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Techniques of Graeco-Egyptian Maheuc The Graeco-Egyptian Maheuc technique refers to a specific approach to art that emerged during the Hellenistic period in Egypt. This unique artistic style incorporates elements from both Greek and Egyptian cultures, resulting in a distinctive fusion of artistic techniques. The Maheuc technique is characterized by the combination of Greek naturalism with Egyptian formalism. One of the key techniques used in Graeco-Egyptian Maheuc art is the representation of human figures. The artists of this style sought to depict the human body with a high degree of naturalism, reminiscent of ancient Greek art. They paid careful attention to anatomical details, such as facial features, musculature, and body proportions.

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According to Médecins du Monde, more than a third of them were chased away from their home in the pretext that they were child-witches and responsible of all the troubles of the family death, unemployment, disease, etc. In the ongoing Black Spirituality Project , Afrolatinx-American photographer Felicita Felli Maynard documents POC Millennial women who are reclaiming their ancestral heritage.

They paid careful attention to anatomical details, such as facial features, musculature, and body proportions. This naturalistic approach was combined with the Egyptian tradition of idealized and stylized figures, resulting in a unique combination of realism and formalism. Another important technique employed in Graeco-Egyptian Maheuc art is the use of vibrant colors.

Child-witches of Kinshasa

We have already presented Gwenn Dubourthoumieu’s Mobutu palaces. Here is one of her latest series on the children of Kinshasa. It received special mention from the jury of the Prix Roger Pic 2011, and was awarded the Investigative Reporting Prize at the European Festival of Journalism / Scoop Grand Lille 2011. Between 20 000 and 50 000 children live in the streets of Kinshasa. Organized in gangs, they get by, sometimes thanks to theft or prostitution. According to Médecins du Monde, more than a third of them were chased away from their home in the pretext that they were child-witches and responsible of all the troubles of the family (death, unemployment, disease, etc.). The immense majority of the people living in Kinshasa are persuaded by the truthfulness of this curse. More than one hundred new “child-witches” are so discovered every month and thrown out in the streets. The faith in witchcraft is profoundly rooted in the Congolese culture, but the phenomenon, which consists in abandoning children by accusing them of witchcraft, took a notorious scale only since the end of 1990s. In this immense overpopulated shanty town that is Kinshasa, where 95 % of the population get by below the poverty line, the children are unproductive mouths to feed. Caroline Six Mention spéciale du Jury, Prix Scam Roger Pic 2011
Prix de l’enquête, festival européen du journalisme / Scoop Grand Lille 2011

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Subscribe for full access to The Eye of Photography archives!
That’s thousands of images and articles, documenting the history of the medium of photography and its evolution during the last decade, through a unique daily journal. Explore how photography, as an art and as a social phenomenon, continue to define our experience of the world. Two offers are available.
Subscribe either monthly for $5 or annually for $50 (2 months offered).

For American photographer, Frances F. Denny, the personal is political: while researching her ancestry, she discovered her eighth great-grandmother, Mary Bliss Parsons was accused of witchcraft while living in Northhampton, MA, in 1674 — just two decades before the Salem Witch Trials of 1692–1693, which were presided over by Chief Justice Samuel Sewall, Denny’s tenth great grand-grandfather.

Artists of this style used a wide range of pigments to create vivid and eye-catching compositions. They often incorporated rich blues, greens, and reds into their artworks, which were commonly associated with both Greek and Egyptian traditions. This use of vibrant colors added to the visual appeal of the artworks and helped to create a sense of dynamism and vibrancy. Additionally, Graeco-Egyptian Maheuc artists employed various artistic techniques to create texture and depth in their artworks. They employed techniques such as shading, hatching, and cross-hatching to give the illusion of three-dimensionality and create a sense of depth. This careful attention to texture and shading helped to make the figures and objects in the artworks appear lifelike and realistic. Furthermore, Graeco-Egyptian Maheuc artists often depicted scenes from mythology and daily life. These artworks often incorporated multiple figures and narrative elements, creating complex and intricate compositions. The artists paid close attention to details such as facial expressions, gestures, and interactions between figures, bringing the scenes to life and engaging the viewer in the storytelling aspect of the artwork. In conclusion, the Graeco-Egyptian Maheuc technique is a unique artistic style that emerged during the Hellenistic period in Egypt. It combines elements from both Greek and Egyptian cultures, resulting in a fusion of naturalism and formalism. The artists employed techniques such as naturalistic figure representation, vibrant colors, attention to texture and depth, and depiction of mythology and daily life to create visually stunning and engaging artworks..

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