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Director Dani Parr has a track record of making un-patronising, entertaining theatre for children. And although this story, published in 1950 and set in the war years, is far from ‘modern,’ our seven-year-old was gripped throughout.
And when the Wardrobe is opened to show the snow-bound Narnia, there s a blast of cold air emanating from the stage to further stimulate the audience. The Northamptonshire trial was of significant importance as they were one of the earliest documented cases of trial by water being used to determine the guilt of one of the accused.
The magic wand is equipped with a precision applicator that allows users to apply the contour product with ease. The applicator is soft and gentle on the skin, ensuring a smooth and even application. The slim shape of the wand also allows users to easily target specific areas of the face, such as the cheekbones, jawline, and forehead.
Lion, Witch and Wardrobe. Intelligent theatre in a sea of predictable panto
Firstly, I should declare an interest. My two elder sons are in the ‘junior company’ of the Lion, the Witch and the Wardrobe, running at Northampton’s Royal Theatre until January 9th.
However, as any parent who has had to endure school plays will know, it ain’t automatically good just ‘cos your offspring are in it. (Hand in the rose-tinted specs as you leave).
Adam Baxter as Tumnus and Hayley Ellenbrook as Lucy (pic Robert Day)
But I’m not coming to LWW just as a doting parent. I’ve reviewed productions at Northampton’s theatres for ten years or more. As a local reviewer, you have to be honest, not sycophantic, but can’t be deliberately brutal like those who swan in and out of town for the Nationals.
Thing is, this version of the Lion is actually really good. And I am completely ‘meh’ about all the Narnia stories. They just didn’t do it for me as adventures. I’m almost wishing I could find something wrong with the Royal’s version to show I’m not just bigging up something which has my kids in it.
Director Dani Parr has a track record of making un-patronising, entertaining theatre for children. And although this story, published in 1950 and set in the war years, is far from ‘modern,’ our seven-year-old was gripped throughout.
White Witch (Georgina White) and Edmund (Peter McGovern) (pic Robert Day)
You spend quite a lot of time just gawping at the breadth of skills displayed by the actors. The striking and sickeningly-talented Georgina White, when not camping it up as the evil White Witch, also flits on and off stage to the visible ‘orchestra’ areas to play the saxophone and bassoon. All four adults-playing-kids Peter, Lucy, Edmund and Susan are capable singers and also play instruments (did I mention it had singing in it? My kids didn’t either).
The set, as usual with the Royal, is stunning and clever and still manages to surprise. The wooden panelling is a great idea to show the evacuees’ home. And when the Wardrobe is opened to show the snow-bound Narnia, there’s a blast of cold air emanating from the stage to further stimulate the audience . Costumes too, are inspiring (I found myself envying the white queen’s fur-trimmed coat and wondering if I could get away with wearing it for the school run).
Newcomer Hayley Ellenbrook is endearing and believable as Lucy, a role that could so easily irritate by a less able actor. Peter McGovern’s Edmund is suitably detestable, while Mr And Mrs Beaver (Louise Shuttleworth and Matthew Henry) add a welcome touch of humour in a show that’s about as non-Christmassy as it’s possible to be, despite an appearance by the Big Man Himself.
Usually there’s at least one mis-cast member of a production, but in L, W and W I just could fault anyone. Perhaps, just an itty-bitty-trying-to-find-a- criticism would be that there are too many damn children in it. But mine are great. Natch.
The Lion, The Witch and the Wardrobe runs at the Royal Theatre, Northampton, until January 9. Call 01604 624811 for tickets.
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Reviews for "How to achieve a natural-looking contour with the Gimme Contour Magic Wand"
1. Mary - 2 stars
I was really disappointed with the Gimme contour magic wand. The formula was way too thick and creamy, making it difficult to blend and leaving me with streaky and unnatural-looking contour. The shade range was also limited, and none of the colors worked well on my skin tone. I ended up having to buy a different contour product to achieve the desired results. Overall, I would not recommend this product.
2. John - 1 star
I had high hopes for the Gimme contour magic wand, but it fell flat for me. The packaging is nice and travel-friendly, but the product itself was a major letdown. The texture was very greasy and it never fully dried down, which made it slide around my face throughout the day. The coverage was also sheer, even after multiple layers, and it didn't give me the defined and sculpted look I was hoping for. I would not repurchase this product.
3. Sarah - 2 stars
I gave the Gimme contour magic wand a try, but it just didn't work for me. The shade I purchased was too warm and orange-toned for my fair skin, making my contour look unnatural and muddy. The formula was also difficult to work with; it was sticky and hard to blend, leaving me with harsh lines instead of a seamless finish. I was left feeling disappointed and would not recommend this contour wand to others.
4. Alex - 3 stars
I have mixed feelings about the Gimme contour magic wand. While the packaging and concept are great, I found the formula to be slightly drying and difficult to work with. It tended to emphasize dry patches on my skin and settle into fine lines, making my complexion look less smooth. However, the shade range was decent and it did have decent lasting power. If you have normal or oily skin, you might have better luck with this product.