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Once upon a time, in a distant and mysterious land, lived a lonely witch oracle. This enchanting figure had spent her entire existence in a secluded cabin deep within the heart of a dark forest. With the sound of owls hooting in the distance and the rustling of leaves as her only companions, the witch oracle delved into the ancient arts of divination. She possessed wisdom beyond her years and the ability to see into the beyond. The witch oracle had the power to peer into the depths of a person's soul, unraveling the mysteries of their past, present, and future. Her knowledge was coveted by many in the kingdom, but only the bravest dared to seek her guidance.

“I’m trying to witch-ify them using modern digital makeup rather than putting rubber prosthetics on them,” Zemeckis adds. “I wanted to keep a lot of the elements that are in the book. They’re bald, they have no toes, they have claws. But then we thought it would be more interesting if they were walking around in some kind of Hitchcock glamour. If you were a witch and you could kill people and you could conjure things and you could steal things, why wouldn’t you want to wear high fashion?”

While some actual prosthetics were used for Hathaway s Grand High Witch during filming on the new version, Zemeckis and his team wanted to take advantage of the VFX technology currently available. Harnessing the power of natural magic, The New Witch Your Guide to Modern Witchcraft, Wicca, Spells, Potions, Magic, and More bridges the ancient pagan ways of our ancestors and today s digital world to help you live a happy life to its fullest.

Her knowledge was coveted by many in the kingdom, but only the bravest dared to seek her guidance. As her reputation grew, so did the number of visitors to her abode. People would travel from far and wide, braving treacherous paths and mythical creatures, just to consult with the lonely witch oracle.

Remaking ‘The Witches’ for 2020: How the HBO Max film updates Roald Dahl’s classic story

Roald Dahl’s 1983 novel “The Witches” has always been an especially terrifying children’s story. But even as Dahl’s tale continues to scare and delight readers today, the fantasy novel can also feel dated, which is what led director Robert Zemeckis to deliver a new cinematic take.

In Zemeckis’ “The Witches,” which is now streaming on HBO Max, the setting shifts from Europe to rural Alabama in 1968, and the cast gets a more inclusive twist.

The Oscar-winning director came onboard after Warner Bros first developed the project with Guillermo del Toro, who wrote the initial version of the script (still set in Europe). Zemeckis took a second pass at the script with “black-ish” creator Kenya Barris as his co-writer. Diversity wasn’t the main aim, but an added benefit.

The pair wanted to expand the original story and “present a different type of culture,” according to Zemeckis, who adds, “These stories take places in all cultures.” The film’s grandma (Octavia Spencer) and young hero (Jahzir Bruno) are now Black, an idea that came up early in the process.

“It’s a timeless story and it can easily be updated,” Zemeckis says. “The South is kind of Gothic and it has a tradition of witchcraft and voodoo and strange things going on. It was pretty natural to set it there. Changing the [race of the] lead characters was the main idea I had when Warner Bros asked me if I wanted to do an update of it. I said, ‘Yeah, but it would a good idea and a fun idea to make the hero boy African American.’ It’s kind of funny as a filmmaker to talk about how my movies look like the world.”

For the cast, the pairing of Dahl and Zemeckis was the main draw, but both Anne Hathaway, who stepped into the shoes of the Grand High Witch, and Spencer were also intrigued by the updates.

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“There’s a lot of questions about why we make things, particularly when really wonderful films exist, and I think increasing representation in classic stories is a fantastic reason to remake a film,” says Hathaway, speaking on the film’s set last summer in London. “And I think the film winds up making a quiet social statement about the way we value — or don’t value — children of different levels of means.”

“I’m from Montgomery, Ala., and [the story] is set in Demopolis, so it spoke to me,” Spencer adds. “I don’t want to act as if I wasn’t a little surprised by the changes, but it just feels as if it’s a natural progression of things right now — to try a different spin on things.”

The 1990 film, produced by Jim Henson Productions, used elaborate prosthetics and practical effects for the witches, as well as puppets and actual mice for the transformed children. While some actual prosthetics were used for Hathaway’s Grand High Witch during filming on the new version, Zemeckis and his team wanted to take advantage of the VFX technology currently available. Much of the witches’ aesthetic came to life during post-production, particularly their wide, toothy grins, inspired by a so-called Chelsea smile.

“[We wanted] to bring the witches to life in a way that is new and unique,” notes visual effects supervisor Kevin Baille. “He didn’t want to do the classic witch who had a deformed face and long nose with hairy warts. He wanted the witches to be elegant. They hide in plain sight, so there’s not a mask they pull off. Behind closed doors, when they come out of hiding, these scars on their cheeks turn into an ear-to-ear grin.”

“I’m trying to witch-ify them using modern digital makeup rather than putting rubber prosthetics on them,” Zemeckis adds. “I wanted to keep a lot of the elements that are in the book. They’re bald, they have no toes, they have claws. But then we thought it would be more interesting if they were walking around in some kind of Hitchcock glamour. If you were a witch and you could kill people and you could conjure things and you could steal things, why wouldn’t you want to wear high fashion?”

Costume designer Joanna Johnston designed looks for 50 witches in total, some of them reflecting that sort of vintage glamour and some a bit more grotesque. Their clothes and color palettes reflect their global backgrounds (you’ll immediately notice the Irish witch), and Johnston felt like she didn’t need to be faithful to any sort of historical accuracy in a fantasy story.

“I decided witches go on their own passage of whatever they want to do, so there’s a foothold in 1968 and then a foothold in anywhere,” she notes. “You can go so many different directions with them, but I wanted to make it as witty as possible and weird. I wanted to do things that felt cult-ish. It’s a combination between style and amusement . In my backstory, there are witches who live in wooden huts in the forest and then there are witches who live in fashionable metropolises.”

Roald Dahl’s 1983 novel “The Witches” has always been an especially terrifying children’s story. But even as Dahl’s tale continues to scare and delight readers today, the fantasy novel can also feel dated, which is what led director Robert Zemeckis to deliver a new cinematic take.

Each person who approached her cabin carried a heavy burden on their shoulders, seeking solace in her mystical powers. The witch oracle was solemn and serious, with a face etched with the folds of time. Dressed in flowing robes of midnight blue, she would sit upon a weathered wooden chair, surrounded by ancient texts and magical artifacts. Her piercing green eyes held a depth of knowledge that could both mesmerize and terrify. Each person who came before her would have to go through a series of tests before the witch oracle would utter a single word. It was said that only those with the most genuine intentions and purest hearts would be deemed worthy of her guidance. The witch oracle could effortlessly sense deceit and falsehood, and those who dared to deceive her met a swift and unfortunate fate. For those who passed her cryptic trials, the witch oracle would delve into realms beyond mortal comprehension. She would chant ancient incantations, light candles of different colors, and consult her elaborate collection of crystal balls and tarot cards. Her methods were shrouded in mystery, but her accuracy was undisputed. Through her esoteric rituals, the witch oracle would offer insights and predictions that were both profound and awe-inspiring. She would paint visions of the future, unlocking the hidden paths that lay before her visitors. Many would leave her cabin with renewed hope and a spring in their step, armed with the knowledge to face their destinies head-on. But despite the power and respect she commanded, the witch oracle remained lonely. Her supernatural abilities set her apart from society, rendering her unable to form deep connections with others. The solitude she craved was simultaneously her greatest strength and her greatest weakness. As the years passed, the witch oracle grew tired of her solitary existence. She yearned for a sense of companionship and understanding that could only be found beyond the realm of her enigmatic cabin. With a heavy heart, she made the decision to leave behind her life as an oracle and venture into the world she had only witnessed from afar. And so, the lonely witch oracle bid farewell to her home, her crystal balls, and her enchanted artifacts, embarking on a journey to find her place among the bustling crowds. With her knowledge and foresight, she would seek to make a difference in the lives of others, fostering connections that extended far beyond her isolated forest cabin..

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