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Camille Saint-Saëns’ ‘grand zoological fantasy’ is beautiful, funny, and clever all at once. ‘The Swan’, perhaps the best known movement, is scored for two pianos and a cello solo. The calming cello tune represents the bird’s effortless gliding, while the rolling piano chords paint a musical picture of the swan’s hidden feet, paddling furiously under the water. Each of the piece’s 14 movements represents a different animal, including a lion, donkey, and elephant, as well as fossils, an aquarium, an aviary and – Saint-Saëns’ little joke – pianists, possibly the most dangerous animal of them all. Read more: The Carnival of the Animals: a guide to Saint-Saëns’ humorous musical masterpiece
Before a performance, the instruments are usually shown to the children, which helps them to understand the unique sound of each orchestral instrument. Based on research that lullabies benefit maternal health, strengthen bonds between parent and child, and aid child development, the project fosters collaborations between professional musicians and new parents to compose personal lullabies for their babies.
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Where Music Helps: Community Music Therapy in Action and Reflection
This book explores how people may use music in ways that are helpful for them, especially in relation to a sense of wellbeing, belonging and participation. The central premise for the study is that help is not a decontextualized effect that music produces. The book contributes to the current discourse on music, culture and society and it is developed in dialogue with related areas of study, such as music sociology, ethnomusicology, community psychology and health promotion. Where Music Helps describes the emerging movement that has been labelled Community Music Therapy, and it presents ethnographically informed case studies of eight music projects (localized in England, Israel, Norway, and South Africa). The various chapters of the book portray "music's help" in action within a broad range of contexts; with individuals, groups and communities - all of whom have been challenged by illness or disability, social and cultural disadvantage or injustice. Music and musicing has helped these people find their voice (literally and metaphorically); to be welcomed and to welcome, to be accepted and to accept, to be together in different and better ways, to project alternative messages about themselves or their community and to connect with others beyond their immediate environment. The overriding theme that is explored is how music comes to afford things in concert with its environments, which may suggest a way of accounting for the role of music in music therapy without reducing music to a secondary role in relation to the "therapeutic," that is, being "just" a symbol of psychological states, a stimulus, or a text reflecting socio-cultural content.
A new mother herself, Cirelli sees singing lullabies as a “multimodal experience” shared by mother and child. “It’s not just about the baby hearing music,” she says. “It’s about being held by the mom, having her face very close, and feeling her warm, gentle rocking.”
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Reviews for "The Versatility of the J Crew Magic Rinse Sweatshirt: From Day to Night"
1. Lily - 2/5 stars - I was really disappointed with the J Crew Magic Rinse Sweatshirt. The material felt cheap and thin, and it didn't provide much warmth. The fit was also strange, with the sleeves being too short and the overall length being too long. I was expecting a cozy and comfortable sweatshirt, but this just didn't deliver. I would not recommend it.
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3. Emily - 2/5 stars - I had high hopes for the J Crew Magic Rinse Sweatshirt, but unfortunately, it fell short of my expectations. The sizing was really off, with the sleeves being too long and the body being too wide. The material also felt stiff and uncomfortable, not what I was looking for in a sweatshirt. Overall, I found it to be overpriced for the poor quality and fit. I won't be purchasing from J Crew again.