"The Witcher" is a fantasy book series written by the Polish author Andrzej Sapkowski. The series revolves around Geralt of Rivia, a witcher and monster hunter in a dark and mysterious world filled with magic and mythical creatures. The Witcher series begins with the book "The Last Wish," which is a collection of short stories that introduce the readers to Geralt and his unique abilities as a witcher. Witchers are trained from a young age to become skilled warriors and are then subjected to a series of dangerous and magical experiments, which enhance their physical abilities and allow them to fight and kill monsters. The world of "The Witcher" is a complex and morally gray one, as Geralt is often faced with difficult choices and decisions. One of the main themes of the series is the exploration of the nature of good and evil, as Geralt is often forced to make decisions that challenge his own moral code.
“Baby in Blue Jeans” is made up of just three repeating lines, despite the track edging on five minutes. And, somehow, Sanches manages to add a different layer to each lyrical repetition, adding depth to the hazy, consistent rhythm of the tune. A political track, “True Believers” marks a turning point in L.A. Witch’s lyrical content; “I guess I’ll just make up my own rules, my own ideas, my own rights,” Sanchez sings with an edge of defiance.
Marked with wanderlust, Get Lost is once again a track composed of just a few repeating lines, the fixation being, To get lost from myself To get lost from my soul. The setting is strange but fitting for the witchy trio, with saturated red lights, a moving dragon figure in the corner and seance candles littered across the floor of the stage.
One of the main themes of the series is the exploration of the nature of good and evil, as Geralt is often forced to make decisions that challenge his own moral code. As a witcher, Geralt often finds himself in dangerous situations and battles against various supernatural creatures, such as monsters and sorcerers. He is also accompanied by a cast of memorable characters, including his love interest, Yennefer of Vengerberg, and his friend and mentor, Vesemir.
Live Stream Review: L.A. Witch Debut Play With Fire With Album Release Party
Celebrating the release of their second full-length album Play With Fire, indie-rock trio L.A. Witch performed a livestream album release party this Thursday. Made up of gritty vocalist and lead guitarist Sade Sanchez, drummer Ellie English and bassist Irita Pai, L.A. Witch offers a nostalgic, ’60s garage-rock flair, bending genre territories with a variety of musical influences that lend to their eclectic style and sound. Proceeds from ticket sales will be used to support independent venues struggling to stay afloat during the pandemic.
The setting is strange but fitting for the witchy trio, with saturated red lights, a moving dragon figure in the corner and seance candles littered across the floor of the stage. Kicking off without a word, the show opener is “Kill My Baby Tonight,” a hyperbolic metaphor of a song straight off their self-titled debut album. In short, it’s a song about murder; in reality, the murky track conveys an obsession with one’s partner. Sanchez travels to the dark corners of romance and then paints a haunting fictional scenario. The track is particularly heavy with reverb, accompanied by a smooth bass line and classic california-surf-guitar riffs reminiscent of Sublime.
The three-some pulls from a multitude of influences for their genre-bending discography; “Brian” is a classic, Americana rock ‘n’ roll track. A characteristic L.A. Witch sound, “Gen-Z” is draped in reverb. Part of new album, this track is emotive as it touches on the subject of rising suicide rates among young people. A lengthy instrumental interlude in the middle of the song amplifies its intensity.
“Baby in Blue Jeans” is made up of just three repeating lines, despite the track edging on five minutes. And, somehow, Sanches manages to add a different layer to each lyrical repetition, adding depth to the hazy, consistent rhythm of the tune. A political track, “True Believers” marks a turning point in L.A. Witch’s lyrical content; “I guess I’ll just make up my own rules, my own ideas, my own rights,” Sanchez sings with an edge of defiance.
“Sexorexia” conjures the nostalgic energy of the riot grrrl era, with a fiery guitar riff accompanied by an upbeat background melody that gives the song a degree of complexity. It’s confessional and angry, as Sanchez spits out the lyrics, “You drag me around, you push me down/ You must think I’m your little clown.”
Marked with wanderlust, “Get Lost” is once again a track composed of just a few repeating lines, the fixation being, “To get lost from myself/ To get lost from my soul.” Sanchez’s voice carries a feeling of detachment, her tone apathetic. Toward the end of the track, a fast-paced, crashing drums build-up from English mimics the feeling of anxiety that comes with feeling stuck in one place, followed by a dragged-out instrumental fade.
The finale track, “Starred” is dominated by fast-paced guitar riffs from temporary addition for the night, Gregg Foreman, who knocks heads with Sanchez as the two battle it out on the strings. The song comes to a halt in a daze, as Sanchez falls to the floor and the show fades to black, leaving the audience with an authentic, flaming performance from the dream girls of L.A. Witch.
Set List:
Fire Starter
Kill My Baby Tonight
Brian
Untitled
Motorcycle Boy
Gen-Z
Drive Your Car
Baby in Blue Jeans
I Wanna Lose
True Believers
Sexorexia
Dark Horse
Get lost
Starred
- Tags
- l.a. witch
- Top Story
“Sexorexia” conjures the nostalgic energy of the riot grrrl era, with a fiery guitar riff accompanied by an upbeat background melody that gives the song a degree of complexity. It’s confessional and angry, as Sanchez spits out the lyrics, “You drag me around, you push me down/ You must think I’m your little clown.”
The success of "The Witcher" series has led to its adaptation into various forms of media, including a popular video game series and a Netflix television series. The video games have been praised for their immersive storytelling and complex characters, while the Netflix series has gained a large fanbase for its faithful adaptation of the books. In conclusion, "The Witcher" is a captivating and immersive fantasy series that delves into themes of morality and the nature of good and evil. With its rich world-building and dynamic characters, it has become a beloved franchise across various forms of media..
Reviews for "The Dark and Light Sides of Magic in 'La Witch Livr': A Discussion on Ethics and Morality"
1. John - 2/5 - I was really disappointed with "La witch livr". The story felt disjointed and hard to follow, with no clear direction or purpose. The characters were one-dimensional and lacked depth, making it difficult to connect with them. The writing style was also a major issue for me, as it felt forced and unnatural. Overall, I found the book to be a chore to read and would not recommend it.
2. Sarah - 1/5 - I found "La witch livr" to be incredibly boring and uninteresting. The plot was predictable and lacked any originality, making it feel like a recycled version of countless other fantasy novels. The pacing was all over the place, with action scenes that felt rushed and moments of supposed character development that fell flat. The dialogue was also cringe-worthy and filled with clichés. I regret wasting my time on this book and would not recommend it to anyone.
3. Emily - 2/5 - "La witch livr" had a promising premise, but unfortunately, it didn't deliver. The world-building was lacking, leaving me with many unanswered questions throughout the story. The pacing was slow, making it difficult to stay engaged and invested in the plot. The characters were forgettable, and I struggled to connect with any of them. Overall, I found the book to be underwhelming and would not recommend it to fans of the genre.