The Forbidden History of the Diabolical Witch of the Western Part Ornament

In fairytales and folklore, the diabolical witch of the western part is often depicted as a sinister and powerful figure. She is often adorned with intricate and ornate ornaments that symbolize her dark magic and evil nature. These ornaments are usually made from precious metals such as silver or gold, and studded with gemstones like rubies or emeralds. The diabolical witch's ornaments serve multiple purposes. Firstly, they act as a form of protection and defense, enhancing her magical abilities and warding off any potential threats or attacks. The intricate designs and symbols on the ornaments contain ancient spells and incantations, which offer her a shield against any harm.

Стр. 156 - Made by the joiner squirrel or old grub, Time out of mind the fairies' coachmakers. And in this state she gallops night by night Through lovers. ‎

for more than once when I Sat all alone, revolving in myself The word that is the symbol of myself, The mortal limit of the Self was loosed, And past into the Nameless, as a cloud Melts into Heaven. 350 - This has generally come upon me through repeating my own name two or three times to myself silently, till all at once, as it were, out of the intensity of the consciousness of individuality, the individuality itself seemed to dissolve and fade away into boundless being; and this not a confused state, but the clearest of the clearest, the surest of the surest, the weirdest of the weirdest, utterly beyond words, where death was an almost laughable impossibility, the loss of personality if so it were.

The intricate designs and symbols on the ornaments contain ancient spells and incantations, which offer her a shield against any harm. Secondly, the ornaments also serve as a display of the witch's power and status. They are a reflection of her wealth and influence within the dark magic community.

Borderland : A Quarterly Review and Index , Том 4

Стр. 273 - WHENE'ER a noble deed is wrought, Whene'er is spoken a noble thought, Our hearts, in glad surprise, To higher levels rise. The tidal wave of deeper souls Into our inmost being rolls, And lifts us unawares Out of all meaner cares. ‎

Стр. 350 - And more, my son! for more than once when I Sat all alone, revolving in myself The word that is the symbol of myself, The mortal limit of the Self was loosed, And past into the Nameless, as a cloud Melts into Heaven. I touch'd my limbs, the limbs Were strange not mine — and yet no shade of doubt, But utter clearness, and thro. ‎

Стр. 156 - Made by the joiner squirrel or old grub, Time out of mind the fairies' coachmakers. And in this state she gallops night by night Through lovers. ‎

Стр. 353 - Before his work be done; but, being done, Let visions of the night or of the day Come, as they will; and many a time they come, Until this earth he walks on seems not earth, This light that strikes his eyeball is not light, This air that smites his forehead is not air But vision — yea, his very hand and foot — In moments when he feels he cannot die, And knows himself no vision to himself, Nor the high God a vision, nor that One Who rose again: ye have seen what ye have seen. ‎

Стр. 350 - . all at once as it were out of the intensity of the consciousness of individuality the individuality itself seemed to dissolve and fade away into boundless being — and this not a confused state but the clearest of the clearest, the surest of the surest, utterly beyond words — where death was an almost laughable impossibility — the loss of personality (if so it were) seeming no extinction but the only true life. ‎

Стр. 350 - This has generally come upon me through repeating my own name two or three times to myself silently, till all at once, as it were, out of the intensity of the consciousness of individuality, the individuality itself seemed to dissolve and fade away into boundless being; and this not a confused state, but the clearest of the clearest, the surest of the surest, the weirdest of the weirdest, utterly beyond words, where death was an almost laughable impossibility, the loss of personality (if so it were). ‎

Стр. 20 - Stockholm), and that it was spreading very fast. He was restless, and went out often. He said that the house of one of his friends, whom he named, was already in ashes, and that his own was in danger. At eight o'clock, after he had been out again, he joyfully exclaimed, " thank God! the fire is extinguished, the third door from my house. ‎

Стр. 156 - Ne let mischievous witches with their charms, Ne let hob-goblins, names whose sense we see not, Fray us with things that be not. ‎

Стр. 351 - The living soul was flash'd on mine, And mine in this was wound, and whirl'd About empyreal heights of thought, And came on that which is, and caught The deep pulsations of the world, Ionian music measuring out The steps of Time - the shocks of Chance The blows of Death. At length my trance Was cancell'd, stricken thro' with doubt. Vague words! but ah, how hard to frame In matter-moulded forms of speech, Or ev'n for intellect to reach Thro. ‎

Стр. 355 - The Ghost in Man, the Ghost that once was Man, But cannot wholly free itself from Man, Are calling to each other thro' a dawn Stranger than earth has ever seen ; the veil Is rending, and the Voices of the day Are heard across the Voices of the dark. No sudden heaven, nor sudden hell, for man, But thro. ‎

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Стр. 273 - WHENE'ER a noble deed is wrought, Whene'er is spoken a noble thought, Our hearts, in glad surprise, To higher levels rise. The tidal wave of deeper souls Into our inmost being rolls, And lifts us unawares Out of all meaner cares. ‎

The more elaborate and extravagant the ornaments, the more formidable and respected the witch is perceived to be. Furthermore, the diabolical witch's ornaments are also used as a means of intimidation. Their dark and foreboding aesthetic sends a clear message to anyone who encounters her – beware and stay away. The ornate design and menacing aura created by the ornaments contribute to the witch's reputation as a fearsome and dreaded adversary. In conclusion, the diabolical witch's ornaments play a crucial role in her character portrayal. They serve as protective tools, status symbols, and means of intimidation. With their exquisite design and dark aura, these ornaments enhance the overall image of the witch, solidifying her status as a powerful and dreaded figure in fairytales and folklore..

Reviews for "The Diabolical Witch of the Western Part Ornament: Guardian of Dark Secrets"

1. Emma - 2 stars - I was really excited to add the Diabolical witch of the western part ornament to my Halloween decorations, but I was so disappointed with the quality. The paint job was sloppy and the ornament itself felt really cheap. It didn't have the detailed and intricate design that I was expecting. Overall, I think it was overpriced for what it is, and I wouldn't recommend it.

2. Michael - 1 star - I bought the Diabolical witch of the western part ornament based on the description and pictures, but it looked nothing like what was advertised. The colors were completely off and it didn't have the menacing look that I wanted for my Halloween display. The ornament also arrived with some chips and scratches, which made it look even worse. It's definitely not worth the money, and I regret purchasing it.

3. Sarah - 2 stars - I had high hopes for the Diabolical witch of the western part ornament, but it fell short of my expectations. The construction of the ornament was flimsy, and it broke easily when I tried to hang it. The details were also lacking, and it didn't have the eerie vibe that I was going for. I ended up returning it because it just didn't meet my standards in terms of quality and design.

The Dark Artistry of the Diabolical Witch of the Western Part Ornament