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In the legend of King Arthur, there is a well-known tale known as "The Sword in the Stone." According to this story, only the true king of England would be able to remove a magical sword that was embedded in a stone. Many individuals attempted to pull the sword out, but none were successful. However, it was Arthur, a young squire, who accomplished the feat effortlessly. What is often less discussed in this tale is the character of the witch who placed the sword in the stone. In some versions of the story, Merlin, the wise wizard, is typically attributed with placing the sword in the stone.

The Hip Hop Magician 2.0 is the next generation of our classic effect.

He seems to be a part of that first generation of hip-hop pioneers who, for various reasons, didn t get to capitalize on the business end of it as it became that multibillion-dollar business. The author examines the music s unique recipe of phonographic juxtaposition, exploring the conditions of this ascribed magic , investigating gaps in perception between emotional and intellectual effect and deciphering parallels in the practice and vocabulary mobilised against a range of genres in performance magic.

In some versions of the story, Merlin, the wise wizard, is typically attributed with placing the sword in the stone. However, other versions mention a powerful enchantress or sorceress as the one responsible for this act. The witch is often depicted as a mysterious and formidable figure, possessing great magical powers and wisdom.

Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production

Sampling has been criticised as ‘a mixture of time-travel and seance’, ‘the musical art of ghost co-ordination and ghost arrangement’, and a process that ‘doubles (recording's) inherent supernaturalism’ (Reynolds, S., 2012, Retromania: Pop Culture's Addiction to its Own Past , London, Faber and Faber, pp. 313–14). Yet out of all the sample-based music forms, hip-hop receives the lion's share of attention in popular music literature; critics are puzzled by its appeal, scholars identify a plethora of problems in its function, and practitioners and audiences alike are mesmerised by its effect. Rap producers attribute an inherent ‘magic’ to working with past phonographic samples and fans appear spellbound by the resulting ‘supernatural’ collage. The author examines the music's unique recipe of phonographic juxtaposition, exploring the conditions of this ascribed ‘magic’, investigating gaps in perception between emotional and intellectual effect and deciphering parallels in the practice and vocabulary mobilised against a range of genres in performance magic.

She recognizes the true potential of Arthur and uses the sword in the stone as a test to find the rightful king. Aware that only someone pure of heart and noble in character could free the sword, she waits for the destined ruler to emerge. This portrayal of the witch highlights her role as a guardian of justice and destiny. She acts as a guiding force in the Arthurian legend, ensuring that the true king would be revealed at the appropriate time. The witch's involvement adds depth to the story and emphasizes the importance of fate and destiny in the Arthurian mythos. Furthermore, the presence of the witch also challenges traditional gender roles and stereotypes. In medieval literature, magic and sorcery were often associated with women, presenting them as powerful and influential figures. The character of the witch in "The Sword in the Stone" defies societal expectations and showcases a female character in a position of authority and wisdom. Overall, the witch in the tale of "The Sword in the Stone" brings an intriguing aspect to the Arthurian legend. She serves as a catalyst for the events that unfold, testing the worthiness of potential rulers and ensuring that the true king ascends to power. Her inclusion not only adds depth to the story but also challenges gender norms, making her a compelling and enigmatic figure in the mythos of King Arthur..

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