Amuket: A Journey into the Unknown - Why Readers are Falling in Love with this Graphic Novel Series

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The "Amuket" graphic novel series is a captivating collection of illustrated stories set in a fantasy world filled with rich lore and complex characters. Written by acclaimed author, Sarah Roberts, and brought to life by talented artist, Daniel Thompson, this series has garnered a significant following since its debut. The series follows the adventures of Amuket, a young warrior from a small village, who sets out on a quest to save her kingdom from an imminent threat. Along the way, she encounters a diverse range of characters, including mythical creatures, powerful wizards, and cunning villains. Each installment of the series delves deeper into the intricate web of plotlines, gradually revealing the secrets of the world and the true nature of Amuket's destiny. One of the highlights of the "Amuket" series is the stunning artwork by Daniel Thompson.



Azande witchcraft

SYNONYMS: Much of the literature uses �Azande� Some early writers refer to the �Niam-Niam,� but this term is now regarded as inaccurate. The westernmost groups call themselves �Nzakara� and are so termed in the literature

Orientation
Identification and Location. The Zande, whose homelands lie within three modern African states (Republic of the Sudan, Zaire, Central African Republic), constitute a large and complex amalgam of originally distinct ethnic groups, united by culture and, to a considerable extent, by political institutions and by language. Because they originated in kingdoms founded by conquest, however, some scattered enclaves of earlier peoples still speak their original languages.

The Zande homeland extends for some 800 kilometers from west to east (13° to 30° E, i.e., from the Kotto River, a tributary of the Ubangi, to the foothills of the Bahr-al-Ghazal watershed) and about 400 kilometers from north to south (from 6° to 3° N, most of their land lying north of the Uele River). Most, therefore, live in sparsely wooded savanna country�a vast plain crossed by many small, tree-fringed streams�but the Zande of the Congo Basin live on the threshold of tropical rain forest, which grows denser with proximity to the equator. The habitat, climate, rainfall, and vegetation are thus quite divergent; in general, the rains fall from April to October, but the pattern varies not only geographically but also over time.

Demography. There are said to be approximately a million Zande (about 300,000 of them Nzakara speakers). Of these, about 400,000 live in Zaire, 300,000 in Sudan, and 300,000 in the Central African Republic�where the population is said to be decreasing.

Linguistic Affiliation. In terms of Greenberg's categories (1963) , the Zande language belongs to the Eastern Branch of the Adamawa-Eastern Language Family in the Niger-Congo Group; a newer classification places Zande within the Ubangi Branch of the Adamawa-Ubangi Group. Zande and Nzakara speech forms are mutually comprehensible, although these languages differ in some 30 percent of their lexicon.

History and Culture
The Zande were formed by military conquest, beginning probably in the first half of the eighteenth century; they were led by two different dynasties that were similar in organization yet differed in origin and political strategy. The Vungara clan, starting out from near present-day Rafai, in the south of the Central African Republic, overran a large number of small preexisting peoples, whom they incorporated�politically, but also, in varying degrees, culturally and linguistically�into the main body of the Zande people. Their kingdoms�from Zemio eastward�remained both fissiparous and expansionist until the era of European colonization. Over the same period, a non-Zande dynasty, the Bandia, starting out from southwest of Bangassou in northern Zaire, expanded first east and then north; their territorial expansion seems to have ended around 1855, to be followed by in-depth consolidation. In contrast to the Vungara, the Bandia, although they remained a distinct �foreign� dynasty, adopted the Nzakara/Zande language and customs of their subjects. Both dynasties apparently owe their success to superior political and military organization; they seem to have possessed no determining technological superiority. Both still constitute a recognizable aristocracy in the areas of their former domination.

A number of important cultural features are said to have been derived from the Mangbetu, a similarly organized people living to the south of the Uele River who were never subdued by the Zande. Contact and sporadic conflict with Arabs seem to date from the second half of the eighteenth century but resulted in neither Arab domination nor any profound cultural influence�except for the acquisition of guns, which helped safeguard continued Zande autonomy and reinforced the existing political system.

The first European travelers arrived in the 1860s. Toward the end of the nineteenth century, the Zande came under three different colonial administrations�Belgian, French, and Anglo-Egyptian, the frontiers of which have been inherited by their respective successor states.

The main impact of colonial rule was, at first, the end of the wars that had up to then been both culturally and structurally endemic between the Vungara-led kingdoms. Colonial administrations also imposed changes in the settlement pattern (away from the traditional scattered homesteads along the banks of streams, toward settlement along newly built or widened roads). In addition, they introduced labor recruitment for government or concessionary-company projects, particularly road building and cotton growing. In other respects the Azande were�except near the towns�shielded by colonial officials from Arab and other outside influences. Since independence, British officials in Sudan have been replaced largely by northern, Islamic Sudanese; many Zande are said to have trickled across the border into Zaire.

Settlements
The traditional settlement pattern, later revived with some variations toward the end of the colonial period, was in scattered homesteads, often widely separated from each other by cultivations and forest. Each was home to one man, his wife or wives, his children, and other unmarried dependents. His nearest neighbors were, in precolonial times, usually his closest male relatives and their households. A chief or his deputy would settle near a stream, with kinsmen and clients nearby, connected by radial paths; a king's court was a more elaborate version of the same plan: it was connected by narrow but well-maintained roads to the homesteads of chiefs. More recent settlements range from towns with modern health and educational facilities to hamlets comprising three or four homesteads, still sited in traditional fashion near a stream. Homesteads include two main types of traditional thatched huts: an older, round type with conical roof and a newer, square, gable-roofed type. Also traditional are round clay granaries, usually with access through a movable roof or lid, which are often used as temporary shelters during periods of intensive cultivation. In towns, new houses are usually square; a corrugated-iron or sheet-metal roof is a sign of relative wealth.

Economy
Subsistence. In western Zande country, cassava has displaced the former main food staple, eleusine millet. Maize, rice, sorghum, sweet potatoes, peanuts, squashes, okra, legumes, greens, and bananas are grown in fields and gardens. Goats have now been added to the traditional domestic animals, dogs and chickens. The diet is supplemented by the game men hunt and the fish women catch. In the dry season, termites are eaten as a delicacy.

In colonial times, traditional patterns of shifting cultivation were disrupted by cotton growing and other economic schemes and consequent resettlement. Hunting became less important, but it is still practiced away from the main roads. A number of new activities generated cash income. Some men worked for wages on government projects; tobacco was grown as well as cotton, and some craft products were sold.

Since independence, coffee has become an important cash crop in western Zandeland, and in many areas some cotton is still grown. Roads have everywhere deteriorated, however, making it more difficult to market crops. Some villages off the main road remain virtually self-sufficient, buying �luxury items� such as manufactured soap, cloth, and kitchen utensils with money from the sale of subsistence-crop surpluses, any local cash crop, game, craft work, palm wine, or cassava spirits.

Industrial. The Zande have long been known as expert blacksmiths, potters, and wood carvers; many of their techniques were borrowed from the Mangbetu. A few smiths still operate as nearly full-time specialists, but most of their work consists of repairing blades and tools; iron smelting has ceased. Zande still make pots, carve wooden utensils, and weave baskets and mats.

Trade. Markets are a comparatively recent introduction but are increasingly relied upon as more Zande live in or near towns, and self-sufficiency decreases.

Division of Labor. Subsistence cultivation was and remains the province of women, who also prepare and cook food and make palm wine and cassava spirits. Men build and maintain traditional homesteads, hunt, and practice the various crafts; they are also, where applicable, the wage earners. Commoners formerly provided labor in the extensive eleusine plantations that enabled kings to feed large numbers of retainers and visitors at court.

Land Tenure. The homestead and its surrounding gardens and fields long remained the main landholding unit; homesteads were separated from each other by considerable stretches of bush, which made it easy for them to shift their locations and for a younger kinsman to set up his own near that of the lineage head. Modern resettlement has disrupted this pattern. Cultivable areas are, in Sudan at least, subject to artificial limitation: married sons often have to reside some distance from the paternal homestead.

Kinship
Kin Groups and Descent. The society as a whole exhibits a strong patrilineal bias, but relationships are not traced back for more than a couple of generations; local ties have long been based on cognatic, political, and personal criteria rather than on unilineal descent. Accordingly, there is very little interest in tracing the interrelationships of the widely dispersed named patriclans, many of which undoubtedly represent remnants of Zande-conquered peoples.

Kinship Terminology. Simple terms exist for mother and parallel kin (except mother's brother) of her lineage and generation, for father and parallel kin of his lineage and generation, for mother's brother and matrilateral cross cousins, for own-generation same-sex parallel elder kin, and for own-generation same-sex parallel younger kin; there are two terms (male/female Ego) for same-generation opposite-sex parallel kin and for child and parallel members of child's generation, and there is a mutual term for grandparent/grandchild. All other terms are compound.

Marriage and Family
Marriage. Marriage is normally contracted by payment of bride-wealth. It is virilocal and ideally polygynous, although, in practice, not many men are able to afford more than one wife. Kings and nobles had more wives than other men, many of them of commoner origin; they would occasionally give wives �for nothing� to reward retainers and warriors. Traditional bride-wealth took the form of iron spears; Zande rulers formerly provided their pages and courtiers with spears to enable them to marry, but the Bandia dynasty of the Nzakara seems to have provided wives directly instead. In the 1920s it became easier for young men to marry; they were no longer dependent on their elders for bride-wealth spears but could buy their own with money earned in the service of the European administration. Nowadays most bride-wealth is in cash, although it may also include goats, cloth, sacks of cassava, and so forth. A young man's family usually contributes, but he often scrapes together some of the money himself, and thus has some say in the matter.

Domestic Unit. Within the traditional homestead, each wife had her own sleeping hut for herself and her young children, but the hut of a man's senior wife might be rather better built. Such homesteads are still the rule in villages off the main road. In towns and large villages, administrative and mission influence has resulted in second and subsequent wives often living alone, with only occasional visits from the husband.

Inheritance. The property of commoners, their wives, and any debts or vengeance obligations are inherited by their patrilineal male kin. Competition often arises between representatives of the senior and junior branches of a lineage. It is important to the Zande that organic witchcraft, mangu , may be transmitted by a man to some of his sons and by a woman to some of her daughters.

Socialization. Small children share their mother's life, and girls may do so until marriage, thus learning women's occupations. In precolonial days, many boys served as pages at royal or noble courts. When these courts disappeared, ritual circumcision of pubescent boys in the forest (almost certainly borrowed from neighboring tribes) replaced such service as an initiation into manhood. This tradition has also fallen into disuse.

Sociopolitical Organization
Social Organization. The homestead remains the common unit for most day-to-day activities, although men congregate in larger numbers for activities such as hunting. In colonial times, closed associations, open to both sexes, were important for the collective performance of magical rites. These associations, probably of non-Zande origin, remain popular in present-day Zaire. They have been described as quite elaborately organized, but individual associations seem to have been short-lived. Kings and princes, as well as both colonial and postcolonial governments, have generally regarded them with disfavor.

Political Organization. In precolonial times, the vast Zande homeland consisted of a number of tribal kingdoms, separated from each other by wide fringes of unpopulated bush. Among Zande speakers, most of these kingdoms, the number and sizes of which varied over time, were ruled by members of the Vungara dynasty, except for the westernmost kingdom, Rafai. In Rafai the ruler was, like those of the similarly organized Nzakara kingdoms, a member of the Bandia dynasty, which was recognized by the Vungara as its equal. These kingdoms, born of conquest, were sustained by more or less continual warfare.

Each kingdom was divided into provinces, which were administered mainly by the king's younger agnates, although in some eastern Vungara kingdoms Bandia governors were also at times appointed. In each kingdom, the central province was under the monarch's personal rule. Governors, although bound to pay tribute and assist the king in war, had considerable autonomy and ruled over deputies of their own. In each kingdom and each province, the ruler's court was centrally situated, and roads radiated out from it to the courts or homesteads of subordinates.

Under colonial rule, and even where the British preference for �indirect rule� held sway, this political system inevitably decayed. Western-style education produced new leaders; in Sudan, in 1954, an educated commoner defeated the son of the ruling prince in a local election. In the Central African Republic, mayors and village chiefs are still often of Vungara or Bandia descent, but national-level officials, usually non-Zande, are appointed from the capital.

Social Control. Day-to-day behavior is largely governed by the universal belief that most misfortunes are caused by witchcraft and that a witch will only attack those against whom he has a grudge. In precolonial days, serious accusations (e.g., of adultery or of murder by witchcraft) were brought to a ruler's court and resolved by oracle consultations in the ruler's presence. For adultery with a nonroyal wife, fines were exacted; witchcraft resulting in death was generally settled by magical vengeance. The adulterous lover of a royal wife, or a persistently murderous witch, might be put to death. Nowadays serious accusations (e.g., of witchcraft in connection with deaths by drowning or other accidents) can be handled by consulting a Nagidi prophetess and may, if her verdict is confirmed by local-government courts, result in prison sentences.

Conflict. Within the Vungara dynasty, conflict normally resulted in war, especially over succession to a recently dead king, but also in cases of rebellion against a reigning one. Changes in the number and size of kingdoms ensued. Among commoners, conflict, when not resolved amicably, was usually carried on by magical means directed against a suspected witch by the opposing party.

Religion and Expressive Culture
Religious Beliefs. Zande tend to attribute a soul, mbisimo (under certain circumstances separable from the body), to both animate and inanimate beings; in traditional belief, the souls of people became ghosts after death. Ghosts were believed to inhabit earth caverns in the bush, as did the Supreme Being, Mbori, who partook in their ghostly nature. In Nzakara-speaking areas, where the word �Mbori� did not exist, �Zagi� referred not only to the Supreme Being, but also to the outside universe in general, and ancestor spirits had concomitantly greater importance. Mission influence has ensured that Mbori is today almost universally associated with the Christian God and that the ghosts, once regarded as potentially benevolent, propitiable ancestors, are more and more associated with evil. Catholic and Protestant congregations are well established and numerous, and have, widely if superficially, affected traditional beliefs and other cultural features. Belief in witchcraft remains important, however, and both belief in and the practice of magic seem to be on the increase.

Witchcraft, mangu, is seen as an organic phenomenon, hereditary in the male line for men, and in the female for women. It need not be conscious; its action is understood as psychic. A witch sends out his or her �witch soul,� mbisimo mangu , said to be visible at night, to consume the mbisimo pasio , �flesh soul,� of the victim's organs. Witches are also believed to cause other kinds of misfortune by less clearly defined means. Although their mode of action is mysterious, witches are not seen as in any way supernatural, but as part of the normal order of things. They are believed not to be able to operate at any great distance; commoners are usually unable to bewitch nobles or vice versa. Witchcraft is assumed to be at least a factor in all misfortune; for remedial action, it is thus important to identify the witch. Identification was formerly achieved through divination by witch doctors or by means of various oracles, especially one in which a poison, benge , was administered to chickens, the outcome depending on whether or not the fowl survived. The use of benge was already severely discouraged in colonial times, and such oracles are now used very rarely, and never officially. Witch doctors are largely a phenomenon of the past, as are the closed associations through which people formerly sought both offensive and defensive magic. For consultations, including the identification of witches, recourse is now often to (generally female) diviners, who are prophetesses of the �native� Zande Christian church (Nzapa Zande), which now shares the people's allegiance with the European and American missions.

Religious Practitioners. The traditional cult of domestic ancestor shrines required no specialized priesthood. Matters of witchcraft and magic have always been determined by part-time specialists/practitioners. Witch doctors, who were trained in the use of magical medicines, operated at public séances; Nagidi are believed to derive their power directly from God and are, for day-to-day purposes, consulted in private.

Ceremonies. The most important ceremonies were formerly witch doctors' séances. One or more witch doctors, in colorful ceremonial dress, would dance and sing to musical accompaniment before commencing their divination. The circumcision of pubescent boys also forms part of an elaborate series of ceremonies; others were associated with initiation into the (now defunct) magical-medicine associations.

Arts. Music, both instrumental and vocal, is very important in Zande culture; traditional instruments�wooden gongs, skin drums, whistles, xylophones, and large bow harps�also accompany singing and dancing. Harps are occasionally decorated with carved human heads; otherwise, nonutilitarian carving is poorly developed.

Medicine. Zande apply generally known common-sense cures to minor ailments. All serious diseases are attributed to witchcraft and are accordingly combated by magical medicine. The general term ngua , which originally meant simply �plant� or �tree,� once covered both good and bad �medicines� of every sort. Nowadays Zande distinguish between protective or curative �medicine,� which is increasingly becoming known by the Arabic term dawa , and ngua used as vengeance �medicine.� Magical �medicines� are used, not only to ward off (or avenge) misfortune, but to obtain successful harvests, human fertility, good hunting, and other benefits, including job promotions and success in examinations. Such �medicines� are bought from people believed to have the requisite knowledge; payment is held indispensable if they are to be efficacious.

Death and Afterlife. All deaths, except those of very small children, are attributed to witchcraft or magic and call for magical vengeance. Upon death, the soul (mbisimo) becomes a ghost, which in some sense may be present in the homestead ghost shrine, but also dwells with other ghosts and with the Supreme Being, Mbori, in earth caves in the forest.

Baxter, P. T. W., and A. Butt (1953). The Azande and Related Peoples of the Anglo-Egyptian Sudan and the Belgian Congo . London: International African Institute.

Calonne-Beaufaict, A. de (1921). Azande . Brussels: Lamertin.

Dampierre, E. de (1967). Un ancien royaume bandia du Haut-Oubangui . Paris: Plon.

Evans-Pritchard, E. E. (1937). Witchcraft, Oracles, and Magic among the Azande . Oxford: Clarendon Press.

Evans-Pritchard, E. E. (1971). The Azande . Oxford: Clarendon Press.

Greenberg, Joseph H. (1963). The Languages of Africa . Indiana University Research Center in Anthropology, Folklore, and Linguistics, Publication no. 25. The Hague: Mouton.

Lagae, C. R. (1926). Les azande ou niam-niam . Brussels: Vromant.

This article from The Encyclopedia of World Cultures CD-ROM (Copyright Macmillan 1998). Do not reproduce in any form.

Bushra Rahman – The Witchcraft Paradigm and the Problem of Belief (Class 9)

The ideas of rationality and reasoning are key concepts in anthropology because they reveal a great deal about how certain cultures perceive and interpret the world. This is demonstrated in the use of witchcraft within the Azande. The homeland of the Azande lies primarily in three African states: Sudan, Zaire, and Central African Republic and constitutes a complex amalgam of different ethnic groups, who are largely united by their culture and spiritual practices. Azande witchcraft provides a social and behavioral blueprint for acting upon the world. It is methodically used to explain any unfortunate event which takes place and provides an explanation for the unusual and inexplicable. To the Azande, witchcraft and misfortune are synonymous, existing as two sides of the same coin. To speak of one without the other is to ignore a core Azande belief. As seen in the film, it is also used to get to the bottom of accusations such as adultery. E.E. Evans-Pritchard writes how “the concept of witchcraft nevertheless provides them with a natural philosophy by which the relations between men and unfortunate events are explained and with a ready and stereotyped means of reacting to such events” (363). The belief in witchcraft not only provides a way to make sense of events, but also guides a systematic way to respond to them. Witchcraft provides practicality and rationale to the lives of the Azande, which contradicts the usual perception of witchcraft as unfounded and elusive.

Witchcraft pervades into all aspects of Azande life – from agriculture to hunting to domestic affairs. The occurrence of witchcraft is commonplace. A witch is not seen as a taboo but more in terms of an obstacle that must simply be dealt with. A witch arises from possessing the inherited organ, mangu which can be passed on by people of the same sex. The witch is not necessarily seen as evil, because their mangu may be doing harm without them even knowing. Once a person accused of possessing mangu earnestly shows that they have no ill will and pacify the evil within them, they are able to return to their normal lives. In a way, this contradicts what is usually seen in Western culture, where people suspected of disrupting the peace in society are ostracized, and it becomes difficult for them to reintegrate back into society. Furthermore, the normalcy of witchcraft takes away any sense of miracle or dismay from its practice. In fact, the Azande anticipate having encounters with witchcraft as it provides an explanation for any undesirable events because “witchcraft participates in all misfortunes and is the idiom in which Azande speak about them and in which they explain them” (364). Any misfortune at any time can be linked to witchcraft and is rarely explained by factors such as incompetence or failure on the part of an individual. Witchcraft is therefore an unconscious activity for the Azande.

An aspect of the film which stood out to me was the interplay between Azande religious practices and Christianity. It seemed that Azande people followed a hybrid of the two, where they abided by the moral guidelines of Christianity but also relied on witchcraft for providing the practical solutions to their problems. In fact, the film describes how “at times of misfortune, an Azande doesn’t turn to his Priest for help, but a more traditional authority such as the local Chief” (Witchcraft among the Azande, 4:41). When issues such as adultery arose, the authority of local chiefs predominated and oracle practices such as Benge would provide the answers to their questions. This also shows the underlying conflict between the two belief systems. The priest was one of the few Azande Christians who did not believe in witchcraft and preached against it. However, the trust in magic was deep-rooted in the Azande people, causing them to only rely on traditional practices of oracles to deal with misfortune. The church services and priest were not able to offer the answer to their problems that way witchcraft did. Therefore, most Azande people, such as the witch doctor who “is a Christian and like most Azande Christians, he is happy to embrace the new but sees no need to reject the old practices like witchcraft, especially when they work” (Witchcraft among the Azande, 36:32). Moreover, there was an aspect of generational differences in upholding traditional Azande beliefs. The older generation viewed the morals of the younger generation as questionable due to the decline in Azande tradition. This was especially seen with notions of marriage and sex. The younger generation was more inclined to trust Catholic teachings instead of Azande traditional practices, showing that the two belief systems did not preside in harmony, and that there was tension between them.

Ultimately, the practice of witchcraft in Azande culture is a way to make sense of the world around them. Their spiritual practices provide them with a sense of reasoning and comfort. To them, there is no such thing as a coincidence or an inexplicable event. The belief and practice of witchcraft allows for control over such situations. When misfortune strikes, they are not baffled or frightened by some force beyond their control. Instead, they have a methodical system to approaching such events and reaching a practical solution. This reminded me of the Clifford Geertz reading from our first class, where religion can be seen as a response to suffering. The symbols and practices that a society attributes within its belief system are put in place to make suffering more “sufferable” and provide a sense of reassurance from the uncertainties of life. This is precisely what the practice of witchcraft achieves for the Azande people.

Evans-Pritchard, E. E. “Witchcraft Explains Unfortunate Events.” Reader in Comparative Religion: an Anthropological Approach, by W. A. Lessa and E. Z. Vogt, Harper, 1979, pp. 362–366.

“Witchcraft among the Azande.” , directed by Andre Singer. , produced by Andre Singer. , Royal Anthropological Institute, 1981. Alexander Street, https://video-alexanderstreetcom.proxy.library.emory.edu/watch/witchcraft-among-the-azande-2.

One of the highlights of the "Amuket" series is the stunning artwork by Daniel Thompson. Each page is meticulously detailed and beautifully colored, bringing the fantastical world to life. Thompson's skillful use of light, shadow, and perspective adds depth and realism to the characters and their surroundings, immersing readers in the story.

7 thoughts on “ Bushra Rahman – The Witchcraft Paradigm and the Problem of Belief (Class 9) ”

Shivani Patel September 17, 2020

Hi Bushra! Your post makes some insightful points on the simultaneity of witchcraft and Christianity within Azande culture.
Your main point about witchcraft and misfortune being synonymous reminded me of our conversation about Geertz’ work in which we determined religion and cultural practices are created in order to deal with the common human condition of suffering.
The intersection of Christianity and witchcraft also challenges our perceptions of “Western” religions, as witchcraft is generally not a system that accompanies Christianity. However, it makes sense that in situations where Christianity cannot provide suitable explanations, they are able to turn to witchcraft as a meaning making system and to ease their suffering.
You also brought up how while witchcraft and Christianity exist simultaneously, there is also some generational tension among beliefs. This reminds me of our conversation on Tuesday where we discussed how in order to employ cultural relativism, anthropologists temporarily suspend their own beliefs to focus on the cultural beliefs they are studying. They are able to put one belief system aside for another depending on the situation and how it best serves them. It seems like a similar tradeoff may be happening in Azande culture, where the people may turn to Christianity for morals and teachings but when it is not able to provide adequate explanations for their suffering, they turn to witchcraft to make sense of it.

Rachel D'Cunha September 17, 2020

Hi Bushra! Your blog was very insightful in emphasizing the key aspects of Witchcraft in Azande culture. I agree with you that the Azande utilize witchcraft to explain any negative event. To them, there is no fate or misfortunes, but all evil is caused from some root. I was intrigued to learn about the different oracles that the Azande follow when trying to figure out who is the cause of bewitchment and answers for impending questions. The local chief would always pass the final judgement to answer any final questions based on an oracle involving a chicken and poison and all of the people would strictly abide to whatever the final decision is. The film itself has an unbiased and straightforward message that teaches us about the Azande culture without employing any ethnocentrism. I really liked how you brought attention towards the similarities and differences between Christianity and the Azande religious practices as this was not something that I immediately noticed. I do believe that there is a generational change within the Azande culture and a gradual shift to more Christian beliefs, however, they will always remember their beginnings with witchcraft. I also found it interesting that you mentioned Geertz work in your blog in terms of how he defines suffering. My understanding from Geertz’s work was that suffering can be found in many forms and not just one. Religion indeed can often be used as a response to suffering and in this film the witchcraft is the response to any negative aspects in the life of the Azande.

Sehee Min September 17, 2020

Hey Burhsra!
I really enjoyed reading your blog post. It will tied all the thoughts I had together when I was reading the article and watching the movie. At first, when I was watching the film and they mentioned that the Azande culture synchronizes Christianity and Witchcraft, I thought it didn’t make much sense because those two have numerous amounts of contradictions in terms of rules and fundamental beliefs. As your post says, the reason why they do this is that they want to make sense of the world they live in and have tangible answers and solutions to their problems through rituals and traditions like the chicken ritual. The Christian Bible is very abstract and does not really answer specific questions that they might have and so utilizing witchcraft to maintain social order and to release tensions in the community allows their community to stay orderly. As you said, I do think because they have that enriched belief in magic within their community for generations upon generations, it was hard for them to accept Christianity on its own because it lacked that sense of magic that they believed thus far.

Rachel D'Cunha September 17, 2020

Hi Bushra! Your blog was very insightful in emphasizing the key aspects of Witchcraft in Azande culture. I agree with you that the Azande utilize witchcraft to explain any negative event. To them, there is no fate or misfortunes, but all evil is caused from some root. I was intrigued to learn about the different oracles that the Azande follow when trying to figure out who is the cause of bewitchment and answers for impending questions. The local chief would always pass the final judgement to answer any final questions based on an oracle involving a chicken and poison and all of the people would strictly abide to whatever the final decision is. The film itself has an unbiased and straightforward message that teaches us about the Azande culture without employing any ethnocentrism. I really liked how you brought attention towards the similarities and differences between Christianity and the Azande religious practices as this was not something that I immediately noticed. I do believe that there is a generational change within the Azande culture and a gradual shift to more Christian beliefs, however, they will always remember their beginnings with witchcraft. I also found it interesting that you mentioned Geertz work in your blog in terms of how he defines suffering. My understanding from Geertz’s work was that suffering can be found in many forms and not just one. Religion indeed can often be used as a response to suffering and in this film the witchcraft is the response to any negative aspects in the life of the Azande.

Dina Sofair September 17, 2020

Hi Bushra! I thought your blog post demonstrated a strong understanding of our learning for this week. You brought up two points that I also connected with while watching the film and reading the texts. Firstly, you discuss the interplay between Azande religious practices and Christian religious practices. I would like to learn more about the history of adopting other practices into traditional religions. The reason that it stood out to me though was because I recently heard a podcast pertaining to Christianity and Judaism and how their religious texts outlaw witchcraft such as divination and spellwork. As religious thinkers speculate, the reason such practices are banned is because they detract from being faithful to just one heavenly god. With these ideas in mind, I found it intriguing that Azande religious practices and Christianity coexisted so well. However, your idea that the Azande people “abided by the moral guidelines of Christianity but also relied on witchcraft for providing the practical solutions to their problems” encapsulates this coexistence perfectly. According to Evans-Pritchard’s writing, witchcraft essentially occurs with misfortune, and after watching the film, we see that it is also through witchcraft that they can work to counteract other negative things. To my knowledge, Christianity does not provide as much of a concrete practical framework when it comes to dealing with some of these circumstances, so it seems that witchcraft fulfills this need. In this vein, the other point I enjoyed in your blog was the connection between Geertz’s definition of religion and how witchcraft is utilized in this sense. Upon reading Evans-Pritchard, I was also reminded of how Geertz contended that religion is a way to cope with the suffering of the world. It seems the Azande’s use of witchcraft would certainly support his point. Great job!

Tess Rosenthal September 18, 2020

Hi Bushra!
Your post is an astute look at Witchcraft, Christianity, and the roles the two play in the Azanade life. I too found the intersection of Christianity and Witchcraft rather interesting both in practice and how the generations are divided by beliefs and practices of the two. The relationship that the priest had with Witchcraft was very different from the relationship the chief had with Christianity. The priest acknowledged the role that Witchcraft played but should completely fade out whereas the chief recognized why Christianity was valuable and would stay, while also hoping that Witchcraft would not disappear. You discussed how Christianity provided a set of morals that the Azande people followed and how Witchcraft provided concrete solutions to everyday problems. The way they worked in conjunction was seen in the adultery case with Christian morals pointing against adultery and the oracle being used to collect evidence and answers to enforce those morals. However, the coexistence, as you mentioned, is beginning to fade with the younger generations. I found that interesting especially because the priest acknowledged that it was going to be a long time before Witchcraft would ever fade away. The young parents were shown purifying their baby, a practice of Witchcraft. Although they were not as traditional as their parents, they still saw the value and importance of Witchcraft rituals. Your closing comparison to Geertz is a great summary of the Azande relationship to both Witchcraft and Christianity as a way to understand suffering.

Thomas September 20, 2020

Bushra, amazing blog post! I really like how you focused on the interplay between Witchcraft and Christianity, and the ways both of them fine harmony and chaos in Azanade life. I made a similar connection to the comment you made about Geertz and religion being a response to the shared suffering of the human condition. I think the cooperation in the minds of the Azanade really highlights Geertz’s point. When you write “such as the witch doctor who “is a Christian and like most Azande Christians, he is happy to embrace the new but sees no need to reject the old practices like witchcraft, especially when they work” (Witchcraft among the Azande, 36:32)” the comment from the movie about seeing no need to reject a belief “when they work” provides a somewhat Darwinian perspective on the competition or cooperation between these belief systems. Typically, Christianity replaces native religions as a colonizing force, however when there is no reason or competition (due to Christianity’s vastly different system of explaining phenomenon), a cooperation and evolution can occur, instead of a selection and removal.

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Witchcraft, Oracles, and Magic Among the Azande

An abridged version of the 1937 an-thropological study of the Azande of the southern Sudan, the theoretical insights of which have proven increasingly influential among both anthropologists and others

    Genres AnthropologyNonfictionEthnographyReligionAfricaWitchcraftHistory
. more

298 pages, Paperback

First published January 1, 1937

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About the author

E.E. Evans-Pritchard

55 books 52 followers

Sir Edward Evan "E. E." Evans-Pritchard (21 September 1902 – 11 September 1973) was an English anthropologist who was instrumental in the development of social anthropology. He was Professor of Social Anthropology at the University of Oxford from 1946 to 1970.

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