mercy copypasta

Noroi: The Curse is a horror film from Japan that was released in 2005. The movie is directed by Koji Shiraishi and is known for its unique found footage style. Noroi follows the story of a documentary filmmaker named Masafumi Kobayashi, who becomes obsessed with a mysterious curse that seems to be connected to a missing girl. As Kobayashi investigates further, he uncovers a web of supernatural events and encounters various characters who have been affected by the curse. One of the key elements that sets Noroi apart from other horror films is its use of the found footage format. The movie is presented as a compilation of videos filmed by Kobayashi and other characters, which adds to the sense of realism and make it feel like a documentary.

The movie is presented as a compilation of videos filmed by Kobayashi and other characters, which adds to the sense of realism and make it feel like a documentary. This style of storytelling allows the audience to feel immersed in the events taking place and adds to the suspense and tension. The curse itself is a central theme in the film, and it is depicted as a malevolent force that brings tragedy and misfortune to those who encounter it.

An American Haunting: The Bell Witch

Greetings! I’m always up for a good scare or haunting, and when this book came sliding through my hands, I set it aside out of a sense of duty because I am the Yankee who has lived here for twenty-five years and still doesn’t know enough about the Bell Witch to sound respectable around a cracker barrel.

Locals who have grown up with the tradition know to look in the mirror at midnight and say “Bell Witch” three times and then check the back of the mirror to see what happens. I’m not sure I’m ready to do that after having read this book (I live alone in the “boonies” and don’t stare into the woods at night), but I feel now that I have some familiarity with a strong local tradition that still calls to mind fascinating stories from local “people who know.”

An American Haunting: The Bell Witch: Being the Eye Witness Account of Richard Powell Concerning the Bell Witch Haunting of Robertson County, Tennessee 1817-1821

The readability of this book required a little extra work from me. I had to read the introductory material several times to get on track. Also, there are no chapters. The book runs to l92 pages without a break, until it skids into eight pages of notes. Since I read before I sleep at night, I had to “get with my place” every time I wanted to continue my reading, but any extra effort was worth the trouble.

The book claims to be an edited memoir of a man, a local school teacher, who married the daughter of the man whom the Bell witch wanted dead. His perspective on the events that transpired in the early 1820s is both that of an outsider and an insider. As the outsider, he retells the events that the local populace sees, hears, and talks about. The witch is a most interesting character, with four specific and distinct voices and not a few quirks and eccentricities. He tells this part of the story with a great deal of color and the lingering sense of dread that a continual haunting presents.

Later, in the last thirty pages, we reach the climax of the story in the death of John Bell, whom the witch has been tormenting long-term. This is followed by one of the most interesting denouements I can recall—somewhat lengthy but from the perspective of an insider’s point of view and answering nearly all of the questions connected with the haunting. Like a great mystery book, all of the strings are pulled together perfectly in the end. One finishes the book with a fair and even sense of all that the haunting involved and represented, with an almost–respectable Southern sense of it, if it just weren’t for that Yankee thing still lingering in the background.

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As the story unfolds, Kobayashi discovers that the curse is linked to a powerful paranormal entity known as Kagutaba, which is often associated with ancient Japanese rituals. This connection to traditional folklore gives the movie an eerie atmosphere and adds to the sense of dread. Noroi also explores themes of obsession and the dangers of delving too deep into the unknown. As Kobayashi becomes more and more engrossed in his investigation, he becomes a target of the curse himself, leading to a chilling climax. The film effectively builds suspense and keeps the audience engaged as the mystery unravels. Overall, Noroi: The Curse is a unique and unsettling horror film that stands out in the genre. Its found footage style, rich mythology, and exploration of themes make it a must-watch for fans of Japanese horror. Whether you believe in curses or not, Noroi will leave you with a lingering sense of unease and make you question what lies beyond our understanding..

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