Under the Witch's Spell In the folklore and literature of various cultures, witches have long been associated with dark powers and enchantments. One commonly depicted aspect of witchcraft is the idea of being under the witch's spell, a state of being manipulated and controlled by the witch's magic. Being under the witch's spell typically involves a loss of control and agency over one's own actions and thoughts. The witch's spell can manifest in different ways, depending on the tradition or story. In some tales, the spell may cause a person to fall into a deep slumber or trance-like state, rendering them helpless and susceptible to the witch's commands. Another common depiction of being under the witch's spell is the idea of mind control or manipulation.
That was about three years ago, when Weinglass was just playing around after taking her first ceramics class. Since then, she’s expanded her offerings to bowls, planters, jewelry, and mugs and has grown her craft into a burgeoning business, quickly becoming one of the hottest potters coming out of Brooklyn or anywhere. Her works can be found in the pages of Bon Appétit and at trendsetting boutiques like Otherwild in Los Angeles, Vagabond in Philadelphia, Freda in Marfa, as well as Duo, M. Carter, and Mociun in her hometown of New York City.
Since then, she s expanded her offerings to bowls, planters, jewelry, and mugs and has grown her craft into a burgeoning business, quickly becoming one of the hottest potters coming out of Brooklyn or anywhere. Weinglass is famous for her hands palm-shaped pottery that s become her signature, and can be used to hold crystals, jewels which she makes as well , burning sage, or whatever small charms and cursed objects your cosmic heart desires.
Another common depiction of being under the witch's spell is the idea of mind control or manipulation. The witch may possess the ability to influence or alter the thoughts and emotions of those under her spell, making them act in ways they would not normally choose. This can lead to a range of consequences, from causing harm to oneself or others to being compelled to carry out the witch's bidding.
Witchy Wares: Ceramics Take a Turn to the Dark Side
“The pieces that I make would fit on any altar. They look magical. They’re little pieces of this magic,” says Ivy Weinglass, her eyes looking up through a waterfall of chestnut hair, tumbling from a beret. It’s not just Lana Del Rey pushing witchcraft these days; the dark arts are making their way into your kitchen, living room, and soul. Well, maybe not your soul. But definitely your home. Weinglass, the ceramist behind IIIVVVYYY, is leading a chthonic charge of hippie, witchy potters currently invading your favorite boutiques and housewares departments.
Weinglass is famous for her hands: palm-shaped pottery that’s become her signature, and can be used to hold crystals, jewels (which she makes as well), burning sage, or whatever small charms and cursed objects your cosmic heart desires. She’s stopped for a tea between a visit to ABC Carpet & Home and her studio, in Greenpoint, where she also lives.
She’s always had an attraction to hand-shaped objects. “Whenever I would go thrifting or shopping, I would always pick them up. I wore a necklace with a hand on it for years. One of the first things I knew I wanted to make was a place to put the palo santo I burn. I would just awkwardly hold it until it burned out. So I was like, ‘I’ll make myself a hand to hold it.’ ”
That was about three years ago, when Weinglass was just playing around after taking her first ceramics class. Since then, she’s expanded her offerings to bowls, planters, jewelry, and mugs and has grown her craft into a burgeoning business, quickly becoming one of the hottest potters coming out of Brooklyn or anywhere. Her works can be found in the pages of Bon Appétit and at trendsetting boutiques like Otherwild in Los Angeles, Vagabond in Philadelphia, Freda in Marfa, as well as Duo, M. Carter, and Mociun in her hometown of New York City.
Her Universe bowls, which look otherworldly, are particularly popular. “I was playing with burning down glass—you fire down glass in the glaze kiln, at 2,800 degrees. When I opened up the kiln, they looked like a little image of the universe, as if you were peering through the Hubble telescope,” she says. Her newest pieces move away from magic, and more toward the natural wonders of earth. Her pieces seem as if they were ripped from the side of a canyon, or extracted from the planet’s core. “I was inspired by a road trip to California and Oregon. Seeing all those rock formations, the erosion of the sandstone, and the colors you get in clay in Oregon—you don’t get that anywhere else,” she says. “I like the colors of natural clay. The only glazes that I use are really just clear and white. I like black and white and tans. That’s all I wear, really, that and denim. My ceramics definitely feel like my personal aesthetic. It’s how I dress and decorate my house.”
Most Popular Celebrity Style Taylor Swift Endorses the Sheer Trend at Dinner With Selena Gomez and Zoë Kravitz By Hannah Jackson Parties Oprah, Jennifer Lopez, and Ben Affleck Came Out For An Intimate Dinner With Brunello Cucinelli By Rachel Besser Weddings The Bride Wore an Ostrich-Feather Skirt and a Corset for Her Colorful Three-Day Wedding in Seville By Elise TaylorWeinglass is not the only one whose wares, fit for a coven cupboard, are leaving the smell of sulfur on design store shelves. At Still House in the East Village, Robert Hessler’s signature bowls look more like miniature cauldrons, while the tender, speckled, black-as-night vases from Mondays could have been fired in the depths of hell. Meanwhile, Demetria Chappo’s ceramics hold an astrological mysticism as a half-moon eye catches yours from his cups and bowls. And Tracy Wilkinson’s vases, combining their shards of ceramic bases with naturally woven necks, are straight out of the Blair Witch.
For Weinglass, the objects she makes come from a lifelong belief in energies, embodied in rocks and crystals (as a child she wore a crystal around her neck to sleepovers, for protection), which she feels she’s gotten more attuned to as she’s gotten older. “Also listening to my intuition, which is pretty good. The objects I bring into my life and that I make are aligning with being aware and reacting to how I feel,” she says. “Sometimes it’s not the best way to live your life, but I’ve been learning to listen to that more.”
She’s always had an attraction to hand-shaped objects. “Whenever I would go thrifting or shopping, I would always pick them up. I wore a necklace with a hand on it for years. One of the first things I knew I wanted to make was a place to put the palo santo I burn. I would just awkwardly hold it until it burned out. So I was like, ‘I’ll make myself a hand to hold it.’ ”
The concept of being under the witch's spell often serves as a metaphor for the power of evil or corrupt forces in the world. It speaks to the idea that individuals can be manipulated and controlled by external forces, leading them to act against their own best interests or values. In literature and popular culture, the notion of being under the witch's spell has been used as a plot device in countless stories. It often serves as a means to create conflict and tension as characters struggle to break free from the influence of the witch and regain control of their own lives. Overall, the idea of being under the witch's spell is a powerful symbol that speaks to our fears of losing control and being at the mercy of dark forces. Whether portrayed as a literal enchantment or a metaphorical representation of manipulation, the concept serves as a cautionary tale about the dangers of allowing ourselves to be swayed by external influences..
Reviews for "From Page to Screen: The Adaptation Process of Under the Witch Geds"
1. Sarah - 2 stars
I found "Under the witch geds" to be quite disappointing. The plot was confusing and lacked depth, leaving me feeling disconnected from the story and the characters. Additionally, the writing style was dull and monotonous, making it difficult to stay engaged. Overall, I do not recommend this book for anyone looking for a gripping and captivating read.
2. Mark - 1 star
"Under the witch geds" was a complete letdown for me. The characters were poorly developed, making it difficult to relate to or care about their fates. The pacing was extremely slow, dragging the already lackluster plot even further. I found myself struggling to finish the book, and when I finally reached the end, I couldn't help but feel unsatisfied and unfulfilled. I would not recommend this book to anyone seeking an enjoyable reading experience.
3. Laura - 2 stars
I had high hopes for "Under the witch geds" since I enjoy fantasy novels, but unfortunately, it fell short of my expectations. The world-building was weak, leaving many unanswered questions and making the story feel disjointed. The dialogue felt forced and unnatural, hindering the overall flow of the narrative. While I appreciate the author's attempt at creating a unique magical system, it was poorly explained and often left me confused. I was left feeling underwhelmed and unimpressed by this book.