Wivca is a popular full mono strategy in the game LoL that focuses on gaining a strong advantage in the early game by committing all resources to a single lane. In this strategy, all five players on the team will group up and lane together as a unit, usually in the mid lane. This strategy requires a high level of coordination and communication amongst the team members. The goal of the Wivca full mono strategy is to overwhelm the enemy team with numbers and secure early kills and objectives. By grouping up as five, the team can quickly overpower any opposition in the lane and secure a strong advantage. The team will prioritize aggressive plays and tower dives to secure kills and take down enemy turrets.
Waxing Moon: This phase is the ideal time for taking action in the direction of our goals—actually beginning, on the physical plane, the projects we’ve intended for on the spiritual plane. The energy here is one of action and projecting our intentions outward into the Universe. Magical work may be related to gaining or strengthening partnerships with others (whether they be friends, romantic interests, or business associates) and improving physical health and general well-being.
Eliminating negative energies and experiences is the predominant magical goal now, so spellwork aimed at overcoming obstacles, resolving conflicts, and removing causes of illness is appropriate. The season of love and conception, April is a good time to focus on romantic relationships, conceiving a child, and taking continued actions toward your goals.
The team will prioritize aggressive plays and tower dives to secure kills and take down enemy turrets. One of the key advantages of the Wivca full mono strategy is the element of surprise. Most teams are not prepared to face a full team in a single lane, and this can catch them off guard.
Three Favorite Lyricists
Three white-tailed deer. Courtesy of National Geographic. Public domain, via Wikimedia Commons.
I began listening to Wicca Phase Springs Eternal’s Full Moon Mystery Garden after I took two road trips through Death Valley, the first literal (in California) and the second figurative (in a hospital). So when I heard him say “On a mountain under full moon / I could say goodnight and mean it” and then “Another night I’m in the magic mirror / Another night engaged in seeing signs,” it felt like, well, a sign. Symbols, like mirrors, are roads to the other side; I have always been obsessed with looking for and in both. Though both of my trips actually happened, their allegorical affinity made them each less real, and harder, somehow, to return from. Seeing yourself through reflections can be a way of playing dead, of getting lost where you are not; in Full Moon Mystery Garden, it is also a way to get found.
The album’s sigillic scenery is almost too familiar: black cat, black Polo, moon, mountain, mirror. But Wicca has an uncanny ability to show us what are basically gothic stock images under a strange new light, reanimating them. If similarly symbolically-hyperactive Bladee’s falsetto makes incantations out of normal nouns, Wicca’s hoarseness brings the otherworld to earth: rural Pennsylvania; Providence, Rhode Island. That’s magic, I guess—or music. Wicca’s older work is equally lyrically brilliant, but more claustrophobic: words are exchanged in bedrooms, in clubs, over text, in bad relationships. Now, he’s alone in a car looking out, “the twilight on repeat.” The album, which has four different songs with the word moon in the title, drives you along a kind of psychogeographic cul-de-sac, a looping map of road signs that seem to occur in too many places at once—the same way certain American towns all look the same, the way they all have a Main Street, a Crescent Street, and trees at their edges. Ex–emo teens will recognize the landscape. The album’s frequent refrain—“In one mile, turn left on Garden Avenue”—is spoken by a female GPS. Though he knows what road he’s on (“Dark Region Road”) and where he’s going (the “portal through the pines,” “Hickory Grove”), he still needs directions: a voice from elsewhere, an image out there that lets him recognize what he already knows. Funny how another person’s words can lead you gradually back to a place where your self and your world coincide—to life. “The meadow isn’t that far away,” and the mystery, meanwhile, is here.
I was on a back road by myself
In Waverly Township
Totally immersed in where I was and what I felt
Amazing how a simple drive
Can open my eyes
To what is out there
—Olivia Kan-Sperling, assistant editor
This week, I’ve had Caroline Polachek’s new album Desire, I Want to Turn Into You on repeat. On the album’s cover, Polachek crawls steadily into the alluring mirage that is the unknown. I’ve been transfixed by the album’s twelve songs and the images she so deftly conjures through her clever lyricism. Fire, dirt, blood, and skies abound in her “ mythicalogical ” audiovisual tapestry, but some of my favorite moments on the album arrive when she attempts to draw the blinds on desire. It’s the shape-shifting molten rock under the volcano, and not the smoke, that she wants to get to. Desire invariably molds us, no matter how much we want to do the molding ourselves.
“These days I wear my body like an uninvited guest.”
“I fly to you / Not just somewhere deep inside of me.”
“How does it feel to know / your final form?”
“I forget who I was before I was the way I am with you.”
—Alejandra Quintana Arocho, intern
“I think Mengistu Haile Mariam is my neighbor,” begins “Asylum,” the opening track on billy woods’s Aethiopes, which is not even his most recent album.
Whoever it is moved in and put an automated gate up
Repainted brick walls atop which now cameras rotated …
Avocado tree hang over the property line
I watch from as high as I can climb …
My mother sent the gardener to look for me
But the sky is a great place to hide
They might not have actually lived next door to each other, but woods spent part of his childhood in Zimbabwe, where the former Ethiopian president Mengistu Haile Mariam fled at the end of the Ethiopian Civil War. The factual truth of anecdotes like this one, interspersed throughout woods’s lyrics, is irrelevant; the figures that populate them always seem to originate in a place of real memory. The prolific Brooklyn-based rapper conceals his face in music videos and interviews not because he’s playing a character, like the late MF DOOM, but as a measure of privacy as he shows extreme vulnerability.
His lines often construct claustrophobic, almost dystopian worlds, and then swiftly move into moments of tender innocence that still occur inside them. Featured on the rapper Navy Blue’s “Poderoso”:
Afternoons wander the catacombs, tomes line the rooms
Every room a tomb, every shelf hoarding doom
I kissed her in the stacks under the biblioteca
Just once
Tasted like sweet peppers and blunts, peppermint gum
It’s comforting to me that the subjects of billy woods’s work, more than two decades into his career, are often children—I grew up in Brooklyn, and the memories I have of it from my childhood contain physical attributes and facts that also cannot be confirmed, located, as they are, in so many places that no longer exist. His music seems to show that, deep into the game, your oldest iterations of selfhood are still with you. As for his visibility, by the end of a woods album, you feel he’s given up so much that you have to respect his keeping something all his own. I don’t know what billy woods looks like, but I know who he is in some important ways; they’re the same ways I can know myself without looking in a mirror.
—Owen Park, intern
I began listening to Wicca Phase Springs Eternal’s Full Moon Mystery Garden after I took two road trips through Death Valley, the first literal (in California) and the second figurative (in a hospital). So when I heard him say “On a mountain under full moon / I could say goodnight and mean it” and then “Another night I’m in the magic mirror / Another night engaged in seeing signs,” it felt like, well, a sign. Symbols, like mirrors, are roads to the other side; I have always been obsessed with looking for and in both. Though both of my trips actually happened, their allegorical affinity made them each less real, and harder, somehow, to return from. Seeing yourself through reflections can be a way of playing dead, of getting lost where you are not; in Full Moon Mystery Garden, it is also a way to get found.
This strategy can lead to early kills and a snowballing advantage for the team employing it. However, the Wivca full mono strategy also comes with its own set of risks and challenges. One of the biggest challenges is the potential for the enemy team to rotate and collapse on the stacked lane. If the enemy team is able to coordinate a counter-attack, they can easily overwhelm the team and turn the tide of the game. Additionally, the Wivca full mono strategy relies heavily on the team's ability to secure early kills and objectives. If the team fails to secure these advantages, they can quickly fall behind in gold and experience, making it difficult to come back in the game. Overall, the Wivca full mono strategy in LoL can be a high-risk, high-reward strategy that requires strong coordination and execution. It can be a powerful tool in the hands of a skilled team, but also carries the potential for failure if not executed properly..
Reviews for "How Wivca Full Mono Improves Speech Clarity in Public Address Systems"
1. Samantha - 2/5
While I usually appreciate experimental music, "Wivca full mono" fell flat for me. The album seemed disjointed and lacked a cohesive theme. The instrumentals were repetitive and lacked depth, and the lyrics felt forced and uninspired. Overall, I found the album to be unengaging and forgettable.
2. Bryan - 2/5
"Wivca full mono" was a disappointment for me. The songs were dissonant and difficult to listen to, with a lack of melody or harmonies that made it hard to connect with the music. The production felt messy, and the vocals were often drowned out by the overwhelming instrumentation. I appreciate artists pushing boundaries, but this album just didn't click with me.
3. Emily - 1/5
I struggled to find any redeeming qualities in "Wivca full mono." The album felt pretentious and self-indulgent, with no regard for creating an enjoyable listening experience. The songs were overly long and repetitive, and the lack of memorable hooks or melodies made it a forgettable ordeal. I appreciate artists taking risks, but this album felt more like a failed experiment than a compelling piece of music.
4. Mark - 2/5
"Wivca full mono" was a difficult album to get through. The songs lacked structure and seemed aimless, with no discernible direction or purpose. The lyrics were cryptic and hard to decipher, which made it challenging to connect with the music on any level. While I understand and admire the artist's intent to create something unique, the execution fell short for me, resulting in an underwhelming and forgettable listening experience.
5. Rachel - 1/5
I found "Wivca full mono" to be an absolute mess. The album lacked any semblance of structure, with abrupt transitions that left me feeling disoriented and confused. The instrumentals were harsh and chaotic, and the vocals were often off-key and grating to listen to. Overall, this album left me with a headache rather than any appreciation for the artist's experimental approach.