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The curse of Catwoman refers to the supposedly negative impact that playing the iconic character has had on the actresses who have portrayed her. Since her first appearance in the Batman television series in the 1960s, Catwoman has become one of the most popular and enduring villains in the Batman franchise. However, many of the actresses who have brought the character to life on screen have experienced various personal and professional challenges. One of the earliest examples of the curse of Catwoman is Julie Newmar, who played the character in the original Batman television series. Despite her success in the role, Newmar faced difficulties in finding other substantial acting opportunities afterward. Similarly, Eartha Kitt, who portrayed Catwoman in the third season of the series, struggled to find work due to the prominence of her role as the iconic feline villain.

There is a new kind of witch emerging in our cultural consciousness: the bruja.

A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today. I was first introduced to Lorraine s work via the Witch Wave Podcast and was fascinated by her work surrounding witchcraft and spiritual practice in the Latin American and Afro-Caribbean communities.

Similarly, Eartha Kitt, who portrayed Catwoman in the third season of the series, struggled to find work due to the prominence of her role as the iconic feline villain. Another actress to experience the curse of Catwoman is Halle Berry. Berry played Catwoman in the eponymous 2004 film that received critical and commercial failure.

Brujas: The Magic and Power of Witches of Color

"I was first introduced to Lorraine’s work via the Witch Wave Podcast and was fascinated by her work surrounding witchcraft and spiritual practice in the Latin American and Afro-Caribbean communities. Brujas: The Magic and Power of Witches of Color is part memoir, part research project and part spell book. It doesn’t matter if you’re new to the Craft or have been practicing for years, Brujas is an essential guide to understanding the roles of capitalism and colonization in Spirituality and witchcraft. It also encourages you to enrich your practice with spells and rituals at the end of each chapter. I loved this book!"

"Brujas, Witches of Color are ancestral magical beings and the world we live in has tried to silence our voices. . . . This book is such a beautiful tribute to the different stories and experiences we go through as brujas. . . . Amplify the voice of Witches of Color by reading their stories." —Juliet Diaz, author of Witchery and Plant Witchery

There is a new kind of witch emerging in our cultural consciousness: the bruja.

Witchcraft has made a comeback in popular culture, especially among feminists. A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today. Brujas chronicles the magical lives of these practitioners as they develop their healing arts, express their progressive politics, and extend their personal rituals into community activism.

They are destigmatizing the “witch” of their ancestries and bringing persecuted traditions to the open to challenge cultural appropriation and spiritual consumerism. Part memoir, part ritual guide, Brujas empowers readers to decolonize their spiritual practices and connect with their own ancestors.

Brujas reminds us that witchcraft is more than a trend—it’s a movement.

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Witchcraft has made a comeback in popular culture, especially among feminists. A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today. Brujas chronicles the magical lives of these practitioners as they develop their healing arts, express their progressive politics, and extend their personal rituals into community activism.

It marked a low point in Berry's career, with the movie becoming a notorious flop and earning her a Golden Raspberry Award for Worst Actress. Michelle Pfeiffer, who portrayed Catwoman in the 1992 film Batman Returns, also faced challenges after taking on the role. Pfeiffer admitted that the tight-fitting Catwoman costume contributed to her body image issues and obsession with dieting and exercise. She felt immense pressure to maintain a certain appearance, which took a toll on her mental and physical well-being. Anne Hathaway, who played Catwoman in The Dark Knight Rises (2012), spoke about the difficulties of stepping into the role and the pressure she felt to live up to the previous portrayals. While she didn't experience any major setbacks in her career following the role, Hathaway acknowledged the demands and scrutiny that came with playing such an iconic character. Despite these challenges, there have been exceptions to the curse of Catwoman. For instance, Lee Meriwether, who played Catwoman in the 1966 Batman movie, continued to have a successful career in television and film. Additionally, the current Catwoman, portrayed by actresses such as Camren Bicondova on Gotham and Zoë Kravitz in the upcoming film The Batman, have yet to face any notable negative effects. In conclusion, the curse of Catwoman refers to the difficulties and setbacks faced by actresses who have portrayed the character. From limited acting opportunities to personal and professional struggles, playing Catwoman has had a mixed impact on the careers and lives of these actresses. While some have been able to overcome the curse, others have found it challenging to move past the iconic role..

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