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Classic of the month: Half Magic

Wishing is a tricky business. The hazards of lowering a bucket into the well of desire are well-established, and Edward Eager's Half Magic added to the perils in his 1954 story of a magic charm that only grants half wishes. Anyone who wishes in haste is likely to get less than they bargained for.

We're in middle America during a long hot summer. Four children are left to their own devices - their father is dead, their mother drudges on a local paper. They are bracingly sharp and stubborn: Jane (oldest and bossiest), Mark (only boy), romantic bookworm Katherine and persistent little Martha. I always loved the opening, full of routine and promise, as the children wander home from the library. Arms crammed to the borrowing limit, they pause on strangers' front steps to read from their books, thirsting for adventure. Jane notices a coin glinting in a crack in the pavement; only when she ill-temperedly wishes a fire would relieve the summer boredom and immediately hears emergency sirens (it's just a half-fire, in a spoilt child's playhouse), does she suspect the coin's remarkable qualities.

The charm, worn thin by time, halves desires in unpredictable ways, and demands a variety of complicated sums. "What would twice as much as never having to learn fractions be," a bemused Martha grumbles. Eager chronicles the gradual steps to comprehending the charm's powers, such as magicking the cat into petulant half-speech ("Idlwidl bixbax. Grompaw. Fooz!"). Mark longs to be on a desert island, and suddenly there's hot sand in every direction. "You just got half a wish," says his elder sister. "Desert, yes. Island, no."

Katherine spirits everyone to Arthurian England, bent on good deeds. She rescues Sir Launcelot (ungrateful and, as I always suspected, overrated), but is piqued by his arrogance and resents being called "churl" or "elfspawn". Provoked, she conjures virtuoso jousting skills and humiliates him at Camelot.

Long ago and far away are rousing but home is where the real dilemmas simmer. Back in Ohio, a semi-transparent Martha causes mass panic about a Martian invasion, and Jane furiously makes the worst wish of all - to belong to another family ("I wish it twice!"). She emerges in a new home of horrible gentility, trotting through piano practice in a cold, grey house with cold, grey parents. Even stickier are attempts to second-guess their widowed mother's happiness, which merely leave her doubting her sanity.

The charm opens the world to demi-desire, with all its incidental delights and perils. Incautious cravings ("I wish you'd go jump in the lake"; "I wish I weren't here") can cause no end of half-trouble.

Eager was a Broadway lyricist who, despite his name, knew the value of delay. By the time the children have discovered the real limits of the charm, and of their own wills, it's time to relinquish it.

Revisiting the book now, I skirt around its problems, envy its resourceful and intractable heroes. Even first time round, I goggled at a reference to "that lovely place, Woolworth's", with its lady pianists playing I Wish I Could Shimmy Like My Sister Kate. But retro curlicues aside, Eager's excursion through the problems of wishing retains its teasing originality. It's never too early to realise that you can't always get what you want - or the problems you will face if you do.

• Children and teenagers
• Building a children's library

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