Wii Harvest Moon: Magical Melody is a simulation role-playing game developed by Marvelous Interactive Inc. for the Nintendo Wii console. It is the ninth installment in the popular Harvest Moon series. The game was released in Japan in 2005 and later in North America in 2008. In Wii Harvest Moon: Magical Melody, players take on the role of a character who inherits an old farm in a small town called Flowerbud Village. The objective of the game is to revitalize the farm and turn it into a prosperous business.
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By the time the movie grinds to what should be a compelling courtroom climax, the revelations aren t shocking because you can barely understand their implications- and there is little that director E. Today, those days seem long gone, with network TV now a haven for trashy game shows, indistinguishable cop shows and so-called reality shows , most of which don t bear any resemblance to the world most of us live in.
The objective of the game is to revitalize the farm and turn it into a prosperous business. Players have the freedom to explore the town, socialize with the villagers, and participate in various activities. One of the unique aspects of this game is the magical element.
The dain curde
RETRO-ACTIVE: THE BEST FROM THE CINEMA RETRO ARCHIVES
BY LEE PFEIFFER
Scorpion has released the complete version of the 3-part 1978 mini series "The Dain Curse" as a double DVD set. The show has a checkered history in terms of home video. A truncated version was available for a while on VHS, then Image released the full three episodes on DVD. Now Scorpion has done the same and the quality of the set is very good, capturing the relatively rich production values of the series. Those of us of a certain age can remember when the pre-cable major networks put a great deal of time, talent and financial resources into mini-series. In the 1970s and 1980s, many of these shows constituted "must-see" TV. In an age in which the average household didn't have video recorders, some shows were so special that people altered their lifestyles to ensure they could catch each episode. Today, those days seem long gone, with network TV now a haven for trashy game shows, indistinguishable cop shows and so-called "reality shows", most of which don't bear any resemblance to the world most of us live in. To top it all off, even if you are inclined to indulge in this fare, you have to sit through such a mind-numbing number of commercials, you'll probably forget where the story left off before the last break. The good news, of course, is that magnificently entertaining mini-series are still thriving. The bad news is that you have to pay even more to watch them via "premium" cable TV channels. "The Dain Curse" was produced smack in the middle of the prestige craze of the 1970s when TV networks tried to outshine each other in terms of producing acclaimed mini-series. Unfortunately, this series, despite a promising concept, falls far short of the mark. The story, set in 1929, is based on a Dashiell Hammett novel, ordinarily a good source for a film noir production. Robert Mitchum had gotten the formula right a couple of years before with his portrayal of Philip Marlowe in "Farewell, My Lovely". Coburn would seem to be an appropriate leading man for another Hammett protagonist, private eye Hamilton Nash. However, whereas Mitchum looked sleepy, worn-out and perpetually pissed off, Coburn looks too much like a movie star. He's immaculately attired and supremely self-confident. He does suffer the fate of all noirish detectives: he makes the occasional misjudgment that sees him beaten and battered, but for the most part Coburn is a bit too Hollywood to ever convince you that he's an employee of a private eye agency. Nonetheless, even miscast Coburn is a joy to watch, especially as he trades wisecracks with cops, crooks and dames. The problem with "The Dain Curse", however, is that there are far too many of all these characters. The plot is overly-complex and virtually impossible to follow. It opens with Nash investigating the alleged robbery of some diamonds from the home of a rich, middle-aged couple. In the process, he suspects there never was a robbery and begins to unravel the reasons for the staged crime. In the process, he meets the couple's daughter, a twenty-something beauty named Gabrielle, who turns out to be real handful. She's a head-turner, but she's also insufferably cynical and self-obsessed and her party girl habits lead to a complicated scenario that ultimately involves murder, phony religious cults, drug addiction and kidnapping. (This is another staple of the private eye genre: the errant "wild daughter".) Throughout, Nash has to deal with the usual eccentrics found in any detective story of the era: incompetent cops, a kindly boss who is exasperated by his star detective's independent streak, corrupt public officials and more red herrings than you would find in a fish factory. Within ten minutes, I found myself confused. By the one hour mark, I had given up in terms of trying to follow the plot and the character's motivations and just decided to sit back and enjoy the often impressive performances. These include Beatrice Straight as Gabrielle's mother, Hector Elizondo as a small time sheriff who assists Nash and, most impressively, Jason Miller, playing against type as a dandy writer in the Truman Capote mold (though he favors the opposite sex.) The best performance comes from Nancy Addison in the challenging role of Gabrielle. Addison successfully conveys the wide range of emotion the character has to display over the film's five hour running time. There are also welcome appearances by Jean Simmons, Paul Stewart, Roland Winters and New York's favorite raconteur, Malachy McCourt. The film has some riveting sequences such as Nash's investigation of a cult religious temple where a human sacrifice is being planned and his subsequent drugging by hallucinogen-causing gasses. The Long Island locations are also pleasing to the eye and Charles Gross's period jazz score is admirable. However, the screenplay drags on for far too long, testing one's ability to follow the nature of pivotal relationships and motivations. By the time the movie grinds to what should be a compelling courtroom climax, the revelations aren't shocking because you can barely understand their implications- and there is little that director E.W. Swackhamer (we love that name!) can do to sew these disparate elements into something comprehensible. The Scorpion DVD package features the cool original promotional art on the sleeve and also includes trailers for other Scorpion releases including Coburn's "The Internecine Project", Burt Lancaster in "Go Tell the Spartans" and an unusual trailer for "Saint Jack" hosted by director Peter Bogdanovich. Click here to order from Amazon.
Posted by Cinema Retro in Blu-ray/DVD/Streaming Reviews & News on Monday, September 2. 2019
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RETRO-ACTIVE: THE BEST FROM THE CINEMA RETRO ARCHIVES
BY LEE PFEIFFER
Scorpion has released the complete version of the 3-part 1978 mini series "The Dain Curse" as a double DVD set. The show has a checkered history in terms of home video. A truncated version was available for a while on VHS, then Image released the full three episodes on DVD. Now Scorpion has done the same and the quality of the set is very good, capturing the relatively rich production values of the series. Those of us of a certain age can remember when the pre-cable major networks put a great deal of time, talent and financial resources into mini-series. In the 1970s and 1980s, many of these shows constituted "must-see" TV. In an age in which the average household didn't have video recorders, some shows were so special that people altered their lifestyles to ensure they could catch each episode. Today, those days seem long gone, with network TV now a haven for trashy game shows, indistinguishable cop shows and so-called "reality shows", most of which don't bear any resemblance to the world most of us live in. To top it all off, even if you are inclined to indulge in this fare, you have to sit through such a mind-numbing number of commercials, you'll probably forget where the story left off before the last break. The good news, of course, is that magnificently entertaining mini-series are still thriving. The bad news is that you have to pay even more to watch them via "premium" cable TV channels. "The Dain Curse" was produced smack in the middle of the prestige craze of the 1970s when TV networks tried to outshine each other in terms of producing acclaimed mini-series. Unfortunately, this series, despite a promising concept, falls far short of the mark. The story, set in 1929, is based on a Dashiell Hammett novel, ordinarily a good source for a film noir production. Robert Mitchum had gotten the formula right a couple of years before with his portrayal of Philip Marlowe in "Farewell, My Lovely". Coburn would seem to be an appropriate leading man for another Hammett protagonist, private eye Hamilton Nash. However, whereas Mitchum looked sleepy, worn-out and perpetually pissed off, Coburn looks too much like a movie star. He's immaculately attired and supremely self-confident. He does suffer the fate of all noirish detectives: he makes the occasional misjudgment that sees him beaten and battered, but for the most part Coburn is a bit too Hollywood to ever convince you that he's an employee of a private eye agency. Nonetheless, even miscast Coburn is a joy to watch, especially as he trades wisecracks with cops, crooks and dames. The problem with "The Dain Curse", however, is that there are far too many of all these characters. The plot is overly-complex and virtually impossible to follow. It opens with Nash investigating the alleged robbery of some diamonds from the home of a rich, middle-aged couple. In the process, he suspects there never was a robbery and begins to unravel the reasons for the staged crime. In the process, he meets the couple's daughter, a twenty-something beauty named Gabrielle, who turns out to be real handful. She's a head-turner, but she's also insufferably cynical and self-obsessed and her party girl habits lead to a complicated scenario that ultimately involves murder, phony religious cults, drug addiction and kidnapping. (This is another staple of the private eye genre: the errant "wild daughter".) Throughout, Nash has to deal with the usual eccentrics found in any detective story of the era: incompetent cops, a kindly boss who is exasperated by his star detective's independent streak, corrupt public officials and more red herrings than you would find in a fish factory. Within ten minutes, I found myself confused. By the one hour mark, I had given up in terms of trying to follow the plot and the character's motivations and just decided to sit back and enjoy the often impressive performances. These include Beatrice Straight as Gabrielle's mother, Hector Elizondo as a small time sheriff who assists Nash and, most impressively, Jason Miller, playing against type as a dandy writer in the Truman Capote mold (though he favors the opposite sex.) The best performance comes from Nancy Addison in the challenging role of Gabrielle. Addison successfully conveys the wide range of emotion the character has to display over the film's five hour running time. There are also welcome appearances by Jean Simmons, Paul Stewart, Roland Winters and New York's favorite raconteur, Malachy McCourt. The film has some riveting sequences such as Nash's investigation of a cult religious temple where a human sacrifice is being planned and his subsequent drugging by hallucinogen-causing gasses. The Long Island locations are also pleasing to the eye and Charles Gross's period jazz score is admirable. However, the screenplay drags on for far too long, testing one's ability to follow the nature of pivotal relationships and motivations. By the time the movie grinds to what should be a compelling courtroom climax, the revelations aren't shocking because you can barely understand their implications- and there is little that director E.W. Swackhamer (we love that name!) can do to sew these disparate elements into something comprehensible. The Scorpion DVD package features the cool original promotional art on the sleeve and also includes trailers for other Scorpion releases including Coburn's "The Internecine Project", Burt Lancaster in "Go Tell the Spartans" and an unusual trailer for "Saint Jack" hosted by director Peter Bogdanovich. Click here to order from Amazon.
Players have the ability to use a magical musical instrument called the "Musical Note". By playing different melodies on the instrument, players can unlock special powers and events. These powers can help with farming, fishing, improving relationships with the villagers, and even changing the weather. The gameplay in Wii Harvest Moon: Magical Melody revolves around managing the farm, growing crops, tending to animals, and participating in festivals. Players must carefully plan their actions and manage their time effectively to ensure the success of their farm. Building relationships with the villagers is also important, as it affects the overall progress of the game. The graphics in Wii Harvest Moon: Magical Melody are bright and colorful, adding to the charming and relaxing atmosphere of the game. The music is cheerful and soothing, enhancing the overall experience. The game also utilizes the unique motion controls of the Wii console, allowing players to perform actions such as fishing, watering crops, and milking cows by mimicking the actual movements. Wii Harvest Moon: Magical Melody offers an immersive and enjoyable gaming experience for fans of the Harvest Moon series and simulation games in general. With its charming visuals, magical elements, and engaging gameplay, it is a must-play for Nintendo Wii owners..
Reviews for "Find love and start a family in Wii Harvest Moon Magical Melody"
1. Sarah - 2/5
I was really excited to play Wii Harvest Moon Magical Melody, but I ended up being disappointed. The graphics are really outdated and the controls are clunky and frustrating to use. I also found the game to be quite repetitive and lacking in depth. Overall, I didn't feel engaged or invested in the gameplay, and I quickly got bored. I would not recommend this game to anyone looking for a quality farming simulation experience.
2. John - 1/5
Wii Harvest Moon Magical Melody was a complete letdown for me. The gameplay felt monotonous and unexciting, with limited options and activities to engage in. The characters lacked depth and personality, and the overall storyline was weak and uninteresting. Additionally, the controls were frustrating and unresponsive, making it difficult to perform even simple tasks. I regret spending my money on this game and would advise others to steer clear of it.
3. Emily - 2/5
I found Wii Harvest Moon Magical Melody to be underwhelming. While the concept of managing a farm and building relationships with the characters seemed promising, the execution fell flat. The game lacks a sense of purpose and direction, leaving players to simply go through the motions without any real motivation. Additionally, the graphics and sound design are average at best, failing to immerse players in the game world. Overall, I was expecting more depth and engaging gameplay from this title.
4. Michael - 1/5
Wii Harvest Moon Magical Melody was a huge disappointment for me. The gameplay mechanics are clunky and poorly explained, making it difficult to progress and understand the objectives. The lack of guidance and tutorials leaves players feeling lost and frustrated. The overall pacing of the game is slow, with very little happening to hold the player's interest. I quickly lost motivation to continue playing and ended up regretting purchasing this game. I would not recommend it to anyone looking for an enjoyable farming simulation experience.