The BBC adaptation of "The Lion, the Witch, and the Wardrobe" is a beloved television series that brings C.S. Lewis' classic fantasy novel to life. The story follows four siblings, Peter, Susan, Edmund, and Lucy, who stumble upon a magical wardrobe that leads them to the mystical land of Narnia. In Narnia, they encounter talking animals, mythical creatures, and an evil White Witch who has cast a never-ending winter on the land. The BBC adaptation captures the essence of the novel and transports viewers to the enchanting world of Narnia.
To it's credit it does remain consistent and even includes a cast member from the original. Sadly this doesn't make up for everything else being beyond awful.
Over millennia, toy dolls crossed continents and social strata, were made from sticks and rags, porcelain and vinyl, and have been found in the hands of children everywhere. Dolls have been a part of human play for thousands of years in 2004, a 4,000-year-old stone doll was unearthed in an archeological dig on the Mediterranean island of Pantelleria; the British Museum has several examples of ancient Egyptian rag dolls.
The BBC adaptation captures the essence of the novel and transports viewers to the enchanting world of Narnia. The production values are impressive, with detailed set designs and costumes that bring the magical realm to life. The performances of the cast are also noteworthy, particularly the child actors who portray the Pevensie siblings.
Possessed Dolls : Haunted Dolls
A fear of dolls does have a proper name, pediophobia, classified under the broader fear of humanoid figures (automatonophobia) and related to pupaphobia, a fear of puppets. But most of the people made uncomfortable by the doll room at Pollock’s Toy Museum probably don’t suffer from pediophobia so much as an easy-to-laugh-off, often culturally reinforced, unease. “I think people just dismiss them, ‘Oh, I’m scared of dolls’, almost humorously – ‘I can’t look at those, I hate them,’ laughingly, jokingly. Most people come down laughing and saying, ‘I hated that last room, that was terrible,’” Hoyt says. Dolls – and it must be said, not all dolls – don’t really frighten people so much as they “creep” them out. And that is a different emotional state all together. Dolls have been a part of human play for thousands of years – in 2004, a 4,000-year-old stone doll was unearthed in an archeological dig on the Mediterranean island of Pantelleria; the British Museum has several examples of ancient Egyptian rag dolls. Over millennia, toy dolls crossed continents and social strata, were made from sticks and rags, porcelain and vinyl, and have been found in the hands of children everywhere. It’s easy for a society to project whatever it wanted on to them: Just as much as they could be made out of anything, they could be made into anything. So dolls, without meaning to, mean a lot. But one of the more relatively recent ways we relate to dolls is as strange objects of – and this is a totally scientific term – creepiness. Research into why we think things are creepy and what potential use that might have is somewhat limited, but it does exist (“creepy”, in the modern sense of the word, has been around since the middle of the 19th century; its first appearance in The New York Times was in an 1877 reference to a story about a ghost). In 2013, Frank McAndrew, a psychologist at Knox College in Illinois, and Sara Koehnke, a graduate student, put out a small paper on their working hypothesis about what “creepiness” means; the paper was based on the results of a survey of more than 1,300 people investigating what “creeped” them out (collecting dolls was named as one of the creepiest hobbies). Continue reading from Smithsonian Magazine
Each actor perfectly embodies their characters, capturing their individual personalities and growth throughout the story. The White Witch, played by Barbara Kellerman, is a standout character in the adaptation. Kellerman excellently portrays the icy and manipulative nature of the witch, striking fear into the hearts of both the characters and viewers alike. Her commanding presence and sinister allure make her a captivating antagonist. The faithfulness to the source material is another commendable aspect of the adaptation. The BBC version stays true to Lewis' narrative and themes, highlighting aspects such as the importance of bravery, faith, and the battle between good and evil. The series does not shy away from the more complex and sometimes dark aspects of the story, allowing viewers to fully immerse themselves in the world of Narnia. Overall, the BBC adaptation of "The Lion, the Witch, and the Wardrobe" is a must-watch for fans of C.S. Lewis' novel and fantasy enthusiasts. The enchanting storytelling, talented cast, and faithful adaptation make it a timeless and cherished television series that continues to captivate audiences of all ages. Whether you are rediscovering the magic of Narnia or experiencing it for the first time, this adaptation is a true delight..
Reviews for "The magic of wardrobe doors in BBC's 'The Lion, the Witch, and the Wardrobe"
1. John - 2 stars - I was really disappointed with the BBC adaptation of "The Lion, the Witch, and the Wardrobe." The acting felt stiff and forced, and the special effects were underwhelming. The pacing of the story also felt off, with certain scenes dragging on while others were rushed through. Overall, it lacked the magic and charm of the original book and previous adaptations. I would recommend sticking to the book or watching the earlier film versions instead.
2. Sarah - 1 star - I found the BBC's "The Lion, the Witch, and the Wardrobe" to be incredibly dull and uninspiring. The dialogue felt stilted and the acting lacked depth. The set designs and costumes were lackluster, failing to capture the fantastical world of Narnia. The whole production felt like a poor attempt at bringing a beloved story to life. I would recommend skipping this version altogether and seeking out a more engaging adaptation.
3. David - 2 stars - As a fan of C.S. Lewis' "The Lion, the Witch, and the Wardrobe," I was excited to watch the BBC adaptation. However, I was left feeling disappointed. The pacing was slow, and the acting fell flat, lacking the emotion needed to truly bring the story to life. The special effects were also dated and unimpressive. While it stayed true to the original storyline, the execution left much to be desired. I would recommend exploring other adaptations that do justice to this beloved tale.
4. Emily - 2 stars - While I appreciate the effort put into the BBC's adaptation of "The Lion, the Witch, and the Wardrobe," I couldn't help but feel underwhelmed. The acting felt wooden and lacked the depth needed to fully immerse the viewers in the story. The production values were also subpar, with the special effects appearing dated and unconvincing. Overall, it failed to capture the magic and enchantment of the book, leaving me feeling unsatisfied. I would recommend exploring other adaptations before settling for this one.