The Bell Witch is a legendary story of a poltergeist that haunted the Bell family in Tennessee in the early 19th century. Over the years, the tale of the Bell Witch has become a popular subject for songs, books, and even movies. One interesting adaptation of this story is a musical recording known as "The Bell Witch: An American Musical." This recording was released in 2015 and features a cast of talented actors and singers who bring the story to life through song. "The Bell Witch: An American Musical" is a concept album that tells the story of the Bell family's haunting in a unique and captivating way. The music in this recording ranges from hauntingly beautiful ballads to energetic and rhythmic melodies.
While he was staying busy with TV appearances and virtual performances during the pandemic-caused shutdown of live entertainment in Las Vegas, the comedian and magician known as Piff the Magic Dragon had a bit of an epiphany.
I thought there was a chance we might end up doing the show in the big room for less people, so why don t we spend six months working on a brand-new show that will fit in a larger showroom. I thought there was a chance we might end up doing the show in the big room for less people, so why don t we spend six months working on a brand-new show that will fit in a larger showroom.
The music in this recording ranges from hauntingly beautiful ballads to energetic and rhythmic melodies. Each song is carefully crafted to convey the emotions and events of the story, drawing the listener into the world of the Bell Witch. One of the standout songs in the musical recording is "The Haunting Begins.
Piff the Magic Dragon has a new show with guest stars ready for the Flamingo Showroom
Piff is ready to be magical again, live and in person.
Wednesday, Oct. 21, 2020 | 2 a.m.
Sun on the Strip
Piff the Magic Dragon
Brock speaks with Flamingo headliner Piff the Magic Dragon.
While he was staying busy with TV appearances and virtual performances during the pandemic-caused shutdown of live entertainment in Las Vegas, the comedian and magician known as Piff the Magic Dragon had a bit of an epiphany.
“I thought there was a chance this would go on for a while and when we’d come back, we’d have to do some shows with people sitting farther away,” Piff says on the latest episode of the Sun on the Strip podcast. He’s been performing at the Bugsy’s Cabaret space at Flamingo Las Vegas for about five years. “I thought there was a chance we might end up doing the show in the big room for less people, so why don’t we spend six months working on a brand-new show that will fit in a larger showroom. It turns out that was a good idea.”
When Caesars Entertainment and Stabile Productions announced last week that Piff’s show would be one of the first to return to live performances on October 29, his prediction came true. He’s moving into the Flamingo Showroom to accommodate socially distanced audiences of 250 and he’s coming in ready with a lot of new material and plans for special Vegas guest stars.
“When we came off ‘America’s Got Talent’ and got the show at Flamingo, we’d go on the road and play these comedy clubs, but eventually we were selling those out. We’d outgrown them so we moved into these thousand-seat theaters on the road,” Piff says. “So the last two years, we’ve been playing these theaters then coming back to the small room at Bugsy’s. I’ve always loved playing those comedy clubs because of how close the audience is, but it does limit what you can do. Suddenly we can do all these huge things we’ve been doing on tour, which are much more like the material we’ve been developing.”
Piff and his team have been able to dig into the “bucket list” of tricks and bits they’ve been conceptualizing for years, developing new content for the show thanks to a surplus of spare time. He’s eager to use the new stuff onstage “even though it felt slightly crazy to be working on those things. It was a bit like building Noah’s Ark. I would be, the shows are coming back! And everyone was like, really? But we did it, we built the ark and we’re ready to sail.”
The temporary shutdown also provided Piff with a new perspective on his performance and its importance to his audience.
“The way I’m looking at it is, we can come back and we can give people an hour away . They can come in, they can laugh, they can enjoy themselves and hopefully be in a better mood to go back out and the face the difficulties that everyone is facing,” he says. “One of the things I’ve found from doing virtual shows too is how people just want to come have a great time. They’ll come to those shows and leave happier than they were, and they’ll write in and say, ‘Thanks for making me forget for an hour.’ I think before, I was a little flippant, maybe wondering who really needs a comedy show. I think we all need to laugh right now.”
Listen to this and more on the Sun on the Strip, also available at Apple Podcasts.
“I thought there was a chance this would go on for a while and when we’d come back, we’d have to do some shows with people sitting farther away,” Piff says on the latest episode of the Sun on the Strip podcast. He’s been performing at the Bugsy’s Cabaret space at Flamingo Las Vegas for about five years. “I thought there was a chance we might end up doing the show in the big room for less people, so why don’t we spend six months working on a brand-new show that will fit in a larger showroom. It turns out that was a good idea.”
Brock speaks with Flamingo headliner Piff the Magic Dragon.
While he was staying busy with TV appearances and virtual performances during the pandemic-caused shutdown of live entertainment in Las Vegas, the comedian and magician known as Piff the Magic Dragon had a bit of an epiphany.
“I thought there was a chance this would go on for a while and when we’d come back, we’d have to do some shows with people sitting farther away,” Piff says on the latest episode of the Sun on the Strip podcast. He’s been performing at the Bugsy’s Cabaret space at Flamingo Las Vegas for about five years. “I thought there was a chance we might end up doing the show in the big room for less people, so why don’t we spend six months working on a brand-new show that will fit in a larger showroom. It turns out that was a good idea.”
When Caesars Entertainment and Stabile Productions announced last week that Piff’s show would be one of the first to return to live performances on October 29, his prediction came true. He’s moving into the Flamingo Showroom to accommodate socially distanced audiences of 250 and he’s coming in ready with a lot of new material and plans for special Vegas guest stars.
“When we came off ‘America’s Got Talent’ and got the show at Flamingo, we’d go on the road and play these comedy clubs, but eventually we were selling those out. We’d outgrown them so we moved into these thousand-seat theaters on the road,” Piff says. “So the last two years, we’ve been playing these theaters then coming back to the small room at Bugsy’s. I’ve always loved playing those comedy clubs because of how close the audience is, but it does limit what you can do. Suddenly we can do all these huge things we’ve been doing on tour, which are much more like the material we’ve been developing.”
Piff and his team have been able to dig into the “bucket list” of tricks and bits they’ve been conceptualizing for years, developing new content for the show thanks to a surplus of spare time. He’s eager to use the new stuff onstage “even though it felt slightly crazy to be working on those things. It was a bit like building Noah’s Ark. I would be, the shows are coming back! And everyone was like, really? But we did it, we built the ark and we’re ready to sail.”
The temporary shutdown also provided Piff with a new perspective on his performance and its importance to his audience.
“The way I’m looking at it is, we can come back and we can give people an hour away . They can come in, they can laugh, they can enjoy themselves and hopefully be in a better mood to go back out and the face the difficulties that everyone is facing,” he says. “One of the things I’ve found from doing virtual shows too is how people just want to come have a great time. They’ll come to those shows and leave happier than they were, and they’ll write in and say, ‘Thanks for making me forget for an hour.’ I think before, I was a little flippant, maybe wondering who really needs a comedy show. I think we all need to laugh right now.”
Listen to this and more on the Sun on the Strip, also available at Apple Podcasts.
" This song sets the stage for the rest of the story by introducing the characters and describing the strange occurrences that plagued the Bell family. The lyrics are filled with suspense and mystery, creating a sense of foreboding that is present throughout the entire album. Another notable song in the recording is "The Witch's Curse." This song delves deeper into the origins of the Bell Witch and the reasons behind her haunting. It explores themes of revenge and betrayal, adding depth and complexity to the story. The powerful vocals and dramatic instrumentation in this song make it a true highlight of the album. Overall, "The Bell Witch: An American Musical" is a unique and captivating adaptation of the legendary Bell Witch story. The recording successfully combines elements of storytelling, music, and theater to create an immersive and engaging experience for the listener. Whether you are a fan of musical theater or a lover of ghost stories, this musical recording is sure to entertain and enchant..
Reviews for "Ghostly Harmonies: The Vocals and Choir of the Bell Witch Musical"
1. Emily - 1 star - This Bell Witch musical recording was a complete disappointment. The vocals were off-key and lacked emotion, making it difficult to connect with the story. The instrumentals were overpowering and drowned out the already weak vocals. I was hoping for a haunting and captivating experience, but instead, I was left wanting my time and money back.
2. John - 2 stars - I was really excited to listen to the Bell Witch musical recording, but it fell short of my expectations. The production quality was subpar, with a muddy mix that made it hard to distinguish between the different instruments. Additionally, the pacing of the songs felt off, and the lyrics were unremarkable. Overall, it lacked the depth and creativity that I was hoping for in a musical about such a fascinating legend.
3. Sarah - 2 stars - As someone who loves musicals, I was really looking forward to this recording of the Bell Witch. Unfortunately, it left much to be desired. The songs lacked memorable melodies and were forgettable. The story also felt disjointed and hard to follow, making it difficult to engage with the characters and their emotions. Overall, I found this musical recording to be lackluster and would not recommend it to others.
4. Michael - 1 star - The Bell Witch musical recording was a complete letdown. The vocals were weak and uninspiring, and the song choices were questionable at best. The entire recording lacked cohesion, with abrupt transitions between songs that made it feel disjointed. It's a shame because the Bell Witch legend has the potential for a captivating musical experience, but this recording missed the mark completely.