Enhance Your Cinematography with the SLR Magic Anamorphic Attachment

The SLR Magic Anamorphic Attachment is a lens accessory that can be attached to a standard prime lens to create an anamorphic effect. Anamorphic lenses are known for their ability to produce a widescreen, cinematic look by squeezing the image horizontally and then "de-squeezing" it in post-production. The SLR Magic Anamorphic Attachment is a cost-effective option for filmmakers who want to achieve this look without investing in an expensive anamorphic lens. It is compatible with a wide range of prime lenses and can be easily attached and detached using a thread mount system. The attachment is made of high-quality materials and features excellent optical performance, producing sharp and detailed images. It also includes a built-in focus mechanism, allowing filmmakers to adjust focus without relying on the lens it is attached to.

It also includes a built-in focus mechanism, allowing filmmakers to adjust focus without relying on the lens it is attached to. The SLR Magic Anamorphic Attachment is a versatile tool that can be used for a variety of applications, including advertising, music videos, and feature films. It offers filmmakers creative flexibility and the ability to achieve a unique visual style reminiscent of classic cinema.

SLR Magic Anamorphot 1.33x 50 Anamorphic Adapter

The SLR Magic Anamorphot 1.33x 50 is a anamorphic lens adapter designed for cinematography. Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 1.33x to allow maximum utilisation of the cameras' sensor. Anamorphic lenses therefore require subsequent stretching, in post-production or at projection. Intended for use with shooting at 16:9, bringing the intended output to a standard 2.39:1 wide format with a higher resolution than simply letter-boxing the image in camera. The lens features an adjustable dioptre for "sweet spot" adjustment controls on focus.

This SLR Magic anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh, for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter.

The adapter has a 77mm front filter thread and a native 62mm rear thread with a 58mm, 52mm, 49mm adapter rings provided. As such it is only suitable for lenses which have a front element size of 50mm or less.

Limitations of close focusing is helped with the use of dioptres which further enhances image. resolution and sharpness on close / medium distance applications.

Technical data

Focus type Manual
Format 1.33x
Thread diamater 77mm
Dimensions N/A
Weight 380g

In the box

1 x Front Plastic Cap
1 x Rear Plastic Cap
1 x 49 to 62mm Step-Up Ring
1 x 52 to 62mm Step-Up Ring
1 x 58 to 62mm Step-Up Ring

• Further products by SLR Magic

• Accessory Items
• Accessory Items

SLR Magic Anamorphot CINE Lens 2x70mm T4 (MFT-Mount) SKU: SLR-AC702XMFT The SLR MagicANAMORPHOT-CINE 70mm T4 is a 2x Anamorphic lens for Micro Four Thirds (MFT) mount cameras. 70mm focal length, (140mm equivalent on 2x crop MFT Sensors) SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 70mm 2x Anamorphot-CINE Lens is a complete, one piece, anamorphic lens with a maximum aperture of T4. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case. Anamorphot CINE Lens 2x70mm T4 features 70mm T4 Lens for Four Thirds Sensors2x Anamorphic Squeeze3.5' Minimum Focus distanceGeared Focus and Iris Rings82mm Front Filter ThreadHard Case Included SLR Magic Anamorphot CINE 702XMFT specifications Focus type: ManualFocal length: 70mmMaximum Aperture: T4.0Suggested aperture setting: T4-5.6Format: 2x Horizontal Squeeze Anamorphic lensMount: Micro Four Thirds (MFT)Image Circle: S35 for 70mm T4Front Filter Thread Size: 82mmLens Coating: MulticoatedClose Focus Distance: 1.1 mDimensions: 100mm diameter x 192.5mm lengthWeight: 1360g In the box ANAMORPHOT-CINE 70mm T4 2x Anamorphic lens MFTLens CapsHard Transport Case

SLR Magic Anamorphot-65 1.33x Anamorphic Adapter SLR-A65133X The Anamorphot 1.33x – 65 accommodates lenses with a front element size of up to 65mm and has a rear thread size of 82mm. Because the adapter features an internal focus design, the overall housing maintains the same size while focusing and front diameter can accomodate any industry 114mm clamp-on matte box. The addition of a front thread will allow the use of screw in filters and diopters. The SLR Magic Anamorphot-65 is incredibly versatile, adaptable to a wide range of prime lenses and zooms but still compact in size and form factor. The SLR Magic Anamorphot 1,33x-65 is compatible with a larger variety of camera and lens packages, including SLR Magic MicroPrime lenses. Also, the adapter is compatible with popular Fujinon MK 50-135mm T2.9 zoom lenses, mounting directly to a 82mm thread. When mounted on a Fujinon MK 50-135mm, the integration of the adapter appears like a single unit. Using costly or vintage lenses for anamorphic shooting has not always been reliable, or achieves the best results. By combining anamorphic fundamentals, current technology and precision optics, SLR Magic provide a reliable solution for anamorphic shooters without compromising quality. Trying to achieve a true anamorphic “look” in post cannot be emulated or faked. By cropping a standard 16:9 aspect ratio using a spherical lens, it discards 25% resolution of the overall image. Using the SLR Magic 1,33x-65 will preserve all pixels from the sensor and give you 33% more optical resolution and field of view from the camera. Additionally, the close focus distance for the 1.33x-65 is 4 feet. Features 1.33x, 65 Anamorphic lens adapterLens Type: Anamorphic adapterFront diameter for Matte Box: Φ114Objective front filter thread: Φ112Objective rear filter thread: Φ82Lens Coating: Multi CoatedClose Focus: dependent on taking lens compatibilityWeight: 780g

SLR Magic Compact Anamorphot-40 1.33x Anamorphic Adapter SKU: SLR-A40133XC SLR Magic Compact Anamorphot-40 1.33x Anamorphic Adapter has following features Compact Anamorphot Adapter 1.33x, 401.33x Anamorphic SqueezeCreates 2.35:1 Images on 16:9 SensorsFocus range: Normal mode 3ft – infinity | Near mode 2ftMounts to Lenses with 52mm Front ThreadFront filter thread: 62mmRear filter thread: 52mmLength: approx.: 4.41mmLargest diameter: approx. 75.00mmWeight: 250g This adapter pairs well with a variety of prime lenses, including: Canon EF mount (full frame or APS-C sensor) Canon EF 40mm f/2.8 STMCanon EF 50mm f/1.8 STMCanon EF 50mm f/1.8 II Sony E-mount (Super 35 or APS-C sensor) Sony FE 28mm F2Sony FE 35mm F2.8 ZAZeiss Sonnar FE 35mm F2.8 ZAZeiss Loxia F2/35SLR Magic 35mm F1.2 CINE @F4 Sony E-mount (Full frame, Super 35 and APS-C sensor) SLR Magic 75mm F1.4Zeiss Loxia 2/50SLR Magic 50mm F1.1 CINE @F4 Micro Four Thirds Panasonic 20mm f/1.7SLR Magic HyperPrime 25mm T0.95 @2.8 or smallerOlympus 12-50mm f/3.5-6.3 (between 20-50mm)

SIRUI 50mm F1.8 Anamorphic 1.33X Lens Compared to a traditional 50mm APS-C lens, the new SIRUI 50mm F1.8 camera lens enlarges your horizontal field of view to up to 33% to achieve a FOV equivalent of an APS-C 37.5mm lens. Affordable and durable, The F1.8 camera lens with aluminum enclosure is robust yet lightweight to create cinematic widescreen shots. After de-squeezed, the 50mm F1.8 camera lens produces smooth Cinematic 2.4:1 videos in a 16:9 setting. Built with a precision optical structure and multi-layer Nano coatings, SIRUI 50mm 1.33x Anamorphic camera lens will deliver the distinctive horizontal flare, which is difficult to achieve using normal lens or through post-production. With a simple turn of the F1.8 lens aperture ring, you can optimize the depth of view to create oval bokeh effect to give your work a more cinematic look. Technical data Lens Structure: 11 Elements in 8 GroupsFilter Spec: M67x0.75Aperture Blades: 10Rotation Angle of the Focus Ring: 143.6°Aperture: F1.8-F16Max. Diameter: 69.2mm/2.72inchesFrame: APS-CDiameter of the Focus Ring: 61.7mm /2.43inchesShooting Distance: 0.85m-∞Total Length (Lens Cap Not Included): Approximate 106.6mm/4.20inchesFocus Method: Manual FocusingWeight: Approximate 560g/1.23lbsMaximum Magnification: 1:15.38(V), 1:20.17(H)Lens Mount: SONY E-Mount / FUJI X-Mount / M 4/3 Mount

The adapter has a 77mm front filter thread and a native 62mm rear thread with a 58mm, 52mm, 49mm adapter rings provided. As such it is only suitable for lenses which have a front element size of 50mm or less.

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Reviews for "The Benefits of Using the SLR Magic Anamorphic Attachment for Filmmaking"

1. John - 2 stars - I was really excited to try out the Slr magic anamorphic attachment, but I was ultimately disappointed with the results. The image quality was subpar, with noticeable distortion and lack of sharpness. Additionally, the attachment was quite bulky and added unnecessary weight to my camera setup. Overall, I found it to be overpriced for the mediocre performance it delivered.

2. Sarah - 1 star - I regret purchasing the Slr magic anamorphic attachment. It was incredibly difficult to install and align properly, and even then, the lens produced heavy vignetting and unavoidable flares. The lack of adjustable focus also proved to be a major drawback, leaving me frustrated with the limited control over my shots. I would not recommend this product to anyone looking for high-quality anamorphic footage.

3. Mark - 2 stars - The Slr magic anamorphic attachment fell short of my expectations. While it did provide a wider aspect ratio, the overall image quality was subpar. The lens suffered from significant distortion, making any straight lines in my shots appear warped. The build quality also left much to be desired, with noticeable lens wobble and a cheap-feeling construction. I wouldn't recommend this attachment, especially considering its relatively high price point.

A Closer Look at the SLR Magic Anamorphic Attachment