Ebony Witchcraft Rose Los Angeles is an intriguing and mysterious topic that intertwines the world of magic with the vibrant city of Los Angeles. Ebony witchcraft is a specific type of black magic that has its origins in African spirituality and is often associated with darker intentions and practices. This form of witchcraft is said to harness dark energy and tap into the forces of the universe for personal gain or to cause harm. The ebony witchcraft rose in Los Angeles refers to the rise in popularity and presence of this particular type of magic in the city. Los Angeles, known for its glitz and glamour, is also a hub for occult practices and spiritual exploration. Many individuals, seeking to enhance their power and control, turn to these ancient practices to fulfill their desires.
Many individuals, seeking to enhance their power and control, turn to these ancient practices to fulfill their desires. Ebony witchcraft rose in Los Angeles due to the city's diverse population and its strong connection to the entertainment industry. It has attracted countless individuals who are drawn to the allure of gaining power and influence.
Why Queer People Love Witchcraft
At 7:45 on a Thursday night, I light a candle and settle in for my Zoom meeting with Krysta Venora, aka “Pink Opal Magic” (who uses they/them pronouns). Earlier in the week, I’d signed up for one of Krysta’s spiritual readings. When I log into our video call for the reading, their room is dark green, and a menagerie of candles flickers in the background. The ambience is simultaneously comforting and delightfully spooky. Krysta, a beacon of positive energy despite the screen between us, radiates.
Located in Los Angeles, Krysta identifies as a queer witch. They’re one of many. Historically associated with power, seduction, old age, and otherness, witchcraft was traditionally a space reserved for women, but as the LGBTQIA+ movement continues to gain traction, more and more queer folks have publicly joined the ranks of witchcraft. According to a 2015 survey conducted by Pew Research Center, around twice as many queer adults as the general public say they identify as a member of a non-Christian faith group, including Wicca and paganism.
Advertisement ADVERTISEMENTGoogle #queerwitch and you’ll find thousands of Instagram posts, tweets, and even TikTok videos featuring LGBTQIA+ witches engaging in their crafts. But queer witchcraft isn’t just about donning a Stevie Nicks-esque wardrobe and lighting colored candles — the practice is a venture toward empowerment.
“[Witchcraft] gave me a sense of my personal power,” says Krysta, who is gender non-binary. “In this world, Black, indigenous, and queer people are told they have no power. So, to have something that gives me power and encourages me to use my voice and my will is invaluable.”
Krysta was raised in a multi-religious household. Krysta is part-Native American, and at first, their mother was passionate about honoring that part of the family’s heritage, taking Krysta to pow-wows and speaking with psychics. But when Krysta was about ten, they were baptised in the Mormon church, and entered an entirely different, and a far stricter, approach to spirituality.
“I was having all these profound spiritual experiences,” Krysta says. “But I didn’t buy what they were trying to sell me. [The church] saw all these facets of my identity — black, indigenous, queer, survivor of childhood assault — as major sins. And I knew [that] was wrong.”
Still, spirituality was a crucial part of Krysta’s identity, and not something they could easily dismiss. (“The Spirit will take any opportunity to speak to you,” Krysta notes.) In 2013, they were introduced to the actual reality of “witches” through a proud Wiccan coworker, who gave Krysta books on deities and invited them to Sabbat celebrations.
Advertisement ADVERTISEMENT“From there I borrowed every book remotely related that I could find at the library,” Krysta says. “When that wasn’t enough I went to the internet. Back then, YouTube had a close-knit collection of Wiccan and non-Wiccan witches practicing in many different ways.”
As they dove deeper into the myriad types of witchcraft practices, Krysta discovered that they could play with the rules of witchcraft, and develop a personalized practice outside of Wicca.
“That’s when I really blossomed into a full-on, spell-casting, goddex-worshipping witch,” Krysta says, humbly adding that though they saw truth in the practice, Wicca just wasn’t for them. “Being queer and specificially a person outside of the gender binary made their ideas and practices a little itchy for me.”
It took Krysta several years of channeling and ancestor work to develop a witchcraft practice that felt right. Now, Krysta says that reconnecting with and remembering their innate Indigenous wisdom is a crucial element of their witchcraft.
“It is the practice written in my DNA and passed down my ancestors, but it’s also something new,” Krysta says. “It’s the mixture of knowledge and practices that makes my work potent, and the personalization that makes it fulfilling.”
In this world, Black, indigenous, and queer people are told they have no power. So, to have something that gives me power and encourages me to use my voice and my will is invaluable.
Krysta VenoraA spiritual childhood is prevalent among modern-day witches. Bobbi* (she/her), a cisgender, queer witch in Chicago, tells me that she grew up a pastor’s kid. She spent nearly every summer at “Jesus Camp,” and every Sunday participating in the ritual of communion. For a while, she loved it.
“I was one of those people at the front of the church, hands up at the altar in supplication, singing along with those guitar-toting ‘Jesus rockers,’” Bobbi says. “Holiness, after all, is ‘otherness’. and what's more relatable to a teenage girl than a desperate need to connect to something special?”
Advertisement ADVERTISEMENTMat Auryn (he/him), a Bay Area queer and cisgendered male witch, grew up attending a church that was a mixture of Pentecoastal and Evangelical Christianity. (For those unfamiliar, these are typically regarded as some of the more “extreme” forms of Christianity.)
“I think part of [my religious background] exposed me to magick at an early age,” Mat says. “Because while [Christians] would never use that word for what they do, it absolutely is. They’re raising energy through music, through singing, through ecstatic states, then directing and unleashing that energy psychically in what they call prayer to see the results they desire in their lives and in the world.”
But similar to Krysta, Bobbi and Mat found that their Christian faith created conflict when they started to discover their queer identities. Though they appreciated aspects of their religious upbringings, they grew resentful of their church’s black-and-white attitude toward sin and sexuality. Especially for Bobbi, a place that had initially been a source of comfort was now a trigger for shame.
“As a child, I found myself attracted to my same-gendered friends, and confused about what to do with those feelings,” Bobbi explains. “According to my faith, it was wrong. What's worse, I was choosing the ‘wrong’ thing because I also liked people of the opposite gender.”
Witchcraft, on the other hand, offered a spiritual space where queer folks like Bobbi, Mat, and Krysta could step into their personal power and explore otherness without shame, guilt, or fear. Though all of the witches I spoke to investigated magic (or magick) in their childhood, their crafts began to really come to fruition in their young adulthood, as they were granted more exposure to the variety of rituals and practices. Bobbi notes that discovering moon rituals was a major turning point in her witchcraft journey.
Advertisement ADVERTISEMENTFurthermore, the idea of a coven — a group or gathering of witches — created space for community, another appealing aspect of mainstream religion. In addition to providing solace and support, Bobbi finds that her coven encourages her to be a better person.
“I've been fortunate to find community in overwhelmingly inclusive places where it's safe enough to be vulnerable, but also ‘woke’ enough for us to call each other out on our bullshit,” Bobbi says. “These spaces challenge me to hold a mirror to myself and consistently ask where I'm not supporting those with less privilege. They help me to heal so that my trauma doesn't hinder me from progress.”
Of course, part of practicing witchcraft means… practicing witchcraft. Depending on the witch, these practices might include tarot or oracle cards, crafting incense blends or spiritual waters, reading natal charts, communicating with spirit guides, praying, or casting spells. Bobbi describes herself as a “kitchen witch.”
“Ask anyone who's had my Breakup Recovery Brownies or a slice of my Heartwarming Apple Pie,” she says. “Taste and smell are so strongly tied to memory, it makes sense that using them in my craft leads to easier manifestation.” Most queer witches acknowledge that witchcraft is highly customizable, allowing each witch to build and change their specific practices depending on where they’re at in their lives.
“While I’m well-versed in spellcraft and operative magick, the tools of witchcraft are mostly just that — tools,” says Mat. “Tools are helpful and can make things easier, but the real magick, just like the real psychic ability, is within the soul of the witch.”
Advertisement ADVERTISEMENTRegardless of the specificities of their practices, all queer witches seem to have one major thing in common: a desire to feel empowered and the freedom to explore their identities. Perhaps this is what makes the intersection of the queer community and witchcraft so natural — they are both expressions of otherness.
Claire (they/them), a queer and gender non-binary witch and host of The Word Witch podcast, notes that their queerness and witchiness have always been intrinsically intertwined. In high school, Claire romanced theater girls by day and dabbled in witchcraft at night.
Like the other witches I spoke with, Claire had an intensely religious childhood, and entered adulthood extremely skeptical of any person or group who claims to know “the one truth.” This encouraged them to do a lot of self-education, seeking out books like The Spiral Dance by Starhawk and Drawing Down the Moon by Margot Adler. Now their version of witchcraft adheres to no specific tradition or authority — rather, they paved their own path.
“For me, witchcraft is inherently queer because it’s built upon empowering individuals to live according to their own truth,” says Claire. “Historically, ‘witch’ was a title leveled at outcasts, iconoclasts, rebels, and anyone who threatened the status quo or refused to conform to society’s rules. Witches are outsiders. Witches are ‘othered.’ But witches also hold power.”
In a world where queer people, particularly queer people of color, are told over and over that their otherness is wrong, it becomes a daily struggle to take one’s power back. It requires ritual, affirmation, and community, and witchcraft provides all of these things. The magic (or magick) explored and created in witchcraft is more than just casting spells and seeing results; it’s about stepping into one’s power, and celebrating identities that society deems too strange to be valid.
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The rise of ebony witchcraft in Los Angeles has sparked controversy and fascination. Some see it as a dangerous and destructive force, while others view it as a means of self-empowerment and personal growth. Regardless of one's stance, the increasing prevalence of ebony witchcraft in Los Angeles cannot be denied. With its rich history and vibrant culture, Los Angeles provides a fertile ground for the practice and exploration of different forms of witchcraft. Ebony witchcraft rose in Los Angeles due to the city's unique energy and its willingness to embrace alternative spiritual practices. One must note, however, that ebony witchcraft, like any form of magic, comes with consequences. These consequences can range from negative karma to the disruption of personal relationships and even encounters with malevolent supernatural forces. It is essential to approach ebony witchcraft with caution and respect for the powers at play. In conclusion, the topic of ebony witchcraft rose Los Angeles explores the intriguing intersection of magic and a vibrant city known for its diversity and connection to the entertainment industry. This rise in popularity speaks to the allure and fascination surrounding alternative spiritual practices and the quest for personal power. However, it is crucial to approach ebony witchcraft with caution, as it carries with it potential consequences that must be understood and respected..
Reviews for "The Dark Side of Magic: Ebony Witchcraft in Los Angeles"
1. Sandra - 1/5
I was very disappointed with "Ebony Witchcraft Rose Los Angeles". The plot was confusing and lacked coherence. The characters were poorly developed and lacked depth. The writing style was also difficult to follow, with excessive use of metaphors and flowery language that only served to make the story more convoluted. Overall, I found the book to be a frustrating and unsatisfying read, and I would not recommend it to others.
2. Mark - 2/5
I had high hopes for "Ebony Witchcraft Rose Los Angeles" based on the intriguing title and synopsis, but unfortunately, it didn't live up to my expectations. The pacing was slow and dragged on, making it difficult for me to stay engaged in the story. The supposed twists and turns were predictable and the resolution felt forced and unconvincing. Additionally, the author's attempt to incorporate elements of witchcraft and the supernatural felt forced and out of place. Overall, I found the book to be underwhelming and lacking in originality.
3. Jennifer - 1/5
I found "Ebony Witchcraft Rose Los Angeles" to be a complete waste of time. The writing style was pretentious and self-indulgent, making it difficult to connect with the characters or care about their predicaments. The story itself lacked substance, with shallow and one-dimensional characters who engaged in meaningless dialogue. The attempts at creating a dark and mysterious atmosphere fell flat, only serving to add to the confusion and frustration. I regret wasting my time on this book and would advise others to steer clear of it.
4. Robert - 2/5
"Ebony Witchcraft Rose Los Angeles" had an interesting premise, but unfortunately, it failed to deliver. The execution of the story felt rushed and disjointed, leaving many loose ends and unanswered questions. The dialogue was stilted and unrealistic, making it hard to connect with the characters or become invested in their journeys. Additionally, the heavy reliance on descriptive passages and lack of action made the pacing tedious and slow. Overall, I was disappointed with this book and felt that it had great potential, which was ultimately squandered.
5. Emily - 1/5
I struggled to find anything redeeming about "Ebony Witchcraft Rose Los Angeles". The writing was convoluted and filled with unnecessary tangents that added nothing to the overall plot. The characters were unlikable and lacked depth, making it difficult for me to care about their fates. The supposed twists and turns were predictable, making the story feel monotonous and devoid of surprises. I would not recommend this book to anyone looking for a captivating and well-crafted story.