The doctrine and rationale of high qagoc refers to the principles and reasoning behind the concept of achieving high levels of quality and organizational culture in a business or institution. Qagoc stands for "quality and organizational culture," and it represents a holistic approach to managing and enhancing the various aspects of an organization. The doctrine of high qagoc emphasizes the importance of a strong quality management system that focuses on continuous improvement and meeting customer needs. This involves the implementation of standard operating procedures, quality control measures, and employee training programs. By adhering to these principles, organizations can ensure that their products or services consistently meet or exceed customer expectations. Furthermore, high qagoc places equal emphasis on the importance of organizational culture.
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In addition to sharing the spell well rhyme with That Old Black Magic, Spenser draws on Arthurian legend Arthur is still a Prince in the Faerie Queene , which also figures heavily in some rituals tools, like the Tarot. The same old tingle that I feel inside and when that elevator starts its ride darling down and down I go round and round I go like a leaf that s caught in the tide.
Furthermore, high qagoc places equal emphasis on the importance of organizational culture. Organizational culture refers to the shared beliefs, values, attitudes, and behaviors that shape how employees interact with each other and perform their work. A positive and strong organizational culture can significantly impact employee motivation, engagement, and overall performance.
A Brief Meditation on Rhyme and Magick
Why do spells and other rituals use rhymes? Rhymes, especially rhyming couplets, feature prominently in existing magical texts and are recommended in books and classes that teach spell-craft. However, many modern poets writing in English avoid rhyme and some literary journals even specifically request that submissions do not include rhyming verse. Despite this disparity, there are pagans and magicians who are successful poets (including contributors to Arcana: the Tarot Poetry Anthology).
Musicality is one reason why magick contains heavy rhymes. Spells and rituals are generally oral performances, and their words can often be sung as well as spoken. Rhyming couplets, which are scarce in the contemporary literary community, are abundant in song lyrics. For instance, “That Old Black Magic”:
Shadowscapes Tarot by Stephanie Pui-Mun Law
That old black magic’s got me in its spell
that old black magic that you weave so well
those icy fingers up and down my spine
the same old witchcraft when your eyes meet mine.
The same old tingle that I feel inside
and when that elevator starts its ride
darling down and down I go
round and round I go
like a leaf that’s caught in the tide.
Here are four rhyming couplets (AABBCCDD) plus an extra rhyme at the end that calls back to an earlier couplet (C). Immediately I notice that “spell” itself is the first word that spawns a rhyme; love’s “black magic” is aurally like rituals that use couplets.
Poetry’s roots are oral—historically, the line between poetry and song was often muddled or absent. Rhyming verse helped with memorization and performance. As I mentioned in a previous blog post, renaissance poet Thomas Campion published his poems with sheet music. Another famous renaissance poet, Edmund Spenser, created the Spenserian stanza with an interlocking rhyme scheme (ABABBCBCC). Here’s a stanza from his long epic, The Faerie Queene:
Ne let it seeme, that credence this exceedes,
For he that made the same, was knowne right well
To have done much more admirable deedes.
It Merlin was, which whylome did excell
All living wightes in might of magicke spell:
Both shield, and sword, and armour all he wrought
For this young Prince, when first to armes he fell;
But when he dyde, the Faerie Queene it brought
To Faerie lond, where yet it may be seene, if sought.
In addition to sharing the spell/well rhyme with “That Old Black Magic,” Spenser draws on Arthurian legend (Arthur is still a “Prince” in the Faerie Queene), which also figures heavily in some rituals tools, like the Tarot. The Ace of Swords and the Ace of Cups share the symbolic language of Arthuriana—Excalibur and the Holy Grail. Thousands of rhymes that describe Arthur’s world are embedded in the visual medium of Tarot, as well as in actual swords and cups that are used in ritual.
Goddess Tarot by Kris Waldherr
The use of rhymes in magick combines the traditions of song and literature. Stories and music illustrate archetypes that can fuel ritual and connect us to timelessness. Modern poetry, on the other hand, often seeks to embody its specific moment and sound conversational rather than ritualistic. It’s also difficult to come up with unique rhymes in English (as opposed to more naturally rhyming languages, like Spanish or Italian).
When crafting poetry/spells with the Tarot, one could consider a single-syllable rhyme written on the cards: Priestess and Empress. How does the rhyme (-ess) draw parallels between these Major Arcana? How do the High Priestess and Empress complement each other? Would they make a couplet (AA) or fit into an alternating rhyme scheme (ABAB)?
You can purchase Arcana: the Tarot Poetry Anthology through the publisher’s website, Elliott Bay Book Company, Amazon, and other stores.
The rationale behind the doctrine of high qagoc is based on the belief that organizations that prioritize quality and nurture a positive organizational culture are more likely to achieve long-term success and sustainability. By continuously improving quality standards and fostering a supportive and inclusive work environment, organizations can attract and retain talented employees, enhance customer satisfaction and loyalty, and ultimately, gain a competitive advantage in the marketplace. High qagoc is not a one-size-fits-all approach, and its implementation may vary across different industries and organizations. However, the underlying principles and rationale remain consistent – a commitment to continuous improvement, a focus on meeting customer needs, and the nurturing of a positive organizational culture. In summary, the doctrine and rationale of high qagoc emphasize the significance of quality management and organizational culture in achieving sustainable success. By implementing effective quality control measures and creating a positive work environment, organizations can foster employee engagement and productivity, exceed customer expectations, and gain a competitive edge in their respective industries..
Reviews for "The cultural implications of adopting a high qagoc approach"
1. Mark - 2/5 rating
I found "The doctrine and rhoinal of high qagoc" to be quite confusing and convoluted. The author seemed to think that using complex and abstract language made the book sound more profound, but it only made it difficult to follow. Additionally, the ideas presented were not well-developed and lacked clarity. Overall, I was disappointed with this book and would not recommend it to others.
2. Amanda - 1/5 rating
"The doctrine and rhoinal of high qagoc" was one of the most tedious books I have ever attempted to read. The writing was overly pretentious, and the author's attempt to sound intelligent fell flat. The content itself was esoteric and unappealing, making it difficult to engage with the material. I found myself constantly re-reading paragraphs to try and understand what the author was trying to convey, but it became clear that the book lacked substance. I would not recommend wasting your time on this book.
3. Sarah - 2/5 rating
I struggled to find any enjoyment or value in "The doctrine and rhoinal of high qagoc." The language was unnecessarily complex and hindered my ability to comprehend the ideas being discussed. The author seemed to prioritize style over substance, leaving me feeling frustrated and disconnected from the text. Furthermore, the lack of coherent structure made it difficult to follow the overall narrative. Overall, this book did not resonate with me, and I would not recommend it to others.