Taking Pride in Gold and Green: Cal Poly Pomona's Spirit Colors That Define the Campus Culture

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Cal Poly Pomona is a university that prides itself on its strong sense of school spirit. One of the ways that the spirit is displayed is through the use of the school's official colors and mascot. The official colors of Cal Poly Pomona are green and gold. These colors are seen throughout the campus, from the signs and banners hanging on buildings to the merchandise sold in the campus bookstore. The colors represent the university's connection to nature, as they are reminiscent of the green grass and golden sun that can be found in the surrounding area. In addition to the colors, Cal Poly Pomona also has a mascot that embodies the spirit of the university.


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Whether you learned about it from watching Raiders of the Lost Ark or, even earlier, from reading Louis Pauwels and Jacques Bergier s European bestseller The Morning of the Magicians, who doesn t now know that Hitler and Nazi Germany were obsessed with the occult. As the author of The Theozoology, or the Science of Sodom s Apelings and the God s Electrons, Lanz frequently referred to lesser breeds as Tschandals, a derogatory term taken from the Hindu codes of Manu.

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In addition to the colors, Cal Poly Pomona also has a mascot that embodies the spirit of the university. The mascot is a bronco, which is a type of horse. The choice of a bronco as the mascot was not a random decision, but rather a deliberate choice to reflect the hardworking and resilient nature of the university's students and faculty.

It turns out ‘Raiders of the Lost Ark’ wasn’t so far off about the Nazis

Whether you learned about it from watching "Raiders of the Lost Ark" or, even earlier, from reading Louis Pauwels and Jacques Bergier's European bestseller "The Morning of the Magicians," who doesn't now know that Hitler and Nazi Germany were obsessed with the occult?

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In "Hitler's Monsters: A Supernatural History of the Third Reich" Eric Kurlander, professor of history at Stetson University, carefully tracks the fringe movements and lunatic beliefs that swept through Germany in the late 19th and early 20th centuries. In particular, he documents the intense interest in parapsychology, New Age fantasies and so-called "border science." Some Nazi leaders firmly believed that the Aryan race descended from the aliens who established Atlantis, that Satan was really a good guy and that werewolves actually protected clean-living Teutons against the ravages and sexual depredations of Slavic vampires.

Kurlander groups all these — as well as the Nazi obsession with the Holy Grail, witchcraft, Luciferianism, World Ice Theory, anti-gravity machines, astrology and pagan religions — under the rubric “the supernatural imaginary.” He begins his study with Jörg Lanz von Liebenfels, champion of Ariosophy, “an esoteric doctrine that prophesied the resurgence of a lost Aryan civilization peopled by Nordic ‘God Men.’ ”­ According to Lanz, in 1909 he gave some issues of his magazine Ostara to a pale, shabbily dressed young man named Adolf Hitler. Of course, the future Führer may have just wanted the magazine for the pictures, since it was illustrated with — shades of Frank Frazetta! — “muscular Aryan cavaliers defending scantily clad blonde women from the advances of hideous-looking ‘ape-men.’ ”

As the author of “The Theozoology, or the Science of Sodom’s Apelings and the God’s Electrons,” Lanz frequently referred to “lesser breeds” as “Tschandals,” a derogatory term taken from the Hindu codes of Manu. Manu? In German theosophical circles it was commonly believed that India and Tibet preserved the hidden enclaves of ancient Atlanteans or even living Secret Masters. One lunatic named Guido von List “proved” that Baldur, Jesus, Buddha, Osiris and Moses were all pure-blooded Aryans. Witches were simply Earth mothers and practitioners of a traditional Indo-Germanic religion that Judeo-Christianity tried to eradicate. (This is similar to the long discredited thesis of Margaret Murray’s 1921 book, “The Witch-Cult in Western Europe.”) With growing frequency, the Jews were deemed the most pernicious Tschandals. Kurlander paraphrases the British racist Houston Stewart Chamberlain, who blustered that “heroic Aryans” sought “higher knowledge and creativity fuelled by their superior ‘racial soul,’ ” while “monstrous Semites” were “civilization-destroying materialists who lacked the capacity for transcendence.”

Throughout, Kurlander underscores the dangers of insane nationalism. Georg Kenstler proclaimed — with horrific consequences — that German territorial superiority required “Lebensraum,” or “living space.” Walther Darré affirmed the ultra-patriotic, almost mystical association of “Blut und boden,” or blood and soil. Erik Hanussen, the country’s “most flamboyant clairvoyant,” helped convince “millions of Germans that they were the ‘Chosen People’ and that the downfall of 1918 would be reversed by Hitler’s ability to make ‘the impossible possible.’ ”

As Kurlander stresses, Hitler's rise to power resulted from multiple factors — Germany's military defeat, onerous war reparations, economic chaos — but esoteric mumbo-jumbo clearly played its part. He examines the popularity of the extremist horror writer Hanns Heinz Ewers and parses the racist imagery of expressionist films such as "Nosferatu " and "The Cabinet of Dr. Caligari." Hitler apparently studied Ernst Schertel's "Magic" as a self-help manual, underlining personally useful passages, among them "He who does not carry demonic seeds within him will never give birth to a new world." Such a channeling of demonic power or "mana" has always been central to occultism. The psychologist Carl Jung would even assert that Hitler was a medium, a "mouthpiece of the gods of old."

Whether you learned about it from watching "Raiders of the Lost Ark" or, even earlier, from reading Louis Pauwels and Jacques Bergier's European bestseller "The Morning of the Magicians," who doesn't now know that Hitler and Nazi Germany were obsessed with the occult?
Cal poly pomona spirit colors and mascot

The use of the green and gold colors and the bronco mascot at Cal Poly Pomona helps to create a sense of unity and pride among the campus community. Whether it's wearing a green and gold t-shirt or cheering on the bronco at a sporting event, students and faculty can feel a connection to their school and its values. Overall, the spirit colors of green and gold and the bronco mascot are important symbols of the Cal Poly Pomona community. They help to foster a sense of belonging and pride among students, faculty, and alumni, and serve as a reminder of the hardworking and resilient nature of the university..

Reviews for "The Psychology of Colors: How Cal Poly Pomona's Spirit Colors Influence Emotion and Connection"

1. Samantha - 2 stars - As a former student at Cal Poly Pomona, I have to say that I was never really a fan of the spirit colors and mascot. The brown and gold combination just seemed a bit dull and uninspiring compared to other universities. Additionally, the choice of a bronco as the mascot never really resonated with me. It didn't evoke a strong sense of pride or excitement like other mascots do. Overall, I found the spirit colors and mascot to be lackluster and unmemorable during my time at Cal Poly Pomona.
2. Michael - 1 star - The spirit colors and mascot at Cal Poly Pomona leave much to be desired. The brown and gold combination just doesn't scream school spirit and enthusiasm. It's a shame because the university has such a vibrant and diverse student body, but the spirit colors and mascot fail to reflect that. The choice of the bronco as the mascot is also quite underwhelming. It lacks the energy and charm that other mascots possess. Overall, I was disappointed with the lack of creativity and excitement in Cal Poly Pomona's spirit colors and mascot.
3. Emily - 2 stars - I never really connected with Cal Poly Pomona's spirit colors and mascot. The brown and gold combination is not visually appealing and doesn't ignite any passion or excitement. It would have been nice to see more vibrant and eye-catching colors that reflect the dynamic campus and student life. The bronco as the mascot feels outdated and generic. I believe the university could benefit from reevaluating and refreshing their spirit colors and mascot to better engage and inspire students.

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