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A slouchy witch hat is a fashionable accessory that adds a touch of witchy charm to any outfit. Unlike traditional pointed witch hats, which have a stiff and structured shape, slouchy witch hats feature a relaxed and floppy design. This softness gives them a laid-back and whimsical feel, making them perfect for casual wear or costume parties. One of the main features of a slouchy witch hat is its loose and droopy cone-shaped body. Instead of standing tall and straight, the cone slouches down, creating a relaxed and playful look. This shape adds a unique and stylish twist to the classic witch hat design, making it more versatile and contemporary.

Moving from Elizabeth's austere cabin to a pub, and later Sir Arthur's castle, the play features remarkable period costumes and set design by Chelsea Kerl and Luciana Stecconi, respectively. The actors don plumed hats, exquisite collars, and detailed puffy breeches. The castle's dining room has flickering candle-lit chandeliers, wall sconces and candelabras on the long dining table covered with a bounty of food. An oversized portrait of Cuddy's late mother hangs on one large wood wall that seems to hover over the small group.

The thing that makes people so uncomfortable, the thing they don t want to look too closely at, the thing they don t want to listen to what if that thing is my soul, and then I give it away. The Puritan preacher Cotton Mather a prodigy who took his place at the pulpit at 16, wrote no fewer than 437 books, and argued for both the existence of witchcraft and the importance of smallpox inoculation approached his sermons much as a painter might approach a canvas.

This shape adds a unique and stylish twist to the classic witch hat design, making it more versatile and contemporary. Slouchy witch hats are typically made from a variety of materials, such as felt, fabric, or crochet. These materials allow the hat to maintain its slouchy shape while providing a comfortable fit.

Kenneth Silverman, Pulitzer-winning biographer of Cotton Mather, dies at 81

The Puritan preacher Cotton Mather — a prodigy who took his place at the pulpit at 16, wrote no fewer than 437 books, and argued for both the existence of witchcraft and the importance of smallpox inoculation — approached his sermons much as a painter might approach a canvas.

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More than simple Sunday speeches, they were an opportunity to bend the minds of his Boston flock toward God in language that was artful and evocative, if sometimes bombastic.

Among Mather's many Bos­wells, Kenneth Silverman approached biography in much the same way. Trading bombast for rigorous research, he wrote acclaimed biographies of American innovators as varied as Edgar Allan Poe, Samuel Morse, John Cage, Harry Houdini and Mather himself, in a research-intensive process that Dr. Silverman described as "wrestling with an angel."

Dr. Silverman, who died July 7 at 81, was a longtime English professor at New York University and a practicing magician on the stage and on the page, where he made the act of describing a person's life in all its knotty complexity appear almost effortless. His first major biography, "The Life and Times of Cotton Mather" (1984), won the Pulitzer Prize as well as the Bancroft Prize, awarded annually by Columbia University to two leading works of American history or diplomacy.

"The author seems virtually to have taken up residence inside Mather's head and heart," the historian John Demos wrote in a review for the New Republic, "and the reader is repeatedly invited to see the world as Mather himself would have done — looking out."

While Mather was traditionally blamed for the bloodshed of the Salem witch trials ("his soft bookish hands," the poet Robert Lowell once wrote, "are indelibly stained with blood"), Dr. Silverman offered a more nuanced account of the incident. Drawing from thousands of letters, diaries and unpublished works, he offered a portrait of the preacher as a man whose actions were driven by an all-too-human mix of religious faith, political ambition and social courtesy.

His research led him to unearth documents at rural auction houses and in hospital basements, and to dip into early Colonial court records that were slowly being organized by Massachusetts archivists. At one point, he sat next to technicians who were bathing centuries-old documents in what he described as "troughs of liquid nitrogen." Their work enabled him to learn of a long-forgotten lawsuit over Mather's handling of an indebted estate.

The aim, and quite often the result, was a work of literary art derived from a mass of unwieldy facts. The concluding passage of "Cotton Mather," for instance, was a litany of objects that Dr. Silverman came across through his research. It made for an interesting biographical detail but in Dr. Silverman's hands also suggested a larger sense of sacrifice and futility.

"However luxuriantly he lived in heaven, Mather had not lived affluently on earth, and had lost much," Dr. Silverman wrote. "What he left behind, as set down in the inventory of his estate, was dingy and mean: pie plates, lumber, a crosscut saw, three old rugs, four old bedsteads, two old oval tables, two old chests of drawers, old china curtains, old quilt, old warming pan, old standing candlestick, red curtains motheaten, broken stone table, broken fireplace dogs, broken chairs, broken pewter, broken spoons."

In a 2019 interview, Silverman shared that "dark comedy is the only way I know how to mine grief." In "Witch," there's plenty of grief to go around. Cox's Elizabeth has been deemed a witch after a fall from grace, Winnifred became a servant to be closer to Frank, who found his way into the heart and castle of Sir Arthur, a wealthy widower, while Cuddy, Sir Arthur's son expertly played by Nick Sulfaro, pines for Frank's love while simultaneously wishing him dead.

The wide brim of a slouchy witch hat also adds an extra element of style and can be easily shaped or adorned with accessories to suit personal preferences. One of the advantages of a slouchy witch hat is its versatility. It can be paired with various styles of clothing to create different looks. For a casual and bohemian vibe, it can be worn with flowy dresses or skirts, paired with boots or sandals. For a witchy and edgy style, it can be paired with dark and gothic-inspired outfits, such as black leggings or a leather jacket. The slouchy witch hat can also be a popular choice for Halloween costumes. Its relaxed and playful design adds a unique twist to traditional witch costumes, allowing individuals to stand out from the crowd. It can be styled with a witchy dress, striped stockings, and witch broom, creating a fun and enchanting Halloween look. In conclusion, the slouchy witch hat is a fashionable accessory that adds a touch of whimsy to any outfit. Its relaxed and floppy design sets it apart from traditional witch hats, allowing individuals to express their personal style in a more contemporary way. Whether worn casually or as part of a Halloween costume, the slouchy witch hat is a versatile and trendy choice for anyone looking to embrace their inner witch..

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