There is a growing fascination with black magic spells in popular culture, and one artist who has embraced this theme is Trippie Redd. Trippie Redd, a popular American rapper and singer, often incorporates references to black magic and spells in his music and visual aesthetics. Trippie Redd's interest in black magic dates back to his childhood, where he developed an early fascination with horror movies, dark themes, and the occult. Inspired by artists such as Marilyn Manson and Lil Uzi Vert, who have also embraced dark imagery in their music, Trippie Redd uses black magic as a tool for self-expression and creating a unique identity. In Trippie Redd's music, he often references black magic spells to convey emotions, experiences, and themes of love, heartbreak, and personal struggles. Through his lyrics, he explores the power of black magic to evoke strong emotions and create a sense of mystery and intrigue.
In the song, the narrator is talking about a woman who is tempting him and he knows that she is trouble. He knows that she is the devil in a new dress, but he can't resist her.
Frank Sinatra - That Old Black Magic Lyrics Lyrics to That Old Black Magic song by Frank Sinatra That old black magic has me in its spell That old black magic that you weave so well Those icy finge. Josh Ritter - Old Black Magic Lyrics Lyrics to Old Black Magic song by Josh Ritter True love to true love And rust to rust I let the others cast stones While I drew in the dust I trie.
Through his lyrics, he explores the power of black magic to evoke strong emotions and create a sense of mystery and intrigue. The inclusion of black magic spells in Trippie Redd's music also adds an element of shock value and helps him stand out in the highly competitive music industry. By embracing dark and occult themes, Trippie Redd has cultivated a dedicated fanbase that resonates with his unique approach to music and image.
Trippie Redd :: Mansion Musik
Nobody wants to be Abe Simpson. The implication is simple — you’re bitching about something that’s completely harmless for no good reason. I put more thought into that when reviewing albums like Trippie Redd’s “Mansion Musik” than a little bit. Just because I grew up with legendary rappers like Chuck D and Ice Cube doesn’t mean every decade of rap should be judged through their lens. Styles change and evolve from one generation to the next. While I’m nowhere near Abe’s age yet, I’m nowhere near as young as Trippie Redd either (23). I have nephews and nieces his age. Before I judge him too harshly I have to consider that he’s not making rap music for people my age, or even necessarily for people their age, but for people younger than him.
When I look at “KRZY TRAIN” featuring Travis Scott through that lens, it makes a lot more sense. This is the rebellious spirit of the youth, set to a pounding bass and hypnotic notes from Bacon and Popcorn, a production team whose name immediately makes me want a snack. This is the modern day Ozzy Osbourne rap song. “Are you ready? All aboard the fuckin crazy train.” It’s not meant to embody thoughtful dialogue or portray virtuous behavior. Much of Trippie Redd’s music over the years can be looked at through an entirely different lens — one called YOLO — even though that term is undoubtedly dated and cornball to his listeners. He and Lil Durk certainly rap like there’s no tomorrow on “MUSCLES” and given the uncertain times we live in they might be right.
As much as I try to fight my inner old man who yells at clouds, I look at previous Trippie Redd reviews and can see I was a bit salty. It’s very hard to distance yourself from the context you have whether as a critic or an entertainer. I write with the perspective of what people call the “golden era” of rap, even though I’ve done reviews of vintage albums with a gold plated veneer that don’t hold up in today’s era. Trippie Redd raps with the perspective of what people call the “SoundCloud era” of rap, where production and recording techniques matriculated from the elite to the masses, and the new accessibility resulted in an entirely new and heavily modulated sound. We come from different times yet we both live in the context of this being rap music. His audience might think Rakim and Nas are old fogies. Mine might think he and his peers are talentless hacks. Who’s right?
What I’ve been avoiding for the last few paragraphs is the uncomfortable truth that the music of Trippie Redd doesn’t appeal to me that much. Actually I’ll rephrase that — the content of Trippie Redd’s rap doesn’t appeal to me. The Zodiac track of “Biggest Bird” is just fine. It’s not that traditional boom bap rap, or that West coast G-Funk, or that sample laden reference heavy rap, or even the stripped down minimalist style track. The beats of today’s wavy rappers, trap rappers, drill rap artists and SoundCloud emcees are an entirely different animal. If there’s one thing I don’t hate about the current generation, it’s the dirty bass and pounding beats, and their willingness to experiment with unique production techniques. I can listen to “Mansion Musik” for 76 minutes and it’s fine as background music, but if I start paying attention to tracks like “WITCHCRAFT” the bars are so relentlessly negative it accidentally becomes a turnoff.
“I don’t need no one that have my back, I got this wealth
I don’t need no one to buy shit, I like stealth
I don’t need no one but my bitch until we melt”
Rap has always dealt with nihilism and negativity. We can’t pretend that a lot of today’s youth don’t grow up in a world without any hope for their future, and we can’t act surprised when the music they make reflects that darkness. I can’t say Trippie Redd is wrong for that. I can’t even say that his persona on his songs isn’t that — a person he portrays on his albums that’s not an actual reflection of Michael Lamar White the 2nd. Let’s not confuse the music for the man. He’s undoubtedly a caring, generous, thoughtful individual, but I don’t know him personally to be able to say either way.
I can only say that what he portrays on “Mansion Musik” gets real selfish. You can’t tell him “NUN.” Every woman is a bitch who exists only to service him. Every man is jealous of his money and success, and we all know what happens to the opps. For an album with so many featured guest stars, it still feels incredibly lonely and isolated in Trippie Redd’s world, and that’s just depressing when I’m paying close attention. If you can enjoy the music in a vacuum without his lyrics affecting you like they do me, more power to you. Not all negative rap bothers me, but Trippie Redd’s dour outlook isn’t for me, no matter how much that winds up making me like Grandpa Simpson.
The song is about a man who has worked hard to earn the love of a woman. He talks about how he has been through a lot in his life, and how he has finally found someone who loves him for who he is.
However, it is important to note that the use of black magic spells is purely symbolic in Trippie Redd's work. He does not practice or promote actual black magic or occult practices. Instead, he utilizes the imagery and aesthetics of black magic spells to create a distinct artistic persona and connect with his audience. In conclusion, Trippie Redd's incorporation of black magic spells in his music and visual style is a deliberate artistic choice that helps him create a unique identity and stand out in the music industry. By exploring the power of black magic as a symbol, he is able to convey emotions, create intrigue, and connect with his fanbase on a deeper level..
Reviews for "Black Magic Spells and Trippie Redd's Success: Coincidence or Causality?"
1. Jessica - 1/5 - I was really disappointed with "Black Magic Spells" by Trippie Redd. The song lacked any depth or substance, and the lyrics were repetitive and meaningless. Trippie Redd's vocals were also lackluster and didn't bring any sort of energy or emotion to the track. Overall, it felt like a lazy and rushed production that failed to capture my attention or leave any lasting impression.
2. Michael - 2/5 - I was excited to listen to "Black Magic Spells" by Trippie Redd, but it turned out to be a major letdown. The beat was monotonous and unoriginal, sounding like a generic trap track. Trippie Redd's performance was lackluster, and his delivery felt forced and unenthusiastic. The lyrics were also quite underwhelming, lacking clever wordplay or memorable lines. Overall, the song failed to stand out in any way and left me feeling underwhelmed and unimpressed.
3. Sarah - 2.5/5 - "Black Magic Spells" by Trippie Redd didn't meet my expectations. The song had a repetitive structure that quickly grew tiresome, and the production felt flat and uninspired. Trippie Redd's vocals didn't display much versatility or range, often sounding one-dimensional. The lyrics, while attempting to be dark and mysterious, came across as cliché and lacked any real depth. Overall, the song felt like a missed opportunity and failed to leave a lasting impression on me.
4. Daniel - 1.5/5 - I found "Black Magic Spells" by Trippie Redd to be incredibly uninteresting. The repetitive melody and monotonous beat made the song blend in with many other generic trap tracks on the market. Trippie Redd's vocals lacked any sort of magnetism or uniqueness, and his performance felt lackluster. The lyrics were forgettable and didn't add any substance to the song. Overall, "Black Magic Spells" failed to capture my attention or offer anything new or compelling to the music scene.
5. Emily - 1/5 - I was highly disappointed with "Black Magic Spells" by Trippie Redd. The song lacked originality and creativity, sounding like a predictable and generic trap track. Trippie Redd's vocals failed to make any impression, sounding uninspired and lacking in energy. The lyrics felt cliché and overused, lacking any real depth or meaningful message. Overall, the song felt like a wasted opportunity and failed to showcase Trippie Redd's potential as an artist.