The Enchanting World of Magical Christmas Ornaments

In the spirit of the holiday season, many people enjoy decorating their homes with festive ornaments. One popular and enchanting type of decoration is the magical Christmas ornament. These special ornaments are more than just decorations; they have the ability to bring a touch of magic and wonder into our lives during the holiday season. Magical Christmas ornaments come in a variety of shapes, sizes, and designs. From traditional designs featuring Santa Claus, snowflakes, and Christmas trees, to more modern and whimsical creations resembling unicorns, mermaids, or even characters from our favorite movies and books, there is a magical Christmas ornament to suit every taste and style. The magic of these ornaments lies in their ability to captivate our imagination and transport us into a world of enchantment.

In the 20th century, there were two images of witches that dominated pop culture. They were either sultry and seductive (like the Queen of the goths, Morticia Addams) or green-faced and wart-ridden (like the Wicked Witch from The Wizard of Oz). The latter’s pointy black hat, too, became a mainstay on the Halloween costume circuit. Its roots and significance are disputed. Some say it arose from anti-Semitism in the 13th century, where Jews were forced to wear identifying pointed caps, which became associated with Satan-worship and black magic, acts of which Jews were accused. Some say the hat came from an anti-Quaker prejudice. Others claim its roots lie in alewife hats, a type of hat worn by women who home-brewed beer for sale.

They were either sultry and seductive like the Queen of the goths, Morticia Addams or green-faced and wart-ridden like the Wicked Witch from The Wizard of Oz. I have even written what I see as my definition of what who a witch is, but with Halloween upon us, I thought we could have a little fun and look at how to spot a witch if you are out and about.

The magic of these ornaments lies in their ability to captivate our imagination and transport us into a world of enchantment. With their shimmering colors, sparkling details, and sometimes even built-in lights or music, they create a sense of wonder and joy that truly embodies the spirit of Christmas. Some magical Christmas ornaments have hidden surprises or interactive features.

The Many Faces of Women Who Identify as Witches

My first encounter with the figure of a witch in popular culture—apart from those in kids’ movies like Disney’s “Sleeping Beauty” and M-G-M’s “The Wizard of Oz,” or in books like Tomie dePaola’s “Strega Nona” and Roald Dahl’s “The Witches”—was in a campy scene from Oliver Stone’s 1991 bio-pic, “The Doors,” depicting Jim Morrison (played by Val Kilmer) and one of his lovers, a Wiccan witch (a character played by Kathleen Quinlan, and based on the rock journalist Patricia Kennealy, who reportedly married the singer in a Celtic handfasting ceremony, in 1970). In the flickering light of dozens of candles barely illuminating a high-ceilinged chamber, the two peruse an esoteric sorcery tract in the nude, snort cocaine, slit their wrists with a dagger, drink each other’s blood, and have wild sex to the shrieking strains of Carl Orff’s “Carmina Burana.”

More than a quarter century later, the often paradoxical grab bag of clichés tied to the contemporary figure of the witch is not that far off, I think, from those shown in Stone’s movie. The witch is often understood as a mishmash of sometimes contradictory clichés: sexually forthright but psychologically mysterious; threatening and haggish but irresistibly seductive; a kooky believer in cultish mumbo-jumbo and a canny she-devil; a sophisticated holder of arcane spiritual knowledge and a corporeal being who is no thought and all instinct. Even more recently, the witch has entered the Zeitgeist as a figure akin to the so-called nasty woman, who—in the face of a Presidential Administration that is quick to cast any criticism as a “witch hunt”—has reclaimed the term for the feminist resistance. (This latter-day witchiness has often been corralled to commercial ends: an Urban Outfitters shirt bearing the words “Boss Ass Witch,” say, or the women-only co-working space the Wing referring to itself as a “coven.”) The muddled stereotypes that surround witches nowadays are, in the end, not so very different from those used to define that perennial problem: woman.

In her portrait series “Major Arcana: Witches in America,” which will be shown at the ClampArt gallery, in Chelsea, beginning October 4th, the photographer Frances F. Denny seeks to explore the figure of the contemporary witch beyond the cultural chestnuts that have shrouded and obscured it. In the course of the past two years, Denny, who holds an M.F.A. in photography from the Rhode Island School of Design (where I taught her for a semester a number of years ago), has travelled in California, Louisiana, and along the East Coast, taking the portraits of dozens of women who identify as witches. Her subjects are of diverse age, social class, and ethnicity, and practice a range of rituals, often drawing on “mysticism, engagement with the occult, politically oriented activism, polytheism, ritualized ‘spell-work’ and plant-based healing,” according to Denny’s exhibition notes. Among them are “self-proclaimed green witches, white witches, kitchen witches, hedge witches, and sex witches.” The series as a whole aims to avoid easy formulas and, instead, to exhibit the heterogeneity and individuality of modern-day witches, Denny told me recently, adding, “I’m not pinning these women down.”

In one photograph—“Randy (Plainfield, VT)”—a grandmotherly woman is standing in a lush green meadow, wearing a flower-sprigged sack dress, her hair arranged a bit girlishly in tousled white ringlets. In one hand she casually clasps a pair of divining rods, while in the other she holds up a pendulum, her gaze raised toward it, her lips upturned in a slight, self-possessed smile. In another—“Kir (Brooklyn, NY)”—a young, lithe woman is dressed in tight black jeans and a tank top, her booted feet planted firmly on a city street, a large, inquisitive-looking tabby cat on a leash at her side. And in “Shine (New York, NY),” a statuesque black woman, posed against a wall of ivy, is dressed in an elaborately embroidered coat, gazing piercingly at the camera. These subjects are all self-identified witches, and yet that fact would not be immediately or necessarily obvious to the uninformed viewer. When she first started the project, Denny read a book by Margot Adler about witches, in which the late journalist and Wiccan priestess argued that “witch” was not just a word but “a cluster of powerful images,” Denny said. “So I thought, I want to make this cluster of images.”

Denny asked the women she photographed for the series to wear an outfit or bring along an item that they felt would represent their practice and identity as witches, and some of the portraits do answer more readily to our expectations of what a witch might look like. More than one woman wears a voluminous cape; some subjects’ fingers are crowded with ornate, sculptural rings, and others’ makeup is goth-y and exaggerated—lips crimson, eyes dramatically shaded. They brandish mysterious implements—a crystal ball, a bow and arrow, a wooden staff; one woman reclines, entwined with a snake—and most are dressed in black. Still, Denny said, it was important for her to make portraits that diverge from the ways she had seen witches typically photographed. “In what I saw out there, there was a lot of low lighting, and a lot of use of colored gels, usually purple or green. There was an immense theatricality,” she told me. In her photographs, Denny used natural light whenever possible, and the women are posed straightforwardly, facing the camera. Like other portraitists, such as the contemporary Dutch photographer Rineke Dijkstra, or the twentieth-century German master August Sander, Denny captures her subjects suspended delicately between performativity and naturalism. These self-identified witches are positioning themselves before us, fully conscious of our eye, and Denny is allowing them a lovely three-dimensionality.

Another of history’s iconic witches was Alice Kyteler, Ireland’s first convicted witch. She was accused, in 1324, of having sex with a demon, though it’s not clear what evidence authorities actually had. What did she look like? In paintings, she’s shown with red hair parted down the middle, with a single plait at the back. She looks plain, a quiet enigma, like the silent girl in the back of the classroom. By some accounts, she was attractive and sophisticated, capable of manipulating men, including her four husbands who died from illnesses that allegedly originated from her spells.

For example, you might find a ornament that plays a beloved holiday tune when you press a button, or one that reveals a hidden scene when you turn it upside down. These small touches add an extra layer of enchantment and make the ornaments even more special. One of the most charming aspects of magical Christmas ornaments is their ability to bring people together. Whether it's a family tradition to decorate the tree together or a gathering of friends for a holiday party, these ornaments can spark conversations, laughter, and create lasting memories. They serve as a reminder of the magic and joy that can be found in the simplest of things. In conclusion, magical Christmas ornaments are a delightful addition to any holiday décor. Their ability to bring a touch of magic and wonder to our lives makes them truly special. Whether passed down through generations or purchased new, these ornaments have the power to create a sense of joy and excitement during the holiday season. So, this year, as you decorate your home, consider adding a few magical Christmas ornaments to your collection and let the enchantment of the season come alive..

Reviews for "Unwrapping the Wonder: The Secret Charm of Magical Christmas Ornaments"

1. Sarah - 2 stars - "Watch magical Christmas ornaments" was a disappointment. The storyline was predictable and lacked originality. The characters were one-dimensional and lacked depth, making it difficult to connect with them. The acting was subpar, with wooden performances that felt forced and unnatural. Overall, it failed to capture the magic and charm that I usually look for in a Christmas movie.

2. Michael - 1 star - "Watch magical Christmas ornaments" was a complete waste of time. The plot was incredibly formulaic and offered no surprises. The dialogue felt forced and cheesy, and the acting was cringe-worthy. The special effects were poorly executed, making the magical elements of the story look cheap and uninspired. I found myself counting down the minutes until the movie was over, as it failed to hold my interest or provide any enjoyment.

3. Jessica - 2 stars - I was really hoping for a heartwarming, magical Christmas movie, but "Watch magical Christmas ornaments" fell flat. The characters were generic and lacked any real development. The storyline felt rushed and didn't give enough time for the viewer to truly invest in the relationships or the magic aspect. The overall execution felt lackluster, and I found myself feeling bored and disconnected throughout the film. It's a shame because with a more compelling script and stronger performances, this movie could have been so much better.

4. Robert - 1 star - "Watch magical Christmas ornaments" was a disappointment from start to finish. The plot had potential, but it was poorly executed. The pacing was slow, and the movie dragged on longer than necessary. The performances were lackluster, with no real chemistry between the actors. The dialogue was cliché and lacked any real depth or emotion. Overall, it was a forgettable Christmas movie that failed to bring any joy or holiday spirit.

Delve into the Mystical: Discovering the Power of Magical Christmas Ornaments