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Why Artists Have Been Enchanted by Witchcraft for Centuries
Illumination depicting the two witches on a broomstick and a stick, in Martin Le Franc's Le Champion des dames ("Ladies' Champion"), 1451. Image via Wikimedia Commons.
The history of witchcraft in Western art is a tale with a dramatic plot twist. Throughout the 1400s, witches began appearing in European illustrations and woodcuts as demonic creatures with deviant sexual habits: Broomsticks were stand-ins for phalluses, and nude women rode backwards on goats. Throughout the next 400 years, around 80,000 Europeans—80 percent of them women—were killed for alleged witchcraft. Their “crimes” ranged from causing male impotence to damaging property and worshipping Satan. In the 1800s, occult spirituality was suddenly back in vogue. Women began reclaiming sorcery for themselves, in both their lives and their art.
Fast forward to 2019: Witches are alive and well, from Bucharest to Los Angeles. They’re casting spells, making enchanting artwork, and cursing world leaders. It’s certainly an improvement from the days of witch burnings, but gender inequality is still evident in contemporary spiritual and aesthetic practices. Ideally, women would have enough power and influence to make magical activity redundant. By tracing the history of witchcraft in art, we reveal just how far we’ve come—and how far we still have to go.
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