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Witchcraft hair rehabilitation is a term that refers to a variety of mystical or supernatural methods used to restore or rejuvenate hair. In some cultures, it is believed that certain individuals possess innate magical abilities that can be harnessed to improve the condition of one's hair. These individuals are often referred to as "witches" or "witch doctors" and are highly respected for their knowledge and skill in hair care. This form of hair rehabilitation is seen as an alternative or complementary approach to traditional hair care methods. It is rooted in ancient beliefs and practices that date back centuries, with many cultures having their own unique rituals and spells for hair restoration. Some common practices include the use of special herbs, oils, and potions, as well as incantations and rituals performed during the full moon or other significant celestial events.

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This Companion provides an authoritative reference source for this complex and captivating genre, exploring the tales themselves, the writers who wrote and reworked them, and the artists who illustrated them. They usually follow a hero or heroine who comes up against some sort of obstacle or obstacles from witches and ogres, to dwarves and as the name suggests fairies.

Some common practices include the use of special herbs, oils, and potions, as well as incantations and rituals performed during the full moon or other significant celestial events. One popular belief is that specific herbs or ingredients possess magical properties that can stimulate hair growth and repair damaged strands. For example, a mixture of rosemary, lavender, and chamomile is often used to promote hair growth and improve scalp health.

A husband and wife reimagine fairy tales with Black children in mind

Bathed in a golden light, she looks out from a photo resembling a fashion magazine spread with a commanding stare, surrounded by massive teddy bears. Instead of yellow curly hair, she wears thick, afro-textured, honey blonde locs.

This is the Goldilocks of CROWNED: Magical Folk and Fairy Tales from the Diaspora by husband and wife photographers Kahran and Regis Bethencourt. The two have reimagined familiar stories with photographs of Black children and, occasionally, new plot points, in an elaborate book of 141 photos.

It's the sequel to 2021's GLORY: Magical Visions of Black Beauty.

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The book is broken down into three categories: Classic fairy tales, African and African American Folktales and original stories. The couple intentionally casts Black children of different ages, skin tones and hair textures in traditionally white roles, like Cinderella.

Cinderella becomes Asha in this retelling. CROWNED hide caption

In the retelling of Cinderella, "Asha the Little Cinder Girl," Asha wears an extravagant blue gown with purple tulle shooting from the bottom as Jamal, her Prince Charming, slides on a white high-top sneaker instead of a glass slipper.

Perhaps the most striking element in the picture is Asha's hair, a structure of carefully placed black braids and white pearls piled high on top of her head.

"I think it's important for, specifically, Black and brown kids to be able to see themselves reflected in the stories that they read growing up," Kahran said.

The Bethencourts began their photography careers in Atlanta in 2009. For a while, they worked in the children's fashion industry, capturing headshots for adolescent actors and shooting campaigns for kids' brands. But they noticed a specific and unsettling pattern among Black children in the industry.

Poisoned Apple, from the book CROWNED, which casts Black children as the central characters in fairy and folk tales. CROWNED hide caption

"We realized that a lot of the kids that had natural Afro hair would come in to get their headshots and the parents would have their hair straightened because they thought that's what they needed to do to get their kids into the industry," Kahran said.

"We thought, 'Gosh, wow! At an early age we're teaching our kids that they're not acceptable, that their looks are not good enough.'"

The two began doing personal projects where Black children were encouraged to wear their natural hair in fashionable settings. Staying connected to the industry helped them build enough clientele to create their own photography company, CreativeSoul.

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Candyland, from the book Crowned, which retells familiar stories with Black children. CROWNED hide caption

CROWNED is a visual representation of the CreativeSoul original mission: celebrate and embrace natural Black beauty. But the book also showcases Regis and Kahran's ability to imagine and translate new worlds.

"Goldi: The Girl with the Golden Locks" was the favorite story for Regis to retell because the original story "didn't really have a lesson at the end."

"It pretty much was a story about a privileged girl going in and just eating everything and just leaving and going back home," he said. "No lesson learned."

In CROWNED, Goldi is still a privileged girl, but she is welcomed into the bears' home. The bears don't have much, but they have each other and a once-haughty Goldi leaves the house with three new friends and an appreciation for nurturing her relationships.

Changing the ending "was so cool for me because I feel like we're actually changing history," Regis said.

Treasures from the sea nestle in the little mermaid's rosy hair as she strikes a royal pose. CROWNED hide caption

The book was released May 23, three days before the live action film The Little Mermaid premiered with Halle Bailey, a Black woman with natural locs, as Ariel, a princess and the main character.

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Like the live-action adaption of The Little Mermaid, the Bethencourts' version is setting the standard for Black representation in traditionally white spaces.

The husband and wife duo dress Aliyah, the little mermaid, in silver jewels and colorful pearls from head-to-toe. As she floats under the sea, she plays in her big red flowing hair filled with loose braids, shells, leaves and bright red tulle.

Aliyah holds her head high in every shot like the most confident, royal figures. She stares off into the distance and also directly at the camera, as if to say this story was always her own.

Lisa Lambert edited this digital story.

Image Credit: ‘Mother Goose reading written fairy tales’ by Gustave Doré. Public Domain via Wikimedia Commons.

These herbs are said to possess qualities that nourish the hair follicles and stimulate blood flow to the scalp. Another aspect of witchcraft hair rehabilitation is the use of rituals and ceremonies to harness the power of the natural elements. These rituals often involve the use of candles, crystals, and other metaphysical tools to amplify the desired outcome. Some individuals may also conduct ceremonies in specific locations, such as near a stream or under a particular tree, to enhance the mystical energy associated with the process. Despite its mystical nature, witchcraft hair rehabilitation is often viewed as a holistic and natural approach to hair care. Many individuals turn to these methods when traditional treatments have failed or produced unsatisfactory results. They believe that by tapping into the mystical energies of nature and the universe, they can bring balance and harmony to their hair and ultimately achieve healthier and more vibrant locks. It is important to note that witchcraft hair rehabilitation is not widely recognized or supported by the scientific community. While some of the herbal remedies and rituals used may have potential benefits for hair health, there is limited scientific evidence to support their effectiveness. Additionally, the use of certain ingredients or practices may have adverse effects or interact with medications. Therefore, it is essential to exercise caution and consult with a healthcare professional before attempting any witchcraft hair rehabilitation methods..

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