Unveiling the mystical properties of Ruby Red gemstone in occult practices

Ruby red has long been associated with occultism and esoteric practices. This vibrant and lustrous shade of red is often used as a symbol for powerful and mysterious forces. In various occult traditions, the color red represents passion, strength, and vitality. It is also often associated with fire and the element of Mars, which is connected to assertiveness, courage, and action. The intensity of ruby red is believed to enhance and amplify these properties, making it a popular choice in rituals, spells, and talismans. One of the most well-known references to ruby red in occultism is found in the legend of the Holy Grail.

Saturday, Ruby-Omen said it is meant to address the most outlandish, misleading and incorrect stereotypes of LGBTQ+ community members that she's heard this year, from a constant and pervasive othering to the (erroneous) belief that queer people worship the devil and the occult more broadly. As states increasingly mount attacks against queer people, and particularly trans youth seeking gender-affirming care, the work strikes a chord, using Ruby-Omen’s sleek style and cheeky humor as a balm.

The answer in a word is colour because colour is king in the gem world and it is this magnificent colour that is the Ruby s best feature and explains why the Ruby is also known as the King of Gemstones. Revised successively for Yeats s Works 1908 and Early Poems and Stories 1925 , the stories were closely linked by symbolism to the Order of Irish Mysteries.

One of the most well-known references to ruby red in occultism is found in the legend of the Holy Grail. In this tale, the Grail is said to be a ruby, imbued with divine powers and associated with everlasting life. The vivid red hue of the ruby represents the transformative and transcendent qualities of the Grail, which has led many to believe that the stone holds mystical properties that can grant enlightenment and spiritual awakening.

The enduring power (and surprisingly dark symbolism) of red shoes

80 years after The Wizard of Oz’s release, red shoes are walking the AW19 runways, from Prada and Victoria Beckham to Simone Rocha and Hellessy. Vogue investigates why we can’t get enough of this power accessory

At Prada’s AW19 show, one pair of shoes stood out. Between the biker boots and trainers laced to the knee, there walked some sparkling red heels that looked like they’d tripped straight out of a grown-up Wizard of Oz (where the dresses were dark and draped, rather than gingham with frills). It was an appropriate homage, given that this year marks the 80th anniversary of the film’s release. And Miuccia wasn’t the only one thinking about vermilion footwear—from bright red velvet at Simone Rocha and crimson, open-toed boots at Victoria Beckham to glitzy heels at Hellessy, red shoes made their way up and down catwalks around the world.

Prada autumn/winter 2019

They’re an alluring choice. In the case of Dorothy, her ruby red slippers—imbued with an immense power that made them ferociously sought after by the Wicked Witch of the West—eventually take her home with a simple click of her heels. In L Frank Baum’s original book, the slippers were silver. We have the advent of Technicolor to thank for the ruby shoes adorning Judy Garland’s feet: shiny sequins with bugle beads on the toes providing a perfect contrast to that tirelessly followed Yellow Brick Road.

The slippers have a contentious history. With somewhere between five and 10 pairs made for Garland to wear, in a dramatic twist, one pair—insured for $1m—were stolen from a display case when they were on loan to a Minnesota museum in 2005. It wasn’t until 2018, after a year-long sting operation, that they were recovered.

The Wizard Of Oz (1939)

Outside of Oz, red shoes have long been a potent form of footwear. Cladding the feet of ballerinas, nobles, popes and pop stars, they’ve ignited imaginations, stirred tempers, garnered looks both admiring and scandalised and, in the case of some cautionary fairy tales, led their heroines to rather gruesome ends.

Hans Christian Andersen’s The Red Shoes is one such example. Spinning the story of a young woman called Karen who covets—and subsequently acquires—a pair of shiny red leather shoes which she wears to church, her hunger for something as simple as eye-catching footwear is apparently so monstrous that she is condemned by an angel to dance herself to death. In desperation, she has her feet amputated. They continue to dance, disembodied in those flagrant shoes, off into the forest.

It’s a horribly morbid little story, full of unsavoury messages about punishment of vanity. Powell and Pressburger’s 1948 film The Red Shoes reimagines the story with headstrong ballet dancer Vicky Page (played by Moira Shearer) stranded between art and love—and also between two prissily controlling men—while dancing the lead role in an adaptation of the fairy tale. Among the numerous dazzling costumes, her ballet shoes are a perfect scarlet satin.

Kate Bush’s 1993 album The Red Shoes also pays homage to the dark frenzy at the heart of Andersen’s fairy tale, with its lyrics telling a similar story of a young woman who’ll be made to “dance 'till her legs fall off”. Her accompanying short film The Cross, The Line, and the Curve, featuring a startlingly monobrowed Miranda Richardson, places another pair of red ballet shoes at the centre of the narrative: ones that pay homage to both their filmic and folkloric predecessors.

Red shoes seem to have a particularly complicated relationship with womanhood and beauty. As Summer Brennan, author of High Heel—an examination of footwear, femininity and transformation—says, “Red has all sorts of taboo associations with women that we may not always be aware of. In some cultures red is understandably associated with fire, and so with the devil and sin, or with sinfulness. Think of that scarlet A in The Scarlet Letter. Or of Scarlett O'Hara being forced by her husband to wear a red dress to a party in Gone with the Wind after she's caught flirting with another man. It's a colour that says ‘stop’, but it can also stop you in your tracks in a good way. It's the colour of blood and is therefore associated with violence, but also with sexuality, menstruation, fertility and birth. And in other cultures, such as in India and China, red is considered a bridal colour and a colour of good luck.”

80 years after The Wizard of Oz’s release, red shoes are walking the AW19 runways, from Prada and Victoria Beckham to Simone Rocha and Hellessy. Vogue investigates why we can’t get enough of this power accessory

Additionally, ruby red is often used as a protective color in magical practices. It is believed to ward off negative energy, evil spirits, and psychic attacks. By incorporating ruby red stones, candles, or symbols into rituals and spells, practitioners hope to create a shield of energy that repels harm and negativity. One of the most famous uses of ruby red in occultism is within the realm of divination. Ruby red crystals, such as garnet or rubellite, are often used by psychics and fortune-tellers for their ability to enhance intuition and psychic abilities. These stones are believed to open the third eye and stimulate the flow of energy, allowing for clearer visions and more accurate readings. In conclusion, the color ruby red holds deep significance in the realm of occultism. From representing passion and vitality to being associated with the Holy Grail and divination, this vivid shade embodies the power and mystery often sought after in esoteric practices. Whether used for protection, transformation, or psychic enhancement, ruby red continues to captivate and enchant those who delve into the world of the occult..

Reviews for "The occult significance of Ruby Red gemstone in ancient civilizations"

1. Sarah - 2/5 - I had high hopes for "Ruby Red and Occultism" but found myself sorely disappointed. The characters were flat and underdeveloped, and I couldn't connect with any of them. The plot was convoluted and disjointed, leading to a lack of coherence in the storytelling. The author seemed more focused on trying to be shocking and edgy rather than creating a compelling and engaging narrative. Overall, I found the book to be a letdown and wouldn't recommend it to others.

2. Mark - 1/5 - "Ruby Red and Occultism" was an absolute waste of time. I struggled to even finish it. The writing was riddled with grammatical errors, spelling mistakes, and punctuation issues that made it difficult to read. The plot had potential, but it was poorly executed with sloppy pacing and inconsistent world-building. The characters were one-dimensional and lacked depth, making it impossible to care about their fates. In my opinion, this book was a complete failure and not worth the paper it was printed on.

3. Emily - 2/5 - I had heard great things about "Ruby Red and Occultism," but sadly, I didn't find it as captivating as others did. The story was promising, but it fell flat due to mediocre writing and a lack of originality. The dialogue felt forced and unnatural, and the descriptions were often overdone and excessive. Furthermore, the ending was rushed and unsatisfying, leaving me feeling disappointed and unsatisfied. While I appreciate the effort put into this book, it didn't live up to the hype for me.

Ruby Red and its significance in occult symbolism