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GENRE: SUPERNATURAL
SOURCE: STREAMING (SCREENER)

Meanwhile, a trio of farmers get drunk on Absinthe and make a sex doll of sorts, which according to some tradition will turn into a living girl if they say the correct chant. Not only was it one of the better horror movies of the lineup, but I could have immediately turned to my seat neighbor and discussed it, since I m not sure if I got everything that went down in the film.

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Sennentuntschi: Curse of the Alps Movie Review

Sentunchi? Sennanichi? Senterparks? This Euro-horror may be a bit of a mouthful but it’s one that’s worth ingesting. With Sennentuntschi: Curse of the Alps, director Michael Steiner chaperones Switzerland’s first genre movie to the big screen with style. Part murder mystery, part grizzly fairytale its dual story lines combine to form a memorable and impressive debut.

The Alps, 1975. After the questionable suicide of a local priest and the sudden appearance of a peculiar young woman, townsfolk superstitions are quickly uprooted. Thought to be somehow linked to the recent tragedy, this mysterious beauty is disliked by everyone except Reusch, a trusting cop with a troubled past. Meanwhile, inside a remote shack on a nearby hilltop, a trio of lonely farmers drunkenly dabble with the supernatural. Their goal? To create the mythical Sennentuntschi: a straw-woman given life by the devil to see to their every need.

Once alive, this sexy Frankenstein’s monster is used and abused by her testosterone-filled captors. However, it’s not long before she takes her bloody revenge on anyone who crosses her path. Thanks to some plucky detective work, Reursch discovers that these events are connected and that the mysterious woman he’s taken under his wing may be hiding a deadly secret.

Needless to say, there’s quite a lot going on. Not only that, but the back-and-forth narrative used to tell the tale doesn’t exactly lend itself to straightforward viewing. Here’s an example: the movie starts in present day before flashing back to the action only to return to real time for a very brief epilogue. It could be argued that this adds to its folk-story ‘tall tale’ theme, after all, we’re being told what happened in ghost story fashion by a now-adult eye witness. However, it’s a slightly convoluted story telling method that may leave many scratching their heads.

Unnecessarily disjointed storyline aside, Steiner crafts a beautifully shot and well thought-out horror that keeps you guessing. Stellar performances from Nicholas Ofczarek as doomed copper Reusch and Roxane Mesquida, as the oh-so innocent but oh-so deadly Sennentuntschi, force you to sit up and pay attention.

And you’ll be glad you did, if only to admire the thing. Cinematographer Pascal Walder makes this a treat for the eyes, filling every scene with dark fairytale iconography. Speckled mushrooms, stone cottages, rolling rural landscapes — they’re all here and begging to be gawped at. While by no means perfect, Sennentuntschi: Curse of the Alps will no doubt leave you eager for more Swiss horror. Who knows, they could become the country’s next top export. Watch out Toblerone.

Grades:

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This is an odd little film that shuffles time frames, locales, and genres in its close to two hour running time. I can’t say I was enthralled by every second of this Swiss/German fairy tale-like film, but the fact that it’s so scattershot makes the film endearing to me. The ancient fable of Sennentuntschi goes like this: a group of lonely men are looking for the perfect woman, so they make one out of straw, sticks, and old clothes. She comes alive and cooks, cleans, and sexually services the men, then one night she kills them all and makes them into human dolls. Sounds pretty creepy, I know. But the fact that SENNENTUNTCHI doesn’t really know what type of film it wants to be turns out to be its blessing and curse.

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