Surf Curse is a band known for their distinctive and weird songs. Their music is a unique blend of lo-fi indie rock and surf pop, with hauntingly catchy melodies and offbeat lyrics. One of their standout tracks is called "Freaks", a song that captures the essence of their style and appeal. The main idea of the song revolves around feeling like a misfit or outcast in society. The lyrics convey a sense of alienation and a longing for acceptance. **Surf Curse** manages to capture the feelings of loneliness and vulnerability through their poignant lyrics.
Sarah grew up in Ohio where her first job, at 16, was at a living history museum. Assigned to the kitchen where they only used wood-burning fire and cooked with ingredients available way back when, Sarah became fascinated with historical food. Since then she’s hosted Colonial dinners, done events and a podcast with The Masters of Social Gastronomy and written the bestselling Eight Flavors: The Untold Story of American Cuisine . Interestingly enough, Sarah said almost everything about witches and their portrayal can be traced back to food.
Look for images of witches this time of year and, though there are a sprinkling of sleekly glamorous ones perhaps Melisandre from Game of Thrones the vast majority are hook-nosed, humpbacked, bewhiskered crones. Assigned to the kitchen where they only used wood-burning fire and cooked with ingredients available way back when, Sarah became fascinated with historical food.
**Surf Curse** manages to capture the feelings of loneliness and vulnerability through their poignant lyrics. "Freaks" opens with dreamy guitar riffs and a melancholic tone that sets the stage for the song's introspective journey. The vocals have a raw and vulnerable quality that invites listeners to connect with the emotions being expressed.
On Psychedelics and Bad PR: How Witches Got Their Pointy Hats
Look for images of witches this time of year and, though there are a sprinkling of sleekly glamorous ones—perhaps Melisandre from Game of Thrones—the vast majority are hook-nosed, humpbacked, bewhiskered crones. It’s depressing and also feels like cultural ageism and even a misogynous slur. As it happens, historical gastronomist Sarah Lohman has plenty to say about that, as well as all things witchy and Halloween.
Sarah grew up in Ohio where her first job, at 16, was at a living history museum. Assigned to the kitchen where they only used wood-burning fire and cooked with ingredients available way back when, Sarah became fascinated with historical food. Since then she’s hosted Colonial dinners, done events and a podcast with The Masters of Social Gastronomy and written the bestselling Eight Flavors: The Untold Story of American Cuisine . Interestingly enough, Sarah said almost everything about witches and their portrayal can be traced back to food.
Take the main elements of witchiness: the hat, the cat, and the broom. In the Middle Ages, alewives were often women who stirred their water, malt, yeast and hops in the yard. And the tools of their trade? A cauldron big enough to hold their ingredients, a cat to keep away rats, and a broomstick to hang outside the door when the beer was done. These enterprising women even wore tall peaked hats so the crowds at the market could see where they sold their wares. Now enter the first brewers’ guild: a men-only association which framed these women as ugly, poison-peddling, and dangerous; a marketing gambit that happened to stick like a burr.
Speaking of witches, the Salem witch trials were supposed to be the result of a rash of hysteria amongst young girls. As Sarah Lohman says, we are often told “they were teenagers who wanted attention and all these other tropes about women that are now kind of tired.” Over the years, anthropologists have also put the accusations down to the politics, the place, and the times, but others have cited something more visceral, real, and misunderstood. Anthropologist Linda Caporael has made a strong case for ergotism as a possible cause. Ergot, a black fungus that grows on grains such as rye, has LSD-like properties. Ingesting ergot can cause hallucinations, convulsions, and a prickling pinching sensation from vascular constriction, severe enough to cause gangrene. Caporael studied weather records of the time as well as the land composition around Salem. The wettest, lowest farms in the area also happened to be owned by families with only daughters, the ones who were accused. And, to make the case even more compelling, in 1691 there was a long hot summer after an astronomical amount of rain, perfect ergot conditions, and the witch-possessions occurred only after the harvest. Children and pregnant women were generally the most susceptible, and the ergot would have had just enough time to build up in their systems and cause the havoc that ended up being so fatally misunderstood. It’s a circumstantial idea, but also one that is as credible as mass female hysteria. Who knew? Sometimes life altering events can come down to the unlikeliest things: smear campaigns and agricultural flukes.
For more of Sarah’s fascinating culinary sleuth-work and recipes (make your own candy corn!) take one of her Zoom classes at the Brooklyn Brainery or pick up her latest book.
Look for images of witches this time of year and, though there are a sprinkling of sleekly glamorous ones—perhaps Melisandre from Game of Thrones—the vast majority are hook-nosed, humpbacked, bewhiskered crones. It’s depressing and also feels like cultural ageism and even a misogynous slur. As it happens, historical gastronomist Sarah Lohman has plenty to say about that, as well as all things witchy and Halloween.
The lyrics are powerfully introspective and reflect the band's ability to capture the complexities of human emotions. The chorus of the song is particularly catchy, with an infectious melody that will have you humming along. The lyrics of the chorus further reinforce the overarching theme of feeling like an outsider. The repetition of the line "We're just freaks that crave attention" highlights the band's desire for acceptance and understanding. The instrumentation in "Freaks" is a perfect match for the lyrical content. The lo-fi production quality gives the song a raw and authentic feel, while the surf-pop influences add a touch of nostalgia and charm. The combination of these elements creates a unique and captivating sound that sets Surf Curse apart from other indie rock bands. In conclusion, Surf Curse's song "Freaks" is a prime example of their ability to create weird and captivating music. The band's introspective lyrics, dreamy instrumentation, and raw vocals make for a song that leaves a lasting impression. Whether you're a fan of surf rock or indie pop, "Freaks" is a track worth checking out. So, embrace your inner oddity, and join Surf Curse's world of weirdness..
Reviews for "Breaking Musical Barriers: How Surf Curse's Unorthodox Songs Challenge Traditions"
- John - 2 stars - I didn't enjoy "Weird song" by Surf Curse. The melody was repetitive and the lyrics didn't make much sense to me. It felt like a chaotic mess rather than a cohesive song. I was hoping for something more enjoyable, but unfortunately, this track did not meet my expectations.
- Sarah - 1 star - I really didn't like "Weird song" by Surf Curse. The vocals were grating and the instrumental didn't flow well. It felt like a poorly put together song with no real substance. I found myself skipping it every time it came on. Overall, a disappointing track.
- Robert - 2 stars - "Weird song" by Surf Curse didn't do it for me. The lyrics were difficult to understand and the overall composition lacked direction. It felt like a jumble of random sounds without a clear purpose. I was hoping for something more engaging, but sadly, this song fell flat for me.
- Emma - 2 stars - I couldn't get into "Weird song" by Surf Curse. The vocals were off-putting and the melody didn't grab my attention. It felt like a forgettable track that will quickly fade from memory. I was disappointed because I had heard good things about this band, but this song didn't impress me.