast Could this be the magic at last.

Could it be magic robbie williams

The lyrics of the song explore themes of wonder, hope, and the transformative power of love. It expresses a sense of awe and enchantment, as the narrator is captivated by the magical and alluring qualities of a romantic interest. The song's chorus, "Could it be magic, now? / Now, and hold on fast / Could this be the magic at last?", encapsulates the sense of longing and excitement that accompanies the experience of falling in love.

Could It Be Magic

"Could It Be Magic" is a song with lyrics by Adrienne Anderson and music by Barry Manilow, based on Frédéric Chopin's Prelude in C Minor, Opus 28, Number 20. Initially released in 1971 by Featherbed (a group of session musicians featuring Barry Manilow), produced and co-written by Tony Orlando, it was later re-recorded as a Barry Manilow solo track, given a first album and single release in 1973 on Bell Records and - after being remixed - an album and single re-release in 1975 on Arista Records. The 1975 re-release became one of Manilow's first hits. The song has been recorded by a number of other artists over the years, most successfully by Donna Summer in 1976 and by Take That in 1992. more »

Year: 1993 3:30 739 Views

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Sun, sun Spirits move me, every time I'm near you Whirling like a cyclone in my mind You're my life line, angel of my lifetime Answer to all answers I can find Baby I want you come, come, come into my arms Let me feel the wonder of all of you Could it be magic now, now, now and hold on fast Could this be the magic at last? Sun, sun Sun, sun (Take me) baby take me high upon a hillside High up where the stallion meets the sun I could love you, yeah build my world around you Never leave you 'til my life is done Baby I want you come, come, come into my arms Let me feel the wonder of all of you Could it be magic now, now, now and hold on fast Could this be the magic at last? Woh woh woh time Woh woh woh take me Woh woh woh time Woh woh woh Could it be magic now, now, now and hold on fast Could this be the magic at last? Baby I want you come, come, come into my arms Let me feel the wonder of all of you Could it be magic now?

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Take That

Take That are a British five-piece vocal pop group comprising Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams. Barlow acts as the lead singer and primary songwriter. In total, the group have had 27 top 40 singles and 16 top 5 singles in the United Kingdom alone, 11 of which have reached number 1, as well as having seven number 1 albums. Internationally the band have had 54 number one hits and 35 number 1 albums. more »

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Written by: Adrienne Anderson, Barry Manilow

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Lyrics Licensed & Provided by LyricFind

4 facts about this song

Barry Manilow Version

"Could It Be Magic" is a song released by Barry Manilow in 1973. - The song was featured on his debut album titled "Barry Manilow" which was released in July 1973. - Barry Manilow’s version is a rearrangement of Chopin's Prelude in C Minor, op. 28, no. 20. - The song was very successful on the Billboard Hot 100 chart, peaking at number 6 in 1975.

Donna Summer Version

Donna Summer covered "Could It Be Magic" in 1976, three years after Manilow's original version. - Summer's version was included on her album titled "A Love Trilogy". - Her disco-infused cover reached no. 52 in the Billboard Hot 100 chart and was more successful in the UK, peaking at no. 40 in the UK Singles Chart.

Take That Version

In 1992, British boy band Take That released their own version of "Could It Be Magic" as a single. - This version was very popular in the UK, soaring to no. 3 in the UK Singles Chart. - It was included in the band's debut studio album 'Take That & Party'. - This version of the song has a faster tempo and a more pop music style compared to the original and Donna Summer’s version. - The song earned a Silver disc for sales by the British Phonographic Industry.

General Facts

The song "Could It Be Magic" has been covered by various artists in different musical styles over the years. - Its melody is based on Frédéric Chopin's Prelude in C Minor, Opus 28, Number 20. - The original lyrics were written by Adrienne Anderson and Barry Manilow. - It is one of Barry Manilow's greatest hits, and it has been remade into various successful versions.

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Could it be magic robbie williams

With its infectious melody, captivating lyrics, and Williams' charismatic performance, "Could it be magic" became a hit and remains one of his most popular songs. Its catchy hooks and lively energy make it a fan-favorite in his live performances, often prompting audience sing-alongs and enthusiastic responses. While "Could it be magic" has become closely associated with Robbie Williams, the song's origins can be traced back to the American composer Barry Manilow. Manilow wrote and recorded the original version of the song in 1973. Take That's cover brought the song to a wider audience in the 1990s, and Williams' rendition further cemented its place in popular music. Overall, "Could it be magic" is a dynamic and captivating song that showcases Robbie Williams' talent as a vocalist and performer. Its infectious melodies and uplifting lyrics continue to resonate with listeners, making it a timeless and beloved track in his discography..

Reviews for "The Magic of Robbie Williams' Immersive Concert Experiences"

1. Jack - 2 stars - Could it be magic by Robbie Williams fell short of my expectations. I found the song to be repetitive and lacked any originality. The melody was uninspiring, and the lyrics were forgettable. I was hoping for a more remarkable rendition of the classic song, but unfortunately, this version failed to capture the magic of the original. Overall, I was disappointed and would not recommend this track.
2. Emily - 1 star - I couldn't understand the hype surrounding Robbie Williams' version of Could it be magic. The vocals were grating, and the arrangement felt messy and disorganized. The tempo changes were jarring and took away from the overall flow of the song. I was expecting a fresh take on this classic, but instead, it felt like a forced attempt at being innovative. I found myself cringing throughout the entire song and immediately skipped it when it came up on my playlist.
3. Sarah - 2 stars - I've always been a fan of Robbie Williams, but his rendition of Could it be magic left me disappointed. His vocals sounded strained and forced, lacking the smoothness and subtlety needed for such a delicate song. The instrumentals were overwhelming and overpowered his voice. It felt as if he was trying too hard to make it his own, but ended up losing the essence of the original. I appreciate his willingness to experiment, but this version did not resonate with me.

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