Midnight Magic Tarot The Midnight Magic Tarot is a deck of cards used for divination. It is based on the traditional Tarot deck, but with a unique twist. Instead of the usual bright and colorful imagery, the Midnight Magic Tarot features dark and mysterious artwork, creating an atmosphere of enchantment and intrigue. Each card in the deck represents a different aspect of life, ranging from love and relationships to career and personal growth. The symbolism used in the artwork is rich and evocative, allowing for deep interpretations and insights. Using the Midnight Magic Tarot is a way to tap into the hidden aspects of the self and the universe.
Extras include an informative commentary (available with Spanish subtitles for non-English speaking audiences) by Mexican cinema expert and VP of Casanegra, Michael Liuzza, who takes the time to discuss the cast, the director and other facets of the production. A text essay on director Rafael Baledon is well-researched and expertly written by David Wilt, and there are equally well-scribed bios on Arenas, Moctezuma, Macedo and Salazar. A still gallery rounds out the extras on the disc, which is also comes with a colorful CasaNegra Loteria game card and a booklet (in both Spanish and English) about the legend of La Llorona, written by Peter Landau. The disc’s cover is reversible in English or Spanish. Casanegra’s next releases will be BRAINIAC and THE BLACK PIT OF DR. M, so we have those and hopefully much more to look forward to! (George R. Reis)
Those origin movies tend to be painful to watch, with Annabelle being a snoozefest with no logic and even less thought put into it that basically relied on the movie Annabelle Creation to salvage the concept while The Nun was basically average if I was being kind and if I were to re-review that film today I d probably put it at 2. Those origin movies tend to be painful to watch, with Annabelle being a snoozefest with no logic and even less thought put into it that basically relied on the movie Annabelle Creation to salvage the concept while The Nun was basically average if I was being kind and if I were to re-review that film today I d probably put it at 2.
Using the Midnight Magic Tarot is a way to tap into the hidden aspects of the self and the universe. The cards act as a tool for introspection and self-discovery, helping the user to gain a better understanding of their current situation and possible future outcomes. The Tarot reading process involves shuffling the deck, asking a question or setting an intention, and then drawing cards to reveal the answers or insights.
The curse of the teary woman
One of the most atmospheric and competently produced efforts in the Mexican horror cannon, THE CURSE OF THE CRYING WOMAN (original title: “La Maldicion De La Llorona”) is one of a number of films based on the Mexican folklore legend of “La Llorona” which literally translates to “The Crying Woman.” Produced by and starring the legendary Abel Salazar (best known for BRAINIAC and dozens of other genre films), the movie is best known to American audiences in a dubbed version distributed by K. Gordon Murray. Casanegra now presents it in its unedited, original form, and it’s a great addition to any respectable horror fan’s DVD library.
In the pre-credit sequence, a carriage with three passengers stops in a dark misty forest, encountering a blank-eyed raven-haired woman leashing three Great Danes. She orders her henchman (Carlos López Moctezuma) to mercilessly do away with the trio of travelers, even driving the carriage over a young woman (Julissa, THE SNAKE PEOPLE). Soon after, we learn that the witch-like entity is Selma (Rita Macedo), who has called upon her niece Emily (Rosita Arenas) to collect an inheritance. With her husband Jaime (Salazar), Emily shows up at the crumbling hacienda of her aunt, and is in for a rude awakening of a nightmarish visit. It turns out that the reason for Emily being there is an ancestral curse which calls for her to revive La Llorona, an executed demoness, now a rotted corpse in waiting.
For those not familiar with Mexican horror cinema, THE CURSE OF THE CRYING WOMAN is not a bad place to start, as it’s exemplary of the genre. From the opening sequence to the notion of awakening an ancient witch, the film was obviously inspired by Mario Bava’s BLACK SUNDAY, and succeeds at competing with the Italian gothics of the period. Rafael Baledon’s direction is stylish throughout, supported by an exceptional, detailed mansion set (including a soaring bell tower) which is as impressive as anything seen in Hollywood at the time. The dungeon is cob-web ridden and rat-infested, complete with the flesh-on-the bones remains of La Llorona. Taking place entirely at night, the film is generous with the fog machines and several ghoulish visual effects, even employing scenes from other Mexican horrors (THE BRAINIAC, WORLD OF THE VAMPIRES, THE MAN AND THE MONSTER, etc) shown in negative to illustrate La Llorona’s history.
Macedo and Arenas are both beautiful actresses who have done a number of Mexi horrors, and they bring a great presence to this film as their evil and good characters clash. Salazar (who was married to Arenas at one time) had done so many of these types of romps before that he looks very much at home being the leading man (smoking long cigars and fending off flapping rubber vampire bats), taking a backseat to the ladies. Moctezuma, another vet of sinister cinema, is great as the lurking club-footed homely henchman, and Domingo Soler adds another monstrous facet to the proceedings, portraying a hairy, malformed madman (a great make-up job) who is kept prisoner in the hacienda, only to be set loose to wreak havoc. The climax is also a cinematic showcase, as the house of the crying woman literally falls to pieces, and a miniature model of it is surprisingly convincing.
Casanegra’s DVD of THE CURSE OF THE CRYING WOMAN looks fantastic, miles above the previous public domain prints of the U.S. version that have circulated over the years. The source elements are in flawless shape, making for a crystal clear, clean image and a great amount of detail. The shadowy images of the black & white photography can now be fully appreciated. Included is the film’s original Spanish language track in Dolby Digital mono 1.0, as well the familiar English-dubbed K. Gordon Murray track. If you’re only familiar with the American version, you will be delighted to witness extra footage during the Great Danes’ vicious attack on a group of policemen. The menus are accessible in either English or Spanish.
Extras include an informative commentary (available with Spanish subtitles for non-English speaking audiences) by Mexican cinema expert and VP of Casanegra, Michael Liuzza, who takes the time to discuss the cast, the director and other facets of the production. A text essay on director Rafael Baledon is well-researched and expertly written by David Wilt, and there are equally well-scribed bios on Arenas, Moctezuma, Macedo and Salazar. A still gallery rounds out the extras on the disc, which is also comes with a colorful CasaNegra Loteria game card and a booklet (in both Spanish and English) about the legend of La Llorona, written by Peter Landau. The disc’s cover is reversible in English or Spanish. Casanegra’s next releases will be BRAINIAC and THE BLACK PIT OF DR. M, so we have those and hopefully much more to look forward to! (George R. Reis)
In the pre-credit sequence, a carriage with three passengers stops in a dark misty forest, encountering a blank-eyed raven-haired woman leashing three Great Danes. She orders her henchman (Carlos López Moctezuma) to mercilessly do away with the trio of travelers, even driving the carriage over a young woman (Julissa, THE SNAKE PEOPLE). Soon after, we learn that the witch-like entity is Selma (Rita Macedo), who has called upon her niece Emily (Rosita Arenas) to collect an inheritance. With her husband Jaime (Salazar), Emily shows up at the crumbling hacienda of her aunt, and is in for a rude awakening of a nightmarish visit. It turns out that the reason for Emily being there is an ancestral curse which calls for her to revive La Llorona, an executed demoness, now a rotted corpse in waiting.
The cards are placed in specific positions, which have predetermined meanings and interpretations. The Midnight Magic Tarot can be used by anyone interested in divination or self-reflection. It can be a helpful tool for exploring different aspects of life, making decisions, and gaining clarity on certain situations. The deck also comes with a guidebook that provides detailed descriptions and explanations for each card, as well as sample spreads and interpretations. This makes it accessible for both beginners and experienced practitioners. In conclusion, the Midnight Magic Tarot offers a dark and enchanting approach to Tarot reading. It provides a unique and evocative experience for those seeking guidance or self-discovery. Whether used for personal reflection or professional divination, the Midnight Magic Tarot is a powerful tool for exploring the mysteries of life..
Reviews for "The Astrological Influences of Midnight Magic Tarot"
1. John - 2 stars - I was really excited to read "Midnight Magic Tarorg" because I had heard great things about it, but I ended up being extremely disappointed. The story was slow-paced and dragged on for far too long. The characters were also underdeveloped and lacked depth, making it hard for me to connect with them. Overall, I found the book to be dull and uninteresting, and I wouldn't recommend it to others.
2. Emily - 1 star - "Midnight Magic Tarorg" was just not my cup of tea. The writing style was confusing and overly verbose, making it difficult for me to follow the story. Additionally, the plot felt disjointed and lacked coherence. I struggled to find any enjoyment in this book and found myself bored throughout the entire reading experience. Unfortunately, I cannot say anything positive about this novel and would not recommend it to anyone seeking an entertaining read.
3. Sarah - 2 stars - I can see why some people might enjoy "Midnight Magic Tarorg," but it was just not for me. The characters were one-dimensional, and the dialogue felt forced and unnatural. The pacing was inconsistent, with some parts dragging on for too long while others were rushed and lacked proper development. Overall, I found the book to be mediocre at best and failed to captivate my interest. I would advise others to approach with caution before picking up this novel.
4. Michael - 1 star - I was highly disappointed in "Midnight Magic Tarorg." The story was confusing and filled with unnecessary subplots that added nothing to the overall plot. The writing style was also lackluster, and I struggled to maintain my interest throughout the book. The lack of character development made it difficult for me to connect with the story, and I found the ending to be unsatisfying. I would not recommend this book to anyone looking for a captivating and well-crafted tale.
5. Jessica - 2 stars - "Midnight Magic Tarorg" fell short of my expectations. The plot was predictable, and the characters were stereotypical and lacked depth. I found the world-building to be underwhelming and felt that the author missed opportunities to create a more immersive setting. The pacing was slow, and the writing style did not captivate me. Overall, I was unimpressed with this book and would not recommend it to others.