Magic City Kush is a popular cannabis strain that is known for its strong and potent effects. It is a hybrid strain, resulting from a cross between the classic strains OG Kush and Grand Daddy Purple. This combination creates a unique and powerful strain that has gained a loyal following among cannabis enthusiasts. When it comes to appearance, Magic City Kush typically has dense and chunky buds, often with a vibrant green color. The nugs are covered in a thick layer of trichomes, which give the strain a sticky and resinous texture. The aroma of Magic City Kush is also distinct, with a mix of earthy, pine, and citrus notes.
The Fall - Live At The Witch Trials LP
The first full-length album of The Fall, Live At The Witch Trials, is not actually a live album. Emerging out of a two-day studio session at Camden Sound in North West London during a sickly December of 1978, Witch Trials amounts to the sinister foundation of the band's diverse sound. Every song explores drastically different styles and wild terrain, leaving much to decipher over its eleven tracks.
"Frightened" has magnetic attraction / repulsion that shifts between Martin Bramah's skeletal guitar, Yvonne Pawlett's plastic keyboards and the lurching rhythm section of Marc Riley and Karl Burns. Mark E. Smith's mesmerizing bark and eerie lyrics warp the cosmic context with each repeated non-chorus. "Rebellious Jukebox" takes yet another turn and showcases the band's more melodic leanings.
One gets the sense that The Fall are in a time-travel hallucination (from 19th century witch trials to a scathing critique of the late-70s punk scene) where the band's snot-nosed scrabble afflicts the shape of pop to come. As Smith dictates, "We are The Fall, northern white crap that talks back."
Superior Viaduct's edition is the first time that Live At The Witch Trials has been available on vinyl domestically since its initial release in 1979. Liner notes by Brian Turner.
Track Listing:
- Frightened
- Crap Rap 2 / Like To Blow
- Rebellious Jukebox
- No Xmas For John Quays
- Mother-Sister!
- Industrial Estate
- Underground Medecin
- Two Steps Back
- Live At The Witch Trials
- Futures And Pasts
- Music Scene
Live at the Witch Trials
New reissues of the Fall’s first two albums find the band hungry, angry, and taking switchblades to a grim future.
Featured Tracks:
“Industrial Estate” — The Fall Via SoundCloudWhen the Fall’s “Industrial Estate” plays during the closing credits of High-Rise–Ben Wheatley’s new big-screen adaptation of J. G. Ballard’s classic novel–it’s more than a case of similar subject matter. True, the film is about urban malaise, and so is the song. But Ballard’s vision of a tower block turned hermetic, ingrown, incestuous, and cannibalistic unfolds with a clinical exactitude. On the other hand, “Industrial Estate” is a spew of dissonant chaos, fugue-state chants, and malfunctioning carnival organs that inhabits the liminal space between punk and post-punk–just like the rest of album it appears on, the Fall’s 1979 debut Live at the Witch Trials. At the time, the first wave of post-punks were taking Johnny Rotten’s “no future” rant and parsing it like surgeons, laying it bare and reducing it to its components like Ballard. The Fall were no exception but, where many of their contemporaries used anesthetic and scalpels, they packed switchblades.
Witch Trials came out in the spring of 1979, Dragnet in the autumn of 1979. Accordingly, these albums (newly reissued) are very much spring and autumn records, inasmuch as such acutely urban records can have ties to nature. The Fall came together in Manchester in 1976, the year punk conflagrated across England. Its working-class founder Mark E. Smith and his crew immediately hopscotched over punk, delivering an EP in 1978 (Bingo-Master’s Break-Out!) that tapped into everything from the Seeds’ keyboard-slathered garage rock to Can’s elemental clatter.
Witch Trials was both a step ahead and a step back with true punk bangers like “Futures and Pasts,” two-and-a-half minutes of eye-gouging and haranguing that unravels in hyperventilating gasps. That deconstruction quickly morphs from cheeky to sinister. “Rebellious Jukebox”—one of the first self-aware Fall anthems—churns and stutters, thrown into each successive moment by a serpentine bassline that coils like inside-out dub. Smith is all sneers and snarls, delirious as he struggles against and succumbs to rock’n’roll entropy. “We are The Fall/Northern white crap that talks back,” he taunts, chewing the microphone on “Crap Rap 2/Like to Blow.” Soon after, he takes a leap into the cosmic void: “We are frigid stars.” By the time the eight-minute closer “Music Scene” crawls its way into oblivion—en route, beating Public Image Ltd’s similarly distended “Theme” and “Fodderstompf” to the punch by months—the Fall had already established themselves as something far more wobbly and toxic than the emerging post-punk mass.
You can pogo to Witch Trials; you can’t to Dragnet. Where Witch Trials is wiry, Dragnet is weighty. The eight months separating the release of the two albums saw a huge lineup change, setting the pattern of perpetual upheaval that would become the Fall’s constant. Most notably, guitarist Martin Bramah left, and his empty space was filled by existing bassist Marc Riley and new recruit Craig Scanlon. On Dragnet, Riley and Scanlon echo each other just out of sync, rezoning the rhythmic domain of the songs. “Before the Moon Falls”—an eerie track that hints at such contemporaries as Pere Ubu and Swell Maps—jangles with urgency and decay. “I must create a new scheme,” Smith vows, a dirtbag urchin with a brain too big for his skull.
Dragnet can be overwhelmingly dense, folding in viola-like guitar like John Cale’s queasiest recursion (“Muzorewi’s Daughter”) and then Krautrock-leaning funk spiked with garbled demands and harsh glossolalia (“Put Away”). But the heavy hand lightens by “Choc-Stock,” a singsong slice of feral nonsense akin to Syd Barrett with a head cold and a hangover. There’s an answer to Witch Trials’ “Music Scene” in the form of “Spectre vs. Rector,” but it’s nothing like its predecessor; its sludge and subliminal menace practically invented post-rock as an afterthought. The track is visceral, reeking of spilled pints and machine oil, evoking the industrial scum-scape that incubated it.
In a 2011 interview, Smith said that Ballard’s 1962 post-apocalyptic novel The Drowned World was the only book by the author that he liked. Even then, he referred to it only as “that one where the world’s underwater.” Erudition in the formal sense is never what Smith or the Fall were about, and that’s made plain on Witch Trials and Dragnet, where Smith’s loathing of cultured, mannered learning oozes from every fracture. Instead, the albums are celebrations–if not exhortations–of working-class precocity and street-smart intellectualism cobbled together from thrift stores bookshelves and stolen snatches of philosophy. Hungry, angry, and ugly: that’s the post-punk proclamation of the Fall’s first two albums, a flag that would fully unfurl with the release of band’s masterpiece, Hex Enduction Hour, three years later. But for a fleeting few seasons in 1979, in the hands of Smith and his gang of urban mutant malingerers, all that mattered was feeding the future to itself and seeing what got puked back up.
Live At The Witch Trials
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The aroma of Magic City Kush is also distinct, with a mix of earthy, pine, and citrus notes. One of the reasons why Magic City Kush has gained so much popularity is its potent effects. It is known for providing a strong and long-lasting high that is both relaxing and euphoric.
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The strain is often described as a "couch-lock" strain, meaning it can leave users feeling incredibly relaxed and sedated. This makes it a great choice for those looking to unwind and relax after a long day. In addition to its relaxing effects, Magic City Kush also has a reputation for its medical benefits. The strain is often used to help with conditions such as chronic pain, insomnia, and stress. Some users also report that it can help with appetite stimulation and nausea. Overall, Magic City Kush is a powerful and popular cannabis strain that offers a combination of relaxation, euphoria, and medical benefits. Its unique blend of OG Kush and Grand Daddy Purple genetics creates a distinct and potent strain that is enjoyed by many. Whether you're looking to relax, alleviate pain, or simply enjoy a strong high, Magic City Kush is definitely worth a try..
Reviews for "Magic City Kush Strain: A Spellbinding Cannabis Variety"
1. John - 2 stars - I was really disappointed with the Magic City Kush strain. First of all, the taste was not pleasant at all. It had a strange chemical-like flavor that was off-putting. Secondly, I didn't experience any of the desired effects that I typically look for in a cannabis strain. It didn't provide the relaxation or pain relief that I was hoping for. Overall, I would not recommend Magic City Kush to anyone looking for a satisfying and enjoyable cannabis experience.
2. Sarah - 1 star - Magic City Kush was a complete letdown for me. The smell was overpowering and not in a pleasant way. It had a strong, pungent odor that lingered even after I had finished using it. Additionally, the effects were very underwhelming. I felt more anxious and restless rather than relaxed and euphoric. I had high hopes for Magic City Kush, but unfortunately, it did not meet my expectations at all.
3. Mike - 2 stars - I was really excited to try Magic City Kush, but it turned out to be a disappointment. The buds were dry and crumbled easily, indicating poor quality. The taste was nothing to write home about either. It had a harsh and bitter flavor that was not enjoyable. Furthermore, the high was short-lived and left me feeling groggy and unfocused. Definitely not the experience I was hoping for. I wouldn't recommend Magic City Kush to anyone looking for a premium cannabis strain.
4. Emily - 1 star - I did not have a good experience with Magic City Kush. The potency was lacking, and I didn't feel any significant effects after using it. In addition, the buds were poorly trimmed and had a lot of stems and leaves, which made the smoking experience unpleasant. Overall, I was highly disappointed with Magic City Kush and would not purchase it again. There are definitely better strains out there.