The Sofia the First Magic Amulet is a significant and iconic item in the popular children's television show, "Sofia the First." The amulet plays a vital role in the series as it grants Sofia various magical abilities and helps her navigate through her new life as a princess. The amulet was originally owned by Princess Sofia's stepfather King Roland II, but when Sofia accidentally becomes the princess of Enchancia after her mother marries King Roland, the amulet is magically passed on to her. The amulet acts as a symbol of Sofia's special status and serves as a reminder of her unique journey in the royal family. The amulet is depicted as a golden necklace with a purple oval-shaped pendant. The pendant features a large, round, pink gemstone in the center surrounded by smaller pastel-colored gems.
"Tituba looked for her story in the history of the Salem witch trials and could not find it. I have looked for my history in the story of the colonization of this continent and I have found silences, omissions, distortions, and fleeting, enigmatic insinuations. Tituba's quest for recorded evidence of her existence as a living, feeling, loving, active individual, who was as much a part of the Salem witch trials as her codefendants of European descent, leads her to a belittling, cursory allusion: 'Tituba, a slave originating from the West Indies and probably practicing 'hoodoo.'' She counters this footnote that condemns her to insignificance with a strong, self-affirming 'I, Tituba. Witch.' Maryse Condé lends her the words that assist her to tell you and me her story, speaking her life in her own voice- from the womb to the realm of the dead.
Maryse Condé's historical novel about the black witch of Salem furnishes Tituba with a social consciousness as contemporary as the motivating impulse behind the novel, which drives Condé to retrieve fragments of an intentionally ignored history and to reshape them into a coherent, meaningful story. It is the same consciousness that has motivated contemporary women of African descent- both scholars and artists- to explore the infinite possibilities of our lost history.
Tituba's voice is her own. But, of course, Condé meticulously researched this historical person, and Tituba's voice is infused with the historically complex and imaginative voice of her creator. It is therefore not rigidly anchored to the social issues of Tituba's times. The historical novel refuses to be confined within the ideological limits of the era during which it unfolds. Tituba engages in recurring meditations on her relationship- as a black woman- to feminism. In this sense, her voice can be viewed as the voice of a suppressed black feminist tradition, one that women of African descent are presently reconstituting- in fiction, criticism, history, and popular culture.
This is one possible version of Tituba, the black witch of Salem. There are those who dispute her African descent, countering that she was Indian, perhaps hoping to stir up enmity between black and Native American women as we seek to re-create our respective histories. As an African-American feminist, I offer my profound gratitude to Maryse Condé for having pursued and developed her vision of Tituba, Caribbean woman of African descent. Should a Native American Tituba be re-created, in scholarly or fictional terms, this would be true to Condé's Tituba and her revenge. For, in the final analysis, Tituba's revenge consists in reminding us all that the doors to our suppressed cultural histories are still ajar. If we are courageous enough to peer through the narrow openings, we will discover our fears, our rage, our hopes, and our roots. And sometimes there is magic behind those doors, sparkling clues about the possibilities ahead."
-Angela Y. Davis
There are those who dispute her African descent, countering that she was Indian, perhaps hoping to stir up enmity between black and Native American women as we seek to re-create our respective histories. Tituba s quest for recorded evidence of her existence as a living, feeling, loving, active individual, who was as much a part of the Salem witch trials as her codefendants of European descent, leads her to a belittling, cursory allusion Tituba, a slave originating from the West Indies and probably practicing hoodoo.
The pendant features a large, round, pink gemstone in the center surrounded by smaller pastel-colored gems. The design is intricate, giving it an elegant and magical appearance that fits perfectly into the enchanted world of Sofia. What makes the amulet extraordinary is its ability to grant the wearer numerous magical powers.
I, Tituba, Black witch of Salem / Maryse Condé ; translated by Richard Philcox ; foreword by Angela Y. Davis ; afterword by Ann . Armstrong Scarboro. Read More
Publisher: Charlottesville : University Press of Virginia, c1992.
2 of 4 copies available at NOBLE (All Libraries). (Show all copies)
0 of 1 copy available at Beverly Public Library.
0 current holds with 4 total copies.
Afterword contains an interview with the author.
Translation of: Moi, Tituba, sorcière noire de Salem. Originally published in France. c1986.
"CARAF books"
Includes bibliographical references (p. [226]-227).
| Subject: | Tituba -- Fiction Witchcraft -- Massachusetts -- Salem -- History -- Fiction Witchcraft -- Barbados -- History -- Fiction Women slaves -- Massachusetts -- Salem -- History -- Fiction Women slaves -- Barbados -- History -- Fiction Trials (Witchcraft) -- Massachusetts -- Salem -- Fiction Women, Black -- Fiction Salem (Mass.) -- History -- Colonial period, ca. 1600-1775 -- Fiction Barbados -- History -- Fiction Massachusetts -- History -- Fiction |
| Genre: | Historical fiction |
| Alternate Title: | Tituba, Black witch of Salem |
Citation: Condé, Maryse. "I, Tituba, Black witch of Salem." Charlottesville : University Press of Virginia, 1992.
2 of 4 copies available at NOBLE (All Libraries). (Show all copies)
0 of 1 copy available at Beverly Public Library.
Throughout the series, Sofia learns to harness its abilities, starting with the power to communicate with animals. This power allows her to interact with various creatures and seek their assistance whenever needed. As the series progresses, the amulet reveals new magical abilities in response to different challenges Sofia faces. For instance, it allows her to transform into a mermaid and communicate with sea creatures when she visits Merroway Cove. It also gives her the power of flight, enabling her to soar through the skies alongside her winged friends. Moreover, the amulet provides Sofia with the ability to communicate with other princesses from different Disney movies. This feature allows for exciting crossover appearances, introducing beloved princesses such as Cinderella, Belle, Ariel, and Jasmine into Sofia's world. While the amulet is mostly beneficial, it sometimes poses challenges and tests Sofia's character. It occasionally gives in to her wishes without proper consideration, teaching her the importance of making thoughtful decisions and facing the consequences of her actions. In conclusion, the Sofia the First Magic Amulet is an integral part of the "Sofia the First" television show. It allows Sofia to embrace her new role as a princess and helps her navigate the magical world of Enchancia. With its ability to grant various powers and symbolize Sofia's unique journey, the amulet captivates the imaginations of young viewers worldwide..
Reviews for "Sofia the First's Magical Amulet: A Gift from the Enchanted Animals"
1. Emma - 2/5 stars
I was really excited to purchase the Sofia the first magic amulet for my daughter. However, I was disappointed when I realized that the amulet was not as magical as advertised. The lights were not very bright and the sounds were barely audible. My daughter quickly lost interest in playing with it, and I felt like I wasted my money on this toy. I would not recommend it to other parents looking for a truly magical experience.
2. John - 1/5 stars
The Sofia the first magic amulet was a complete letdown. It looked pretty in the packaging, but once we opened it, we realized how poorly made it was. The amulet kept falling apart, and we had to continually fix it. It was also supposed to make sounds and light up, but only worked intermittently. My daughter was extremely disappointed, and this was definitely not worth the price we paid for it.
3. Sarah - 2/5 stars
I was excited to surprise my niece with the Sofia the first magic amulet, but I was disappointed with the quality of the product. The amulet was very flimsy and broke within a few days of use. My niece was heartbroken, and I felt terrible that I had given her something that didn't last. Save your money and look for a more durable and reliable toy instead.
4. Michael - 3/5 stars
While the Sofia the first magic amulet had some nice features, I was not completely satisfied with it. The lights and sounds were average, and the amulet itself was not very durable. My daughter enjoyed playing with it initially but lost interest after a few weeks. I think the amulet would be better if it had more interactive features and was made with better quality materials.