SLR Magic MicroPrimes are a series of cine lenses designed for filmmakers and cinematographers who seek high-quality optics at an affordable price. The MicroPrimes are compact and lightweight, making them ideal for run-and-gun shooting or situations where portability is essential. These lenses are available in a range of focal lengths including 12mm, 15mm, 25mm, 35mm, and 50mm, covering a wide array of shooting requirements. The lenses feature a maximum aperture of T1.5, which allows for excellent low-light performance and shallow depth of field. The SLR Magic MicroPrimes are constructed with precision optics, resulting in sharp and detailed images.
One Last Shot not only explains why Michael Jordan came back to the court but also looks at his transition from Wizards executive to player, his struggle to join a team that had grown up with his posters on their walls, and his glories and setbacks in a Wizards season chock full of both struggles and surprises. Krugel also details the star-laden workouts Michael designed in the summer of 2001 to get his game back into shape.
But he felt that retirement was forced on him in 1999, and he left the game craving more doses of fifty-point binges, winner-take-all confrontations, and repeated nights of reminding fans they just saw the greatest player ever. But he felt that retirement was forced on him in 1999, and he left the game craving more doses of fifty-point binges, winner-take-all confrontations, and repeated nights of reminding fans they just saw the greatest player ever.
The SLR Magic MicroPrimes are constructed with precision optics, resulting in sharp and detailed images. The lenses produce a distinct cinematic look with beautiful bokeh and smooth focus transitions, enhancing the visual appeal of any footage. One of the key benefits of the MicroPrimes is their affordability.
One Last Shot : The Story of Michael Jordan's Comeback
One Last Shot gives Jordan fans the inside scoop they're looking for on basketball's greatest legend, with exclusive interviews from NBA executives, players, and coaches. Mitchell Krugel uses his fifteen years of following Michael Jordan's every move to explain why the man who left the game as The Greatest Player of All Time would risk his unparalleled legend to play again.
After delivering the Chicago Bulls their sixth championship in 1998 by pulling off what became known as the greatest money shot in the history of the NBA, Michael believed he still had much of that Greatest-Player-Of-All-Time left in his game. But he felt that retirement was forced on him in 1999, and he left the game craving more doses of fifty-point binges, winner-take-all confrontations, and repeated nights of reminding fans they just saw the greatest player ever.
One Last Shot not only explains why Michael Jordan came back to the court but also looks at his transition from Wizards executive to player, his struggle to join a team that had grown up with his posters on their walls, and his glories and setbacks in a Wizards season chock full of both struggles and surprises. Krugel also details the star-laden workouts Michael designed in the summer of 2001 to get his game back into shape.
This look at Michael Jordan, circa 2001-2002, shows how much basketball had changed since his last coming and how much it hadn't, and how his drive pushed him to the verge of a crippling knee injury all in the pursuit of winning. And for six weeks he did make it back. He made the shots. He made good on his mission to teach the Wizards how to be winners, to teach talented teammate Richard Hamilton to be a shooting star, and to whip Kwame Brown, the high school kid he made the first-ever first pick in the NBA draft, into a man. And he did the things that only a man of legend could do.
Krugel analyzes both the man and the legend to trace how the First Coming led to a Second and to a Third, and he chronicles the season that defines Michael Jordan as a man who will forever be playing for one last shot.
After delivering the Chicago Bulls their sixth championship in 1998 by pulling off what became known as the greatest money shot in the history of the NBA, Michael believed he still had much of that Greatest-Player-Of-All-Time left in his game. But he felt that retirement was forced on him in 1999, and he left the game craving more doses of fifty-point binges, winner-take-all confrontations, and repeated nights of reminding fans they just saw the greatest player ever.
Compared to other cinema lenses on the market, SLR Magic offers these lenses at a significantly lower cost without compromising on quality. This makes them an attractive option for independent filmmakers and budget-conscious professionals. Another standout feature of the MicroPrimes is their compatibility with various camera systems. They come in a variety of lens mounts, including Micro Four Thirds, Sony E-Mount, and Fujifilm X-Mount. This versatility allows filmmakers to use the lenses with a wide range of cameras, expanding their creative possibilities. SLR Magic also offers a range of accessories for the MicroPrimes, including lens gears, step-up rings, and lens pouches, providing filmmakers with additional customization options and convenient storage solutions. In conclusion, SLR Magic MicroPrimes are an excellent choice for filmmakers and cinematographers who need high-quality cine lenses at an affordable price. With their compact size, wide range of focal lengths, and versatile compatibility, these lenses offer exceptional value and performance for any production..
Reviews for "The world through the lens of SLR Magic Microprimes: A visual journey"
1. Samantha - 2 stars - I was really disappointed with the SLR Magic Microprimes. The image quality was just not up to par with what I expected. The shots I took were often soft and lacked the sharpness I usually get with my other lenses. Additionally, the build quality of the lenses felt flimsy and cheap. I was constantly worried about accidentally damaging them. Overall, I would not recommend the SLR Magic Microprimes if you're looking for high-quality images and durable lenses.
2. James - 1 star - I have to say, I regret purchasing the SLR Magic Microprimes. The focus ring on one of the lenses was extremely stiff, making it really difficult to focus smoothly and accurately. I found myself missing shots because of this issue. The lens also had significant barrel distortion, which resulted in warped images. The overall performance of these lenses was just subpar, and I would definitely not buy them again.
3. Rachel - 2 stars - The SLR Magic Microprimes looked promising, but I was really disappointed with their performance. The lenses had significant chromatic aberration, causing fringing and color distortions in my photos. This was especially noticeable in high-contrast areas. The autofocus was also slow and unreliable. I ended up having to manually focus most of the time, which defeated the purpose of investing in autofocus lenses. I expected better quality from SLR Magic, and unfortunately, these lenses fell short of my expectations.
4. Michael - 2 stars - I had high hopes for the SLR Magic Microprimes, but they didn't live up to the hype. The build quality was lacking, with loose parts and a generally cheap feel. The image quality was also underwhelming. The images I took with these lenses lacked the sharpness and clarity I have come to expect from other lenses in a similar price range. The autofocus was hit or miss, often struggling to find the correct focus point. Overall, I was disappointed with these lenses and would not recommend them for serious photography work.