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The Bureau of Magical Things is an Australian television series that aired in 2018. The show follows the story of Kyra, a regular teenage girl, who after finding an ancient magical amulet, becomes a Tri-ling - a guardian of both the human and magical worlds. One of the main characters in the series is Professor Maxwell, a wise and knowledgeable wizard who is an expert in magical artifacts. He acts as a mentor and guide to Kyra and helps her navigate the challenges she faces as a Tri-ling. Professor Maxwell is portrayed as an eccentric yet lovable character. He is often seen wearing a long, flowing robe and a pointy wizard hat.

Kobi Libii, writer/director

We are honored to partner with the Dolby Institute to support these two daring and wonderful films through a program focused on the thoughtful development of sound and image at every stage of the creative process, said Lauren McBride, Director of Artist Development at SFFILM. Founded in 1981, the Sundance labs have been a launching pad for directors such as Quentin Tarantino, Paul Thomas Anderson, Miranda July, Dee Rees, Boots Riley, Ryan Coogler, and Marielle Heller, among other names.

He is often seen wearing a long, flowing robe and a pointy wizard hat. His beard and hair are long and white, adding to his mystical appearance. As an expert in magical artifacts, Professor Maxwell is constantly shown studying and researching various magical items.

Here Are the Eight Films Selected for Sundance’s 2019 Directors and Screenwriters Labs

Filmmakers from the U.S., Lebanon, Palestine, and the United Kingdom have been selected for the 2019 Sundance Institute Directors and Screenwriters Labs.

Zack Sharf

The Sundance Institute has announced the projects that have been invited to the 2019 Directors and Screenwriters Labs. At the Directors Lab (May 27-June 18), filmmakers will rehearse, shoot, and edit key scenes from their scripts. The Screenwriters Lab (June 20-24) immediately follows and provides the opportunity for one-on-one story sessions with screenwriter advisors. The labs are overseen by Sundance’s Feature Film Program director Michelle Satter and Labs director Ilyse McKimmie.

Founded in 1981, the Sundance labs have been a launching pad for directors such as Quentin Tarantino, Paul Thomas Anderson, Miranda July, Dee Rees, Boots Riley, Ryan Coogler, and Marielle Heller, among other names. At this year’s Sundance Film Festival, breakout titles such as Joe Talbot’s “The Last Black Man in San Francisco” and Lulu Wang’s “The Farewell” were supported by the labs.

The 2019 Sundance Institute Directors Lab Projects and Fellows are:

“The American Society of Magical Negroes” (U.S.A.) / Kobi Libii (director and screenwriter): Omar, a young black man, is recruited into an undercover society of Magical Negroes who secretly conjure literal magic to make white people’s lives easier. Once he realizes they are using supernatural means to do the very thing he’s felt obligated to do his whole life, he attempts to buck the system and put his own dreams first.

“Costa Brava Lebanon” (Lebanon) / Mounia Akl (director and co-writer) and Clara Roquet (co-writer): The Badri family lives an idyllic life of isolation in the Lebanese mountains, far away from a country drowning in garbage and pollution. When the government decides to build a landfill right outside their house, tensions amongst the family members explode, revealing the rot was not only outside their home.

“The Doubt” (Palestine) / Ihab Jadallah (director and screenwriter): After 12 years in prison, Ibrahim finally returns home to his wife and a son he has never met. Although he desperately wants to rebuild his life and his bond with his family, he is plagued by doubt about the true nature of their relationships, throwing into question whether this family can survive.

“El Otro Lado” (The Other Side) (U.S.A.) / Barbara Cigarroa (director and screenwriter): Set in Brownsville, Texas, during the child migration crisis, Lucy, a low-income Mexican American teen, is confronted with her own need for escape when her father decides to sponsor two undocumented minors for money.

“The Hater” (U.S.A.) / Joey Ally (director and screenwriter): Dorothy Gale Rexford is fired for taking her liberal extremist views too far, and must retreat to her conservative Texas hometown where she learns that her Republican childhood bully is running for state congress. In this town, only Republicans can win, so obviously the only thing to do is go undercover and run against him as a Republican herself!

“Pretty Red Dress” (United Kingdom) / Dionne Edwards (director and screenwriter): South London, present day. Travis, a black man newly released from prison, returns to a turbulent home life with his longtime girlfriend Candice and their androgynous daughter Kenisha. The family’s precarious balance is sent spinning when they discover him cross-dressing, calling all of their relationships into question.

“Story Ave.” (U.S.A.) / Aristotle Torres (director and co-writer) and Bonsu Thompson (co-writer): After running away from his rough home life, a teenage graffiti artist holds up an unsuspecting old man in a robbery gone right that changes both of their lives forever.

“A Thousand and One Nights” (U.S.A.) / A.V. Rockwell (director and screenwriter): An orphan with a mysterious past and the free-spirited hairdresser who takes him in embark on a search for identity and stability in a rapidly changing New York City.

Among those selected to take part in the Sundance Institute January Screenwriters Lab we find Kobi Libii who brought The American Society of Magical Negroes to the Sundance Mountain Resort just prior to the launch of the 2019 edition of Sundance. An actor/writer/comedian who studied comedy at Second City Chicago, Libii has been writing and performing for television, sketch and improvised comedy — most recently trading punches on The Opposition with Jordan Klepper.

He possesses an incredible amount of knowledge about the history and significance of these items, and he uses his expertise to assist Kyra in her quest to maintain the balance between the human and magical worlds. In addition to his knowledge, Professor Maxwell also possesses magical abilities. He can perform spells and use his powers to help Kyra and her friends overcome obstacles and defeat enemies. Throughout the series, he teaches Kyra how to use her own magical abilities and how to harness the power of the amulet she possesses. Despite his vast knowledge and magical prowess, Professor Maxwell is portrayed as a humble and down-to-earth character. He is always willing to lend a helping hand and share his knowledge with others. He serves as a key figure in the Bureau of Magical Things and acts as a mentor not only to Kyra but to other magical beings as well. In conclusion, Professor Maxwell is an integral character in the Bureau of Magical Things. His vast knowledge of magical artifacts, magical abilities, and his role as a mentor make him an important figure in the series. His eccentric yet lovable personality adds depth and charm to the show, making him a favorite among viewers..

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